This 140-minute documentary takes a close look at the story and historical context of a young Swiss man who was beheaded during WW II for supposedly wanting to kill Hitler. The man's family cannot help clarify the issue since they say he had been pro-Nazi earlier. Other injustices or puzzling omissions come to the fore, such as a German who was against Hitler, survived torture by the SS, and then was not given any state aid when peace was restored. Another sequence shows an extensive U.S. archive of materials that identifies many Nazis and their activities -- but is not available to anyone trying to track down former war criminals. Like other films of this type, the documentary helps to fill in facts about WW II that are little-known, or slow in coming out.
This 140-minute documentary takes a close look at the story and historical context of a young Swiss man who was beheaded during WW II for supposedly wanting to kill Hitler. The man's family cannot help clarify the issue since they say he had been pro-Nazi earlier. Other injustices or puzzling omissions come to the fore, such as a German who was against Hitler, survived torture by the SS, and then was not given any state aid when peace was restored. Another sequence shows an extensive U.S. archive of materials that identifies many Nazis and their activities -- but is not available to anyone trying to track down former war criminals. Like other films of this type, the documentary helps to fill in facts about WW II that are little-known, or slow in coming out.
1981-04-09
0
Memoirs of the Italian Opera by the singers and musicians of the Casa Verdi, Milan, the world’s first nursing home for retired opera singers, founded by composer Giuseppe Verdi in 1896. This documentary, which has achieved cult-like status among opera and music lovers, features former singers who reminisce about their careers and their past operatic roles.
Five New York divas close up. The thing that in addition to their friendship links these gifted, confident and beautiful women; a painter, an actress and three musicians, is their shared homeland, former Yugoslavia.
At the far end of the Alaskan peninsula, for filmmaker Roman Droux a childhood dream comes true. He discovers together with the bear researcher David Bittner the universe of wild grizzlies. The two adventurists face bears at smelling-distance, experience the struggle for survival of a bear family and witness dramatic fighting scenes. Driven by a desire to explore the unknown the film tells a personal story of wilderness, framed in breathtaking pictures of unique creatures.
An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
Documentary account of a man’s life in the face of imminent death – Francisco Varela's story told affectionately and gently, touchingly and astutely. Varela spent his life building bridges: between Western science and Eastern wisdom, neurobiology and philosophy, abstract theory and practical life. This film seeks to deconstructs the prevailing division between science and art.
Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A young woman sets off to immerse herself through autumn, winter and spring in the adventures of monastic life. The young woman is Sabine Timoteo from Switzerland. The abbot of the monastery is Muho Noelke, born in Berlin. An interplay between the philosophy of the Japanese Zen master Kodo Sawaki and the surprises brought forth by everyday life.
The real place where the penguin congress takes place is also the most fictional place on this planet where you can stand on your own two legs. Here, even the animals can talk. This land of dreams and nightmares is called Antarctica. In this desert of ice surrounded by a stormy sea, a few dozen human beings also live. Using sophisticated instruments, they observe the worrying changes affecting our world: the hole in the ozone layer, climate change, and so on.
The shooting of this peasant chronicle in the Gruyère region of Switzerland lasted a whole year, from July 1989 to July 1990.
The Gangbé Brass Band, a musical group from Benin, sets out to conquer Lagos, capital of Nigeria.
This film deals with the issue of mandatory military service in Switzerland. For four months, from February to May 1990, filmmaker Jacqueline Veuve and her team filmed a platoon engaged in basic training at Colombier, Switzerland.
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence, he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example, as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
In their very own ways, scientists, artists and wandering souls search in the inhospitable and mythical desert landscape for the meaning of life.
Anoosh and Arash are at the center of Tehran’s underground techno scene. Tired of hiding from the police and their stagnating career, they organize one last manic techno rave under dangerous circumstances in the desert. Back in Tehran they try their luck selling their illegally printed music album without permission. When Anoosh is arrested, there seems to be no hope left. But then they receive a phone call from the biggest techno festival in the world. Once landed in Switzerland, the haze of the instant euphoria evaporates quickly when the seriousness of the situation starts to dawn on them.
Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.
Philippe Savoy head of the choir at Saint Michael's College in Fribourg is preparing to take his fifty-five students to Palestine for a series of concerts. From Bethlehem to Ramallah, passing by Jerusalem and Hebron, between check points and churches, discovering both refugee camps and historical tourism around the Dead Sea, the young musicians will discover an exploded territory, a country living in provisional peace with, in the background, the permanent humiliation of the Palestinian people.
A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
The Making of a Dream is a cinematic essay on stories of dancers. It shows joys and pains from the first steps in an amateur school to the goal to become a principal dancer in a world known ballet company.