With charm and wit, Nichols discusses his life and 50-year career as a performer and director.
With charm and wit, Nichols discusses his life and 50-year career as a performer and director.
2016-01-29
6.3
Odessa, August 1970. A heat wave. The city is full of tourists. Boris, a journalist and foreign affairs specialist, and his eight-year-old son Valeri arrive from Moscow to visit Boris’ in-laws, Grigori Iosifovich and Raisa Irovna Davidov. But on the day of their arrival, Odessa declares a quarantine due to a cholera outbreak, and the city is closed off. Having come for a few days, the son-in-law is plunged into a world changed by serious danger. Family secrets will be disclosed, improbable events happen, and a great forbidden love starts.
Promotional short film on an aspiring young actress Sharon Tate and her first film Eye of the Devil (1966).
Widower Rai Bahadur Pratap Singh is disappointed when he wants to marry someone poor. Pratap instructs him to forget about his love-life, his son refuses, and as a result Pratap asks him to leave the house. Years later, Pratap receives a letter in the mail, informing him that his son is dead, and that his widowed daughter-in-law and her son, Guddu, are on their way to live with him. He is delighted, and sends Prem, his nephew to receive, however, both mother and son do not arrive and are believed to be missing. Rai Bahadur subsequently finds out that his daughter-in-law is dead, and Guddu is living in a slum with a thief and drunk, Shankar. With the help of the courts and the police, Pratap manages to bring Guddu to his home. This is where Pratap will find out that money and power will not buy him his grandson's love, he will also find out that his daughter-in-law did not die a normal death, but was killed.
Married couple's son is hit by a car and killed. Their marriage comes very close to falling apart, and while they're working back toward their relationship, they learn about a son born to a former girlfriend of the husband's; the child may be his. And then...
Since the release of the groundbreaking documentary “What in the World are They Spraying?”, millions have woken up to the damaging effects from chemtrail/geoengineering programs. As a result, movements around the world are being formed to address these crimes. While many who were previously unaware of these programs are now taking action, the question now that is often asked is “Why” is this happening. Michael J. Murphy, Originator and Co-Producer of “What in the World are They Spraying?” in association with Barry Kolsky have produced “Why in the World are They Spraying?” which will answer that question. “Why in the World are They Spraying?” is an investigative documentary into one of the many agendas associated with chemtrail/geoengineering programs, “weather control”.
From the birthplace of boxing legend Mike Tyson, young women brawl in secret fight clubs to win $1000 and invaluable street cred.
One night, on a bridge in Paris, a young man is saved from suicide by a young woman as lost as him.
Documentary following the lives of two Amish families leaving the only world they've ever known and trying to get to grips with the modern world. The Amish travel by horse and buggy and dress exactly as their forebears did when they first arrived in America almost 300 years ago. They have countless rules which keep them separate from the modern world, with electric lights, mobile phones, television and radio all forbidden. For those born into this culture, leaving is the biggest decision they'll ever make.
An actress gets the lead in a movie, not aware that the director specializes in nudies and intends to use drugs on her during the filming.
During its 2012 election campaign titled “Smiling Georgia,” the governing party promised its country’s poorest residents new teeth in exchange for their vote. Dentists began to pull people’s decayed teeth, but after the election defeat, the trusting public never received their new pearly whites…
COVID-19. The whole world is in Lock Down. There is panic in society. What is going on? Is this actually about our public health?
Five years in the making, this brave and level-headed documentary exposes paramilitary activity in present day Northern Ireland during a supposed time of peace.
After the collapse of the USSR, the fate of the former Soviet Republics and the people living in them developed in different ways. The protagonist of the film, a former citizen of the Soviet Union, and now a citizen of the Republic of Kyrgyzstan, is trying to live with dignity, or rather, to survive in the new post-Soviet reality.
Manny Pacquiao 114 lbs beat Shin Terao 113¾ lbs by KO at 2:59 in round 1 of 10
An American student starts working with his Arab colleague while putting all politics aside. However, is his colleague just a regular Joe? Set around the time of Arab-Israeli Six Day War.
Documentary about the musical and social phenomenon of Brazilian funk (or Carioca Funk), a style derived from Miami Bass, based on repetitive bass drum loops and lyrics full of sexual and violent overtones, not directly related to American funk/soul music. This style emerged in the slums and poor neighborhoods of Rio de Janeiro, and is deeply associated with the lower social classes, but is gradually being accepted on higher social circles. The film is specially interested in women's participation, focusing on its major female stars.
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier. The filmmaker comes of age as she weaves a deeply observed portrait of a family unearthing a long ago loss. Unflinching and poignant, Peanut Gallery shows us how we can transform when we begin to fill the silences between those closest to us.
This documentary chronicles Johnny Cash's 1970 visit to the White House, where Cash's emerging liberal ideals clashed with Richard Nixon's policies.
Each one of the 15 lighthouses around the island of Puerto Rico tells the story of the lighthouse keepers, wives or daughters that lived in them. Additional testimonies by architects, historians, biologists and fishermen take us on a trip of beauty, hope, perseverance around them, as we witness the magnificence of its structures and its magical surroundings. Some lighthouses are active, some have been restored, others have been abandoned but all have a unique story to tell.
"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.
Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.
British documentary filmmaker Chloe Ruthven’s grandparents were aid workers in Palestine. Growing up, she had avoided getting too involved in the subject, recalling how mention of the country made all the adults in her life angry. In her forties, after revisiting her grandmother’s book on the subject, she starts to research a documentary on the effects of foreign aid in the area and is shocked at the continued reliance on it there. Along the way she meets Lubna, a Palestinian woman who acts as her driver and fixer, and who is fiercely critical of Western aid efforts in her country. What begins as a quest to better understand her family history turns into a deeply emotional account of two women trying to understand one another. Ruthven’s determination to focus her film on deeply subjective analysis results in a unique joining of the acutely personal and complexly political. (Source: LFF programme)
Russian avant-garde filmmaker Sergei Eisenstein and German playwright Bertolt Brecht recount the brief portions of their lives they spent in Hollywood trying to make art that was both radical and popular.
An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.
The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.
Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land. Language preservation initiatives and mining opposition evoke emotional tones as the story swells with ravishing images of wilderness as a rough and untamed beauty. A thoughtful shift from Wild’s traditional narrative style of radical point of view documentary, "KONELĪNE" is a meditation on nature, culture, and economy as experienced by those who live and work on the land.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.
‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.