Víšek
noční vrátný
1940-11-29
7
A dying marshal deputizes a drifter to deliver the two killers in his custody to prison. However, the new deputy must elude a pair of bounty hunters who want to deliver the prisoners themselves to collect the reward and would think nothing of killing the deputy to get them.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
The little pointy-nosed man and his dog are out camping one night, not knowing that the Pink Panther is on a tree branch just above them. He can't sleep because of the man's snoring, so he cuts loose the man's hammock with a knife, sending him flying straight to the river. When the dog hears the man's scream for help, he grips the knife in his mouth, and seeing this, the man blames the dog for what's happened. Later, the panther attaches the little man's hammock above the campfire, and sends the tent with the man in it floating down the river towards a waterfall. Every time the dog gets the blame, making the man hate his pet.
Alex, a struggling painter, is going through a particularly bad patch. Dumped by his girlfriend and unable to get work, Alex finds his life taking a rare upswing when he moves into a new apartment and falls for his neighbor, Lori. But when things start to go wrong between Alex and Lori, their close proximity to each other proves to have an enormous downside, leading to further amusing antics.
Charlie Chaplin is a saint to earthquake survivors in a small desert town in India and they are throwing him a birthday party. Australian filmmaker Kathryn Millard is taking the cake - a chocolate truffle sponge shaped like the Tramp's boot.
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
Strange lights appear at night in the Mexican desert, an invitation to widen our eyes in the twilight, and listen to sounds hidden in darkness.