Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha, a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations.
Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha, a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations.
1977-04-27
5.3
A portrait of those trying to survive in the war-torn Middle East.
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.
Aurora finds a member of her crime buff group, the Real Murders Club, killed in a manner that eerily resembles the crime the club was about to discuss. As other brutal "copycat" killings follow, Aurora will have to uncover the person behind the terrifying game.
A young French journalist repeatedly meets iconic surrealist artist Salvador Dalí for a documentary project that never came to be.
Environmentally friendly electric cars, sustainably produced food products, fair production processes: Hurray! If everything the corporations tell us is true, we can save the world through our purchasing decisions alone! A popular and dangerous lie. In his new documentary film, Werner Boote shows us, together with environmental expert Kathrin Hartmann, how we can protect ourselves. Down with green lies!
After years away from home, and receiving news of his parents’ deaths, a disillusioned Occupier is forced from his tent in Zuccotti Park to upper middle class Texas, where he must repair his two sisters, his past, and himself.
Suzumiya Haruhi no Gekisou (涼宮ハルヒの激奏, The Extravaganza of Haruhi Suzumiya) was a live concert event held at Omiya Sonic City on March 18, 2007 that featured songs from the anime as well as interviews and skits performed by the voice actors.The MCs for the event were Minoru Shiraishi and Megumi Matsumoto.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
When numerous schools in São Paulo were slated to be closed in 2015 as a result of the worsening socio-political crisis, students occupied more than a thousand public buildings in an unprecedented act of self-empowerment. Filmmaker Eliza Capai shows the development of the many-voiced protests, using news excerpts, self-conducted interviews and recordings made with activists’ own cell phone cameras. From the first demonstrations in 2013 and continuing all the way to the election of the extreme right-wing presidential Jair Bolsonaro in 2018, Capai’s highly political work becomes more and more relevant with each passing day.
Yowamushi Pedal: Re:RIDE compiles the first half of the Inter High arc from the first television anime season with some cuts of new footage added.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
An untalented writer attempts to achieve a "lifelike" scenario fail in a dozen policier.
This film follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Yet as desperate as their circumstances are, each of them—the homeless father and son envisioning their dream house; the young woman abused by her uncle; the boy who imagines himself a trolley conductor—finds reasons to carry on.
A Catholic New Yorker falls in love with a girl and wants to marry her, but he struggles to accept her past and what it means for their future.
Hoping to win over his love, a bankrupt man asks his mysterious millionaire aunt for help.
A very old lady has lost her way in a city and a distinguished gentleman decides to follow her home.
Tina and her cousin Max cannot stand their Grandma's bad soup, scorching summer heat and utmost boredom any more. Both of them wish they were somewhere else, with some other people. Unfortunately, they only have each other.
A young woman attempts to deal with the death of her boyfriend while continuously confronted by his mentally unstable mother.
Seven years after their first infatuated encounter, Abril and Manuel meet again. Despite the fact that they are both married, it is soon apparent that their attraction has only grown.
Ninni is sixteen and she lives in a beautiful mansion in the swedish countryside with her family.
A family is leaving their apartment for a vacation in Poland. While waiting for the taxi cab, they ridicule each other using verbal abuse. Plot by Mattias Thuresson.
An Argentine actor comes to Sweden. He has pictured Sweden as a paradise. From his small rented room, he tries in vain to make contact with the Swedes.
The author Thomas meets his childhood friend Hoffman on an autumn night in 1997. They decide to let a dream come true: to make a film of a play by Thomas, Veranda for a Tenor, with Hoffman in the lead role. The story takes us back to the summer of 1961, which changed their lives. The writing of the script awakens memories and forbidden questions are answered. Their friendship is put to the test a final time. Veranda for a tenor is a film about male friendship, but also about love. Their love for the same woman...
"Life and Death" - A female reporter intended to go on a reporting trip about childbirth to Japan, declines the offer. Instead, she visits a maternity hospital in Sweden. She meets a doctor, who she has been in love for 15 years.
The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.
Tereza tries to leave her past and forge her own destiny and happiness by going through several affairs.
During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.
Father Michael McKinnon goes from the UK to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile Eleanor and Arthur desperately want to have a child, but Arthur is sterile, so they hire Harvard law student Roger Martin to impregnate Eleanor, but unfortunately Roger falls in love with her.
Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.
"White Water" is a short drama about lumberjack country. Nell Shipman plays a girl in love with nature and animals. One day she meets a crippled boy, who sings for pocket change. When she finds out that the boy is badly malnourished, Nell Shipman takes him under her wing and finds work for his elder brother. Then one day disaster strikes when the boy, who can't swim, falls into the river and is carried downstream. Nell Shipman jumps in a canoe and paddles frantically to reach the boy before the current takes him to the rapids, where mortal danger awaits.
To ease her homesickness Miriam recreates an aspect of home in her suburban British garden. Cultural memory exerts a healing power, combatting cultural appropriation, hostility towards migrants and the rift between Miriam and her Nigerian-British children.