Footlight Glamour(1943)

Leave It to Blondie(en)

Older but no wiser, Blondie and Dagwood Bumstead enter a songwriting contest. It's all part of a plan to cover charity checks that they've signed separately but can't cover. Along the way, Blondie's blood boils when Dagwood gets innocently mixed up with beautiful music teacher Rita Rogers.

Open(en)

Cameron and Wren have had an open marriage for the last 3 years. They set rules as boundaries to assure a healthy open relationship, however they quickly learn that rules applied to the art of emotion will often be broken.

Evolution of the Red Star(en)

Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

Bigfoot: The Legend is Real(en)

The Crypto Crew team uncover and document evidence of the elusive legend known as Bigfoot. Follow along as the team treks various mountainous areas in search for evidence. Be intrigued by the numerous witness interviews of those who have seen the beast. This is the ultimate Bigfoot documentary.

Super Daughter-in-Law(uz)

The 'super kelinchak' has found her place as a wife and mother yet is as feisty as the mother-in-law who taught her how to become the perfect daughter-in- law...

MTY Extremo(es)

Mike Fright(en)

The gang attends a radio station amateur show.

12(tl)

A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.

Perception(en)

Perception explores the breach of experience that divides us all by glancing into the lives of three individuals: Clarissa, a young idealistic photographer who chooses to live as a homeless person on the streets of New York, supporting herself meal by meal by selling her photography from a blanket in Central Park; Ralph, a successful real estate salesman who struggles for balance against the cut-throat nature of his business; and Tobias, a perpetual student who gets fired a lot. Perception journeys through the same season of time from each character's point of view, detailing how presumption and mistaken intention leads to great misunderstanding. A moment, revisited from another point of view, takes new dimension--and the line between protagonist and antagonist blurs.

Kitty Mama(cs)

Young and Dangerous 5(cn)

Although Chicken does not make an appearance, Chan Ho Nam finds a new love interest in the form of Mei Ling. Meanwhile, Tung Sing returns to cause trouble again for Hung Hing, in the form of new leader Szeto Ho Nam.

()(en)

P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.

Perhaps Love(ko)

Hyun, a best-selling writer, has found himself in a slump for a long time. In the meantime, he accidentally meets Yu-jin, an aspiring young writer. Hyun gets confused when Yu-jin confesses his love to Hyun. A 19-year-old student and Hyun’s son, Sung-kyung, who is skeptical about his life, meets Jung-won, a young married woman living next door. Sung-kyung has a good feeling for this freewheeling woman. A pure-hearted man, Soon-mo, who is Hyun’s best friend and also the publisher, meets his friend’s ex-wife.

After You've Gone(en)

The swinging sounds of Benny Goodman's quartet are accentuated in this animated fantasy.

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?(en)

“Freud established that jokes were structurally akin to dreams in their use of condensation, displacement, representation by opposites, punning and ‘nonsense’. All of these strategies are much in evidence in (Land’s) marvelously duplicitous ON THE MARRIAGE BROKER JOKE… [...] so clever and original a filmmaker as to make most others – not to mention his critics – seem flat-footed by comparison. ON THE MARRIAGE BROKER JOKE harks back to Bunuel’s early work. Not only is it structured like a dream and filled with sexual imagery, but like Un Chien Andalou, it smacks of being an insider’s joke played upon the avant-garde. Where Bunuel used the insights of psychoanalysis to satirize Christianity, Land– with an almost equal perversity – reverses the process and uses Christianity to send up Freud.” – J. Hoberman, American Film

Three Days Later(en)

A dystopian, post-modern retelling of the Easter story.

Wife Exchange Sex(ko)

Seokjin is a boss, but he follows Jaejin, who takes care of himself like a neighbor. Jaejin is also a fan of such Seokjin. Jaejin is a sexless couple, so Enjin is newly married. However, Seokjin, who loves breasts, is also dissatisfied with his wife who does not show her breasts during sex. While Jaejin leaves for a moment, Sujin, the wife of Jaejin, comes to Seokjin's eyes, but Sujin keeps her eyes on Sujin's chest full of volume with deep and beautiful goals. Jaejin and Seokjin drink at Seokjin's house after work. Jae-jin, who has a thirst or goes out to drink water, sees Jeong-hee sleeping in the kitchen. Seok-jin, who likes breasts, and Jae-jin, who likes hips, have a secret time with their wife.

Blood on My Shoes(es)

Agents across the globe take turns spying on and double-crossing one another in an attempt to locate a valuable formula encrypted in the music code.