Himself
2002-12-02
0
Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.
One day in the lives of an average Greenlandic family, which happens to be of great importance for 8-year old Kali - he's about to catch his first prey with the harpoon. The whole family is looking forward for the huge step in boy's maturation.
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
Hunters have disappeared from wildlands without a trace for hundreds of years. David Paulides presents the haunting true stories of hunters experiencing the unexplainable in the woods of North America.
This is the untold story of a Nazi vision, that went far beyond the military conquest of European countries. As part of their crazed dream to create a thousand-year Reich they developed detailed blueprints for Aryan settlements and vast hunting parks for ‘Aryan’ animals. Goering and Himmler employed Germany’s best scientists to launch a hugely ambitious programme of genetic manipulation to change the course of nature itself, both in the wild and for domestic use. In a fascinating blend of politics and biology, Hitler's Jurassic Monsters is the true and asthonishing story of how the Nazis tried to take control of nature and change the course of evolution.
This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.
Archery expert Howard Hill and a cameraman go to Wyoming to film this wild-animal three-reel short. Besides the scenery, the scenes include a buffalo killed by an arrow shot by Hill (for food); a wildcat and a coyote in a battle, and a fight-to-the-death between a mother bear protecting her cubs against a killer male bear.
This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.
The photographic record of an African expedition led by producer-explorer Armand Denis and his (very) photogenic and camera-toting wife Michaela, who goes bird-riding at an ostrich farm. The expedition ranges from the central interior jungles and mountains to both coasts and as far south as Capetown, and ends with a gorilla hunt led by natives using 100-year-old muskets.
Russian hunters on horse and a pack of borzois hunt down and kill a wolf.
Every single day in South Africa at least two to three captive bred or tame lions are being killed in canned hunts. And hundreds more are slaughtered annually for the lion bone trade. The Blood Lions story is a compelling call to action to have these practices stopped.
Africa. In the wild expanses, where bush-bucks, impalas, zebras, gnus and other creatures graze by the thousands, they are on holiday. German and Austrian hunting tourists drive through the bush, lie in wait, stalk their prey. They shoot, sob with excitement and pose before the animals they have bagged. A vacation movie about killing, a movie about human nature.
This documentary focuses on the lives of American hunters, presented as an honest exploration of the controversies, emotions, and traditions inherent to this most primal human activity.
Bloodhound dog handlers have an essential role in Québec’s hunting ecosystem. Thanks to them, a large number of wounded and lost animals are found during hunting season. They are an important resource for wildlife protection and management. This short film meets one of them, Yves Martineau, and follows the long waits and intense research that comes with the job. In the heart of the Canadian forest, on Matane’s wildlife reserve, we follow this man and his dogs through the vastness of the woods.
Death threats, court battles, and an iconic endangered species in middle, The Trouble With Wolves takes an up close look at the most heated and controversial wildlife conservation debate of our time. The film aims to find out whether coexistence is really possible by hearing from the people directly involved.
In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.
In Caribou in the Archive, rustic VHS home video of a Cree woman hunting caribou in the 1990s is combined with NFB archival film footage of northern Manitoba from the 1950s. In this experimental film, the difference between homemade video and official historical record is considered. Northern Indigenous women hunting is at the heart of this personal found footage film in which the filmmaker describes the enigmatic events that led to saving an important piece of family history from being lost forever.
Duck archery is not the same as duck hunting. This is a Pordenone moment I will never forget – in actuality short Distraction et Sport à Batavia (1909), the residents of what is now call Jakarta make the most of their leisure time by pursuing a variety of mostly healthy exploits. But really, I can see no justification, nor explanation for why a round of archery needs to be enlivened by affixing live poultry to the target. As my good man Peter tweeted at the time: “One right in the neck, yeesh.” Sensitive viewers should be aware that animal cruelty abounds in silent cinema – the most notable, and egregious, example is Edison’s notorious Electrocuting an Elephant. The most poignant fictional example is perhaps the poor horse in Eisenstein’s October. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)
A documentary film about a group of hunters who gather annually to hunt moose near Maniwaki, Quebec.