A man with a broken back dies after his wife has an affair with his brother.
A man with a broken back dies after his wife has an affair with his brother.
1935-01-26
5.1
A daring story - a superb cast - a gripping motion picture everyone should see.
A romance develops between a happily married middle-aged British politician and an adventurous young aviatrix.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
For Peter Parker, life is busy. Between taking out the bad guys as Spider-Man and spending time with the person he loves, Gwen Stacy, high school graduation cannot come quickly enough. Peter has not forgotten about the promise he made to Gwen’s father to protect her by staying away, but that is a promise he cannot keep. Things will change for Peter when a new villain, Electro, emerges, an old friend, Harry Osborn, returns, and Peter uncovers new clues about his past.
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to "clean up" the infestation.
A bank teller discovers he is actually a background player in an open-world video game, and decides to become the hero of his own story. Now, in a world where there are no limits, he is determined to be the guy who saves his world his way before it's too late.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
Following the death of his employer and mentor, Bumpy Johnson, Frank Lucas establishes himself as the number one importer of heroin in the Harlem district of Manhattan. He does so by buying heroin directly from the source in South East Asia and he comes up with a unique way of importing the drugs into the United States. Partly based on a true story.
Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city’s secret services take drastic measures to solve the problem.
After a lightning bolt zaps a robot named Number 5, the lovable machine starts to think he's human and escapes the lab. Hot on his trail is his designer, Newton, who hopes to get to Number 5 before the military does. In the meantime, a spunky animal lover mistakes the robot for an alien and takes him in, teaching her new guest about life on Earth.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
Police sergeant Neil Howie is called to an island village in search of a missing girl whom the locals claim never existed. Stranger still, however, are the rituals that take place there.
In 1938, an art collector appeals to eminent archaeologist Dr. Indiana Jones to embark on a search for the Holy Grail. Indy learns that a medieval historian has vanished while searching for it, and the missing man is his own father, Dr. Henry Jones Sr.. He sets out to rescue his father by following clues in the old man's notebook, which his father had mailed to him before he went missing. Indy arrives in Venice, where he enlists the help of a beautiful academic, Dr. Elsa Schneider, along with Marcus Brody and Sallah. Together they must stop the Nazis from recovering the power of eternal life and taking over the world!
For the past 60 years, a space-traveling smart-ass named Paul has been locked up in a top-secret military base, advising world leaders about his kind. But when he worries he’s outlived his usefulness and the dissection table is drawing uncomfortably close, Paul escapes on the first RV that passes by his compound in Area 51. Fortunately, it contains the two earthlings who are most likely to rescue and harbor an alien on the run.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.
Thirteen-year-old Mei is experiencing the awkwardness of being a teenager with a twist – when she gets too excited, she transforms into a giant red panda.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
Keller Dover is facing every parent’s worst nightmare. His six-year-old daughter, Anna, is missing, together with her young friend, Joy, and as minutes turn to hours, panic sets in. The only lead is a dilapidated RV that had earlier been parked on their street.
Having satisfied their urge for White Castle, Harold and Kumar jump on a plane to catch up with Harold's love interest, who's headed for the Netherlands. But the pair must change their plans when Kumar is accused of being a terrorist. Rob Corddry also stars in this wild comedy sequel that follows the hapless stoners' misadventures as they try to avoid being captured by the Department of Homeland Security.
Before the Trojan War, Agamemnon gathered the Greek armies at the port of Aulis. The goddess Diane sent unfavorable winds to prevent the Greeks from sailing. Her oracle set a condition for Agamemnon: to earn the right to sail forth and destroy an innocent country, he would have to sacrifice his own daughter. Agamemnon accepted these terms and killed his young daughter Iphigénie on the altar. In his play Iphigenia in Tauris Euripides imagines that Diane plucked Iphigénie from that altar and delivered her to a temple in distant Tauride, where Iphigénie began to serve the enemy Scythians as Diane’s high priestess—all the while Iphigénie’s family believing her dead.
Eugene Onegin, a jaded young dandy from the big city of St. Petersburg, travels to the country to ingratiate himself into the affection of a dying uncle. There he meets the idealistic and romantic poet Vladimir Lensky, who introduces him to the daughters of a local landowner.
Giacomo Meyerbeer's pastoral opera,based on a Breton tale, is the tale of DINORAH who has gone mad because her bridegroom Hoël has disappeared during their wedding. This production, performed as part of Théâtre Impérial de Compiegne's purpose of reviving obscure French opera, is the only version of 'Dinorah' available on DVD, but it is a great production! The painterly pastoral settings and décor and rustic costumes are very easy on the eye. Opera traditionalists who dislike modern stagings will be delighted to know that this is a traditional production. Pierre Jourdan's stage direction is charming and always involving, never once falling into static movements or gestures, gratuitous distaste and irrelevance. With Isabelle Philippe, Armand Arapian and Frédéric Mazzotta. Conducted by Olivier Opebeek.
The story of a Chinese-trained opera singer living in a remote Kazakh village with her grandmother and her ailing young niece. The bulk of the action consists of the steadfast heroine trying to make enough money to get the rare and costly medicine that may save her niece's life. What makes the film so thrilling is that this elemental situation allows the director and his cast of non-actors to illuminate the details of everyday life: reality and fiction dissolve into each other, and the audience achieves a heightened awareness of simple activities like the cooking of a meal, teaching a child to count in Chinese and English, visits to the doctor or the marketplace. Entirely improvised by the filmmaker and his actors.
A young girl and her father are kicked out of their house by a cruel noblewoman, and the girl's heart is broken when her sweetheart, the noblewoman's son, won't go to Paris with them. After becoming an opera star in Paris, the girl returns to her homeland and finds her romance with the nobleman rekindled.
"Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. "Rosa" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!
Young María, the embodiment of tango, leaves the outskirts of Buenos Aires and tries her luck in the chaotic downtown, where she triumphs in dark places ruled by crime and debauchery, unaware that a menacing presence stalks her, seeking her doom and death.
A plane leaving the turmoil of a South American country in the midst of a revolution crash-lands in the Amazon jungle in Brazil. Among the passengers are a corrupt banker who is smuggling diamonds out of the country, a reporter, a mysterious beauty and a shady flight attendant. The survivors find themselves up against not only the dangers of the jungle itself but a band of headhunters and a gang of revolutionaries who are looking for the smuggled diamonds.
Celebrated Swedish opera star Karin Anderson is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Amidst all this chaos, the mismatched Anderson and Szanto fall in love.
A man (Howard Keel), his wife (Jane Greer) and his famous-aviator ex-wife (Patricia Medina) search for their two children lost with a cougar.
Aurora Meredith is the daughter of the village blacksmith. Because she has a promising voice, her family does everything they can to develop her talent. A wealthy New York woman hears her sing and sends her to Europe to study. But the woman dies, and Aurora borrows money for her last year from a hot-blooded Italian man. Instead of being paid back financially, the Italian wants her love, and she rejects him.
An elderly millionaire manipulates an avant-garde writer and a happily married man.
Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.
Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim. hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.
With its cast of hundreds, thrilling score, and sweeping tale of love and heroics in ancient Egypt, Verdi’s Aida has long been a fixture on the stages of every major opera house in the world. For the 2018 revival of Sonja Frisell’s monumental production of this grand masterpiece, the Met assembled a truly all-star cast. Soprano Anna Netrebko takes on the title role for the first time at the Met, and mezzo-soprano Anita Rachvelishvili plays her rival, the conniving princess Amneris. Tenor Aleksandrs Antonenko is Radamès, the warrior that both women love, and Quinn Kelsey lends his robust baritone to Aida’s father, the fallen king Amonasro. Maestro Nicola Luisotti is on the podium to conduct this epic performance, filmed as part of the Met’s series of Live in HD cinema transmissions.
A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, with the heralded return of tenor Jonas Kaufmann in the role of the outlaw she loves. Tenor Yusif Eyvazov also sings some performances. Baritone Željko Lučić is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.
Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballé, and Renata Scotto, taking on—for the first time at the Met—the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion. The soprano is joined by tenor Piotr Beczała as Adriana's lover, Maurizio. The principal cast also features mezzo-soprano Anita Rachvelishvili and baritone Ambrogio Maestri. Gianandrea Noseda conducts. Sir David McVicar's staging, which sets the action in a working replica of a Baroque theater, premiered at the Royal Opera House in London, where the Guardian praised the "elegant production, sumptuously designed ... The spectacle guarantees a good night out."
Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.