Nkosi coiffure(2015)

Wet Bum(en)

An awkward teenage outcast finds unlikely companions in two aged residents of the retirement home in which she works.

The Clearing(en)

In this short film written and directed by Alexis Bisticas, the audience sees through the eyes of a man in the woods, following the distant sound of a saxophone. In a single take, the fluid steadicam shot takes the viewer on a surreal and poetic journey, as the walker comes across everything from family picnics to men in bondage suits.

Nayantara's Necklace(hi)

Set in Mumbai, Nayantara's Necklace explores the friendship between Alka and her new Dubai-returned neighbour Nayantara. As their friendship grows, Alka finds herself wanting to be more like Nayantara. But what Alka doesn't know is the price that she might have to pay for this obsession of hers.

The Last Dream(en)

In a future where people have lost the ability to dream, a company has made a business out of recycling precious fantasies of the few that can still produce them. A model employee, Khalil, is one of the top performers until one day, his dreams are no longer to the liking of the company.

Numero 69(it)

Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?

Spacca La Testa(it)

Antonia and Zeno struggle with their marriage during a surreal dinner - while a mysterious Aztec whistle seems to be influencing their actions.

The Widow(ja)

Through her stream-of-conscious testimony, 40-something widow, Tomoko Tanai, recounts her experience of dating a man 15 years her junior, Satoshi, a handsome prince-charming who may not be what he seems.

Le dernier mardi(fr)

Angels Of Our Past(en)

A father and sons solitary life in hiding is threatened by a visitor from their past.

False Creek Stories(en)

This is False Creek, perhaps an insignificant point on a map. Its happenings won't splash across the front page of your morning newspaper, but the daily affairs of this little neighborhood are the main headlines to the people that live here. Their source for these stories is Bill, a wheelchair bound man with paraplegia who devotes his time and ambition to seek out those local chronicles that his neighbors so desire. But with Bill's responsibility to entertain comes certain jealousy from Igor, who thinks he's better suited for the job. And from Doug, who just craves the respect it brings. Today, dressed with a shirt he found in the free-box, and with hope in his heart, Doug sets out to gain that respect.

The Gathering 2(id)

A group of friends reunites for a vacation amid nature, where they laugh about their shared history and bond over difficult truths.

Traces of Sandalwood(ca)

Despite her fame and fortune, Mina, a successful Indian actress in Mumbai, can't forget her little sister Sita, from whom she was forced to separate after their mother's death in a village. Thirty years later she will finally find out that Sita is alive and well in Barcelona. However, Sita's adoptive parents have erased all traces of her past. She is now called Paula, works as a researcher in Biology and has no recollection of her Indian background, let alone of Mina. Faced with the shocking truths of her past, Paula begins a long journey of self-discovery, aided along the way by her budding romance with the handsome Indian immigrant Prakash. A story of hope and love across Mumbai and Barcelona; from India to the Mediterranean and all the way back.

Alone Man(pt)

The film tells the story of Arnaldo, that to get rid of his miserable life, seeks of a clinic that promises to copy people. With a copy occupying his place, he would take a new life. But, when having his request denied, Arnaldo has no choice but to try and change the course of his history. When he falls in love with Josie, the clerk of a pet cemetery, Arnaldo believes that he found a chance to finally be happy. But maybe he's wrong. A Lone Man is an urban fable that addresses the complexity of relationships, with a good dose of irony, and humor.

The Wasp(fr)

Simone single-handedly runs a seedy motel, day and night, day after day. She is raising money for her 17-year-old daughter’s education. But when a stranger checks in, everything changes. He doesn’t fit in: he is well-dressed, he has money, and he wants a room for several days. But worst of all, this strangely familiar man seems a bit too interested in Simone’s daughter…

Weapons and Their Names(en)

Struggling to connect with her grieving family after the sudden death of her stepfather, a teenager sneaks off to shoot guns in rural Florida with her best friend.

Tribu(fr)

Jan and Pascale are separating, leaving their son Thierry torn between two families.

The Castaways of the Fol Espoir(fr)

A film-crew in the early twentieth century, the cabaret known as ‘Le Fol Espoir’ has been transformed into an amateur soundstage. The motion picture tells the story of a ship and its passengers – from the famous opera singer down to the petty criminal. The film is an optimistic political fable intended to educate the masses. There’s comedy aplenty – slapstick punches, custard pies and gags reminiscent of Buster Keaton and Fatty Arbuckle; there’s adventure, high drama moments of great bravura , and passionate love stories. The filming begins on June 28th 1914, the day of the Archiduke Franz Ferdinand’s assassination in Sarajevo, the gunpowder that sets Europe alight. It ends with news of another assassination – that of Jean Jaures on July 31st followed by the general conscription of August 1st, heralded by church bells across France. The allegory of the shipwreck is filmed at breakneck pace during the last five weeks before war breaks out.

October Gale(en)

A doctor takes in a mysterious man who washes ashore at her remote cottage with a gunshot wound. Quickly they both learn the killer has arrived to finish the job, while a storm has cut them off from the mainland.

Under Construction(bn)

Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.