How can the flames of desire be rekindled after 25 years of married life? Izabela Plucinska’s erotic comedy, made entirely through the use of modelling clay, delves into the private lives of Alice and Henry, a couple in their fifties numbed by routine, who are holed up in a rococo-kitsch hotel room…
głos
How can the flames of desire be rekindled after 25 years of married life? Izabela Plucinska’s erotic comedy, made entirely through the use of modelling clay, delves into the private lives of Alice and Henry, a couple in their fifties numbed by routine, who are holed up in a rococo-kitsch hotel room…
2015-06-19
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For centuries, the Murgatroyd family, the Baronets of Ruddigore, have been under a witch's curse — commit a crime every day, or die in agony. Sir Ruthven Murgatroyd, the rightful heir, has run away to live as innocent peasant Robin Oakapple in the Cornish village of Rederring, sticking his brother Despard with the curse. But on the very day that "Robin" is to marry sweet, beautiful Rose Maybud, it all falls apart. Can Sir Ruthven outwit a picture gallery full of his ancestors' ghosts to save the day?
An alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she takes a dramatic turn and blossoms into the leader of the resistance effort.
This is the story about a boy not like the others that dreams about finding his place in the world.
In this animated musical short, a traveling donkey becomes upset at minor inconveniences, each of which his chipper young master is only too happy to accommodate.
Three characters share a common traumatic experience when they were born.
"First Comes Love" is the story of a shy boy, Eric, who is dragged through stages of "marriage" by an obsessive girl, Zoey, all throughout the course of recess.
One day at a holiday home for the disabled in Hammerdal, Jämtland, depicted in clay animation and with authentic sound from the home that the film tells about. Various episodes show everyday events and relationships between the old ones who have lent their voices and characters to the movie figures. The film shows how an ordinary day looks like meals, mail delivery, card games and visits to the Salvation Army. In the end, the real people compare and comment on their characters.
The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.
When Rong was a small child she and her parents moved from Vietnam to Prague. Now she is grown up and remembers that time and what it was like to feel like a foreigner.
A 4 minute film based on flowing changing images from liquid-like faces to flashing abstract imagery.
Working, as in other films, with relatively simple materials and a contemplative stance, Ratté begins by exploring the flickering movement of light and its distortion as it is translated into the digital realm, using chromatic excess as a means to corrupt her sources' integrity. These somewhat inform images of natural events slowly morph into geometric grids with which moving human silhouettes are later juxtaposed before we are finally sent back to the abstract shapes that opened the film, now harmonised with these colour-looms and figurative forms.
A clear-eyed look at the inevitability of our demise, based on Philip Larkin’s poem of the same name.
The film is designed to encourage recycling - which was a key part of the war effort.
Beginning with footage of sea birds in flight, the film image is then optically scanned and transformed by the computer. The geometric overlay on live random motion has the effect of creating new depth, a third dimension. Our perception of the birds’ forms and movements is heightened by the abstract pattern outlining them.
“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in subtle color changes. The only computer-generated work on the program, it transcends what many of us have come to expect of such film with its subtle variations and significant use of color.” – Catherine Egan
Computer-simulated disk galaxies that are superimposed and twirl through space in beautiful colors at different speeds.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
An animated take on the biblical story of Moses, from his being a prince of Egypt to his ultimate destiny of leading the Children of Israel out of Egypt.