Ingmar Bergman speaks with Gunnar Bergdahl.
Ingmar Bergman speaks with Gunnar Bergdahl.
2002-01-25
6.2
After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.
Ugo Fantozzi has been ejected from Heaven and is sent back to Earth for a short period of time until the staff in Heaven can get Fantozzi a place there. Fantozzi goes through a variety of unfortunate experiences, such as rescuing his retro punk granddaughter Uga, and having to pay a vast telephone bill due to frequent chat line conversations. He ends up getting arrested instead of his ex-boss, who was originally charged with corruption. Just as he is about to enjoy the World Cup Final with Italy, he is called back into Heaven. Can he find peace once again?
A friend of Fred's, Alejo Otero, invites the Scooby gang to Veracruz, Mexico. There they find a monster, El Chupacabra, terrorizing the town.
Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.
A restauranteur teams up with a police officer and his ex-con brother to avenge the death of a friend's daughter.
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.
In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
Cooler has resurrected himself as a robot and is enslaving the people of New Namek. Goku and the gang must help.
The reinvigorated elderly group that left Earth comes back to visit their relatives. Will they all decide to go back to the planet where no one grows old, or will they be tempted to remain on Earth?
Willy the whale is back, this time threatened by illegal whalers making money off sushi. Jesse, now 16, has taken a job on an orca-researching ship, along with old friend Randolph and a sarcastic scientist, Drew. On the whaler's ship is captain John Wesley and his son, Max, who isn't really pleased about his father's job, but doesn't have the gut to say so. Along the way, Willy reunites with Jesse
Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
Snow White asks the seven dwarfs for help, because if they don't manage to find out the name of a little boy (Rumpelstiltskin) within two days, her newborn child will be taken away from her. The journey takes the dwarves to a depressive, rhyming Pinocchio and the omniscient wizard Helge, among others, and all the way to the world of humans.
Now, we find the rowdy extraterrestrial getting used to life with his new ʻohana. However, a malfunction in the ultimate creation of Dr. Jumba soon emerges, which reinstates his destructive programming and threatens to both ruin his friendship with Lilo and to short him out for good!
Rahul and Riana meet each other for the first time, get drunk, and awake the next morning to find that they have gotten legally married to each other.
Scooby and the gang experience outdoor fun as they go back to Fred's old summer camp. As summer goes on, it becomes increasingly clear that the spooky camp stories told by the fireplace, are more real than they've though and soon, it's up to the gang to try and solve the mystery of camp scare.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.
Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.
Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)
Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.
Bergman interviews the locals of Fårö in this fascinating documentary. An expression of personal and political solidarity with the fellow inhabitants of his adopted home, the island of Fårö in the Baltic Sea, this documentary investigates the sometimes deleterious effects of the modern world on traditional farming and fishing communities. The young, especially, voice doubts about remaining in such a remote, quiet place.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (Released in 2013, edited and abridged, as Trespassing Bergman.)
A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.
The working class girl from Landala, Gothenburg, through the fine art of theatre and all the way to Hollywood.
We delve into an encounter between Erradi ( an old man nearing the end of his life) and Aymane (a young boy eager to learn about life), in the presence of a woman (Rahma) taking the form of DEATH. Which ends with a series of poignant flashbacks that portray the old man's journey through life, filled with joy and sorrows and lessons learned. The short film explores the cyclical nature of life capturing the essence of reincarnation and the idea that our stories continue on living despite death
Two men find themselves in a hotel room trapped with only their thoughts and unresolved disputes.
A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.
As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.
An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.
No Days Off for Death” is a film that depicts an altered rendition of our own world to explore themes of grief and over corporatisation, the narrative takes place from two perspectives that ultimately come together; one of a nameless Grim Reaper (only referred to as “Death”) who only wants to take a long overdue holiday from their endless mundane work in the corporate underworld and a grieving man (Max) contemplating committing suicide after a breakup leaves him at the end of his rope. When Death is sent on a job to see that Max goes through with his plan, they decided to try and convince Max to keep on living, an altruistic act Max reluctantly engages with even if death just wants their holiday.
The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles.
In the heart of Rome, face to Saint Peter’s, stands a Palace. The owner, like a renaissance patron, has once been offering shelter to a bizarre group of friends, embracing their joyfully ambitious causes. The perfect hideout from where to pursue the most aleatory artistic projects, far from the hassles of life. Now in their 50s’, they are suddenly reunited by the premature death of their charismatic leader, Mauro. He left something tangible to the group of friends: hours of footage where he directed them in the most diverse roles, a supposed masterpiece that was never finished, and now a a mirror reflecting images from the past. The mourning, in the shudder of a moment, shakes the numbed spirits, leading them into a radical confrontation with their future.
In the 1950's, Jews coming from North Africa and the Middle East settled in the newly constituted State of Israël. The Mizrahim, as their are called, were denied their right to a better life and forced to move to development towns in the Negev Desert. Today, the new generations of Mizrahim still suffer from this policy conducted 70 years ago. Michale Boganim follows the footsteps of her father, who came from Morocco and quickly became a leader of the local Israeli Black Panthers to stand against this discrimination. She embarks on a road trip through Israël's history to meet with three generation of Mizrahims.