In Trelinski's timeless production he leads a superb, first-class young cast headed by Artur Ruzinski as Onegin and Kristīne Opolais as Tatyana. Mariusz Trelinski, Polish filmmaker and theater director, has created a series of dream-like, surrealist tableaux of great suggestive beauty.
Olga
Onegin
Lenski
Larina
Filipyevna
A Captain
Zaretsky
Triquet
In Trelinski's timeless production he leads a superb, first-class young cast headed by Artur Ruzinski as Onegin and Kristīne Opolais as Tatyana. Mariusz Trelinski, Polish filmmaker and theater director, has created a series of dream-like, surrealist tableaux of great suggestive beauty.
2013-05-28
8
Tchaikovsky’s most beloved opera Eugene Onegin
With the first anniversary of her wedding to Tarzan beckoning, Jane ponders how to make it the perfect English celebration.
Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
As Dr. Tezla works at unlocking the mystery of the Accelechargers, the Racing Drones unleash their most powerful weapon against the Acceleracers: the car-eating Drone Sweeper.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.
Astonished to find the Beast has a deep-seeded hatred for the Christmas season, Belle endeavors to change his mind on the matter.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
Home with their newly-formed family, happy parents Dan and Jody are haunted by sinister, paranormal activities. Determined to expel the insidious force, they install security cameras and discover their family is being stalked by an evil dead demon.
After a year apart - attending different schools, meeting different people - the guys rent a beach house and vow to make this the best summer ever. As it turns out, whether that will happen or not has a lot to do with the girls. Between the wild parties, outrageous revelations and yes, a trip to band camp, they discover that times change and people change, but in the end, it's all about sticking together.
Pen and Jake have to rescue Princess Bubblegum from the antagonistic Ice King.
Nena, a girl from the south of Italy, has to travel far from home to get her first job as a teacher. She is sad, not because she has to leave her mother and sister, with whom everything is clear and sometimes difficult, but because she is having a serious love affair with someone from her village to whom she is very committed: a young upper-middle class man who seems to sincerely feel the same. They promise that nothing will change between them. It is only until June and then she can ask for a transfer. And so she leaves, a little sad and a little curious about what is in store for her. But what she finds is completely different from what she imagined.
Are you ready for the GCW: Fight Club 2? On February 4th GCW: Fight Club 2 is live on FITE straight from Houston Premier Arena, TX! Check the full lineup below: 4-way match Mascara Dorada vs Gringo Loco vs Blake Christian vs ASF Atticus Cogar vs Gino Medina All-Star Scramble Matthew Justice vs Allie Katch vs Grim Reefer vs Jimmy Lloyd vs Jordan Oliver vs Chris Carter GCW Extreme Championship AJ Gray vs Mysterious Q Bryan Keith vs Effy Ninja Mack vs Nick Wayne Loko Wrestling Championship Dante Leon vs Sam Stackhouse Matt Tremont vs Sadika *lineup subject to change
Naruto and his friends must get back a jug of stolen holy water from a band of higher class ninjas.
Pop sensations Alvin, Simon and Theodore end up in the care of Dave Seville's twenty-something nephew Toby. The boys must put aside music super stardom to return to school, and are tasked with saving the school's music program by winning the $25,000 prize in a battle of the bands. But the Chipmunks unexpectedly meet their match in three singing chipmunks known as The Chipettes - Brittany, Eleanor and Jeanette. Romantic and musical sparks are ignited when the Chipmunks and Chipettes square off.
A short film by Marsha Timothy, adapted from short story “Naruto Bersyukur” by Pidi Baiq.
"The Queen of Spades" is considered Tchaikovsky's best creation by the world-famous conductor, People's Artist of the USSR Vladimir Ivanovich Fedoseev. He took over the leadership of the musical process of recreating the production at Helikon Opera. The original reading, modern stage language, love for Tchaikovsky's music, which became the hallmarks of Helikon's "Queen of Spades," are preserved in the new version. To this were added the thoughtful gaze of maestro Fedoseev, the stunning stage capabilities of the new hall and the artistic talent of the Helikon troupe.
At the end of 2013, the year that marked the 50th anniversary of Francis Poulenc’s death, his gripping and moving operatic masterpiece, Dialogues des Carmélites was staged in Paris by director Olivier Py with a cast featuring some of France’s finest female singers – Patricia Petitbon, Véronique Gens, Sandrine Piau and Sophie Koch – under the baton of Jérémie Rohrer. Le Figaro described the production as “a thing of wonder,” while Le Monde called it: “A masterpiece ... the most exciting and consummately achieved show to have been seen on a Parisian stage in a long time … This was great work, magisterial and unforgettable.” “The memorable Dialogues des Carmélites at the Théâtre des Champs-Elysées marked the climax of commemorative activities for the 50th anniversary of Poulenc’s death,” wrote Opera magazine of the production of Poulenc’s gripping and moving opera that was staged by the French director Olivier Py in Paris in December 2013.
‘In reality, this Lohengrin is an entirely new phenomenon for the modern consciousness!’ Richard Wagner himself understood the innovative character of his sixth piece of music theatre, completed in 1848, the year of revolutions. Although it is reckoned among his ‘romantic operas’, his new vision of musical drama is already clearly heralded in this work. In his hands, the mediaeval saga of the Knight of the Swan becomes a meditation on the true love that asks no questions. Alain Altinoglu, our Music Director, who has already conducted this work in Bayreuth, guarantees the quality of the music, while the director Olivier Py, known at La Monnaie for his brilliant productions of Les Huguenots and Hamlet, can be relied on not to downplay Wagner’s revolutionary political side. Wagner’s own opinion was that ‘one can only understand Lohengrin if one can liberate oneself from any modern-looking, generalising form of representation so as to see the phenomena of real life’. A challenge to us all?
Amour, the messenger of the gods, tells Orpheus that he may descend to the underworld and return with Eurydice. His singing has the power to appease the Furies and animate the blessed Shadows. Yet, his voice cannot reassure Eurydice who despairs of the feigned indifference of Orpheus, put to the test by Jupiter. Raphaël Pichon conducts the opera of operas and Aurélien Bory displays the giddiness of the mental and supernatural spaces traveled by Orpheus and beyond. Marianne Crebassa plays a new breeches role with Hélène Guilmette (Hélène in Le Timbre d’argent) and Lea Desandre (the title role in Alcione).
Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.
This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD. This performance made me realise why I had fallen in love with opera: beautiful (today one should be thankful) and convincing sets and costumes, and fiery conducting and singing from all the above soloists which leaves you breathless. Domingo as the King (not the Governor of Boston) is simply ravishing! He is so convincing and dashing as Gustavus - I think very few tenors nowadays can even attempt such a convincing vocal and dramatic performance.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles. Louis Quilico was never quite in that league, and he sounds a bit spread and woofy in places here, but he works hard and effectively to bring Rodrigo to life. Placido Domingo recorded his first Don Carlo, for EMI with Giulini, about 15 years before this production, but he looks and sounds fine here -- in the early 1980's he was doing very good Otellos and Lohengrins too, and Furlanetto, still in his 30's, brings a rich, young voice to an old part and succeeds in making the Grand Inquisitor vocally as well as expressively formidable. Levine brings both weight and energy to the score, and that reading fits well with the overall "traditional" design and production -- the Met's wardrobe budget must have been severely taxed, but everybody looks splendid.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.
Anja Harteros excels in the title role of Michael Sturminger’s cinematic staging of Puccini’s “Tosca”, the centrepiece of Salzburg Easter Festival. Aleksandrs Antoņenko compellingly portrays Cavaradossi, while Ludovic Tézier is a thrillingly malevolent Scarpia. Christian Thielemann leads the Staatskapelle Dresden. “Tosca” is a political thriller with a heart-breaking love story that gives a vivid account of the harassment of artists, political persecution, torture and arbitrary executions. In Salzburg it is set in the Mafiosi world of modern day Rome and is “the perfect thriller … reminiscent of Scorsese’s ‘Goodfellas’” (Kleine Zeitung), a “film noir”
Manon Lescaut's production was updated and it worked. Highly professional production with two of the best performances I've ever witnessed in any opera. By the end of the third act I was crying and by the end of the fourth act I could not stop the tears. These two can not only sing up a storm they act one as well. This is the best Manon Lescaut I've ever seen and hope the upcoming one at the Met is as good. It truly was thrilling. Kaufmann and Opolais were unbelievably fantastic and the orchestra was superb. Pappano is the kind of maestro you want to sing for as he coaches as in the old days of maestros like Levine, etc. This is highly recommended as a keeper!
Lopushansky's second film focuses on a few hours in the life of a soloist musician during the siege of Leningrad, in WWII. The Leningrad philharmonic is going to play Tchaikovsky's 5th Symphony, which is to be broadcast to England. The soloist, like his fellow musicians, is weak and half-starved, and doubts whether he will be able to perform well enough.
Franco Corelli is featured in this 1954 filmed version of Leoncavallo's opera, along with Tito Gobbi. The film also features opera arias from "The Rose of Stambul," "Aida," "Cavalleria Rusticana," "Igemisco" and "Il Trovatore." 104 minuts, black & white.
Features: Mario Del Monaco Leyla Gencer Ettore Bastianini Fedora Barbieri Laura Londi Plinio Clabassi Orchestra Sinfonica e Coro di Milano dell RAI Radiotelevisione Italiana
This version of "The Nutcracker" gives the classic ballet a tragic spin, with Masha (instead of Clara) now the unloved, unappreciated daughter of the Town Council President. At a Christmas party, Masha is given a seemingly alive Nutcracker by her Uncle Drosselmeyer, and Masha instantly is enchanted with it. The toys come to life at midnight, and after Masha helps the Nutcracker defeat attacking mice, he takes her to his kingdom, where he is later revealed to be a handsome Prince. The Prince and Masha fall deeply in love, but their "happy ending" has a morbid twist not found in any other "Nutcracker".