The Big Picture(2013)

way(en)

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

August Underground's Mordum(en)

The sequel to the cult classic August Underground is a character study in the sick, an amoral putrid fantasy. The found footage contained in August Underground’s MORDUM documents extreme deviant sexuality, torture and murder, while unfolding a classic tale of a man and woman in love. However, the woman cannot give up her other lover, who also happens to be her younger brother. August Underground’s MORDUM will vomit all over you and leave you for dead!

Cherrie - ut ur mörkret(sv)

Ellen DeGeneres: Here and Now(en)

Taped at New York City's Beacon Theatre before a live audience, Ellen DeGeneres: Here and Now features the kind of humor that first made her a star, offering her offbeat insights into everyday life. Her feel-good humor touches on something that anyone can identify with, be it the obligatory gay joke, procrastination, fashion, public cell phone use, airline etiquette, or self-esteem.

Jigen Daisuke(ja)

Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.

Scooby-Doo! Spooky Games(en)

Shaggy is selected to participate in the World Invitational Games in London, England.

Scooby-Doo: Agence toutou risques, vol. 2 : Le fantôme de la télé(fr)

Six: Inside(en)

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Super Eruption(en)

A Yellowstone National Park scientist and a thrill-seeking ranger join forces to plug-up a volatile super volcano that threatens to wipe out the entire United States.

How to Get Daddy to Change(cs)

Adventures of the "How to Rip Whale Tooth" (1977) heroes continue...

Dune(hu)

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

A(ja)

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Demon Slayer: Kimetsu no Yaiba - Asakusa Arc(ja)

A recap of Kimetsu no Yaiba episodes 6–10, with new footage and special end credits. Tanjiro ventures to Asakusa, Tokyo for his second mission with the Demon Slayer Corps.

Thunder in Paradise 2(en)

Kelly is whisked off into Prince Aramour's harem and given to his enemy as tribute in this romantic tale of capture and rescue.

A Cultural Film(ar)

Three sexually-frustrated friends are determined to watch a porno video but have no private place, no VCR, and no TV, so they go on a misadventure in which their group constantly increases, taking on more and more sexually-frustrated people and falling into one mishap after another, all because of the restrictions of society.

Nefta Football Club(ar)

In the south of Tunisia, two football fan brothers bump into a donkey lost in the middle of the desert on the border of Algeria. Strangely, the animal wears headphones over its ears.

No abras la puerta(es)

Fausto and Esther childhood was tormented. Fausto, trying to escape from his father. Esther, mistreated by her brother-in-law. They both begin to be involved in a supernatural situation. Over which they have no control.

Onmyōji(ja)

Legal High 2 SP(ja)

Attorneys Kensuke Komikado and Machiko Mayuzumi receive a request from a general hospital. They go up against veteran attorney Kazuma Kujou who is trying to extract money from the general hospital by a medical malpractice lawsuit.

Old Man Junior(en)

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

Shusenjo: The Main Battleground of the Comfort Women Issue(en)

A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.

Media Mafia: a Tale of Two Newspapers(ko)

The 100 years of history of the Chosun Ilbo and the Dong-A Ilbo show that wrong press can be a social weapon.

The Murmuring(ko)

Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.

The Ukishima Maru Massacre(ko)

22nd of August, 1945. Japan lost the war and they loaded an 8,000 person Joseon laborer force onto a ship called the Ukisima to take them to the Busan Port. However, the ship sunk into the water due to an unknown blast. This is the story of thousands of Joseon people who dreamed of returning to their families and how they died.

A Long Way Around(ko)

Life story of sexually harassed women by Japanese army, so called "comfort women" and the reflected story of Grandma, Ok-seon Lee in that period of time

My name is KIM Bok-dong(ko)

In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.

My Own Breathing(ko)

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

Song of Arirang - Voices from Okinawa(ja)

In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.

Twenty Two(zh)

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

KOKO SunYi(ko)

Senso Daughters(ja)

Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.

Born in Gunsan and After Seven Years, I Was Repatriated to Japan...(ko)

A bamboo forest becomes a city with bustling streets that then smoothly transform into photographs: never really in focus, ever more fragmentary and blurred. Born in Gunsan and after seven years, I was repatriated to Japan… begins as a formidable exercise in fūkei-ron, only to turn into a meditation on what remains of the past, with worlds, eras and personal views colliding.

A Secret Buried for 50 Years: The Story of Taiwanese "Comfort Women"(zh)

This is Taiwan's first documentary about comfort women. The audience gets a glimpse of history as 13 "grandmothers" speak of their unspeakable past, unknown even to their family, in front of the camera.

Okinawan Harumoni - Testimony: Military Comfort Women(en)

Bae Ponggi, a Korean woman who became a comfort woman for the former Japanese military in 1944, testifies for the first time in Okinawa in 1975, after Okinawa was returned to the mainland. In the "red-tiled house" on Tokashiki Island, Okinawa, which was turned into a comfort station, she talks about her life and relationships, her situation after being left behind on the Korean Peninsula and unable to return to it after the war, and what happened afterwards.

The Cross of North Gando(ko)

The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.

Comfort(ko)

KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.

Land of My Father(ko)

Byeong-man, a farmer whose father was enslaved during Japan's occupation of Korea, protests the Japanese government's claim over the disputed island territory of Dokdo. Kyeong Sook, a woman who lived on Dokdo with her father, struggles to keep his legacy alive after the Korean government mysteriously erased their history. Set in the unresolved trauma of the Japanese occupation of Korea, Land of My Father (아버지의 땅) is a story about two lives that are intertwined with a remote disputed island.

Things That Do Us Part(ko)

Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.

TARGET(ja)

In 1991, the issue of “comfort women” was raised for the first time through the testimony of the late Kim Hak-sun. One of the first reporters in Japan to write an article about her testimony was Uemura Takashi of The Asahi Shimbun. Since the publication of his article, Uemura has been subjected to blatant attacks from the far-right, including threats on his family’s life, and the issue is still ongoing in 2021. Based on Uemura's defamation lawsuit that began in 2015, TARGET details why he had to be someone's “target.”

Habitual Sadness(ko)

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.