A dark re-telling of the classic fable 'Little Red Riding Hood' set in the Canadian prairies during the Great Depression.
Narrator
Woodsman
A dark re-telling of the classic fable 'Little Red Riding Hood' set in the Canadian prairies during the Great Depression.
2009-10-08
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The mysterious "K" takes a humble job and falls in love with his landlady's daughter, Sidney Page. Sidney discourages her boyish admirer, Joe Drummond, and seeks training as a nurse. Infatuated with the head surgeon, Dr. Max Wilson, she accepts his proposal, which infuriates nurse Carlotta, who also loves Max. Carlotta lures Max to a roadhouse, where Joe, mistaking her for Sidney, shoots Max. K appears and, assuming his true identity as the famous Dr. Edwards, saves Max's life by performing his "Edwards operation."
Calvin is a young novelist who achieved phenomenal success early in his career but is now struggling with his writing – as well as his romantic life. Finally, he makes a breakthrough and creates a character named Ruby who inspires him. When Calvin finds Ruby, in the flesh, sitting on his couch about a week later, he is completely flabbergasted that his words have turned into a living, breathing person.
Sweetpea searches for her missing rock star boyfriend Jamie in a forest in Japan.
An isolated farm in a remote part of the Jura region: this is where Pauline and Alex are living in complete self-sufficient harmony with nature. Their life project is sealed by their love, their ideals and their work. The couple is now ready to take the step towards total independence, and start producing their own electricity. The arrival of Samuel, who comes to install a wind turbine, deeply troubles Pauline, upsetting their relationship and their values.
It starts as a one night stand that evolves in a long discussion with infinite subjects between a québécoise and an immigrant.
Twelve-year-old Mindy Ho inexpertly tries Taoist magic to fix her single mother's financial situation and seemingly hopeless romantic prospects.
For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.
A 29-year-old woman is alienated by friends and family for her lack of ambition. While struggling beneath the judgment of her peers, she finds a dangerous acceptance in a bright 18-year-old boy who mistakes her for a fellow student.
Spanish photographer Francesc Boix, imprisoned in the Mauthausen-Gusen concentration camp, works in the SS Photographic Service. Between 1943 and 1945, he hides, with the help of other prisoners, thousands of negatives, with the purpose of showing the freed world the atrocities committed by the Nazis, exhaustively documented. He will be a key witness during the Nuremberg Trials.
History sometimes repeats itself. As a nine-year-old, Maja was abandoned by her mother and placed in an orphanage. Now it’s ten years later and she keeps returning to the institution – to visit her own four-year-old son. Will she be able to take control of her life despite the unfavorable circumstances and her own self-destructive tendencies?
Two schoolboy delinquents learn a lesson that they will never forget when a teacher at the end of his tether decides to abduct them.
Olga, Katya, and Andrey have known each other since childhood. They moved to Moscow many years ago and have become successful. Olga is an actress, Katya works for a large-scale PR agency, and Andrey is a political analyst. They buy cars, take mortgages, build country houses. Just like everybody else. But their lives bring them neither happiness nor content. The feeling of "something's not right but I can't put my finger on it" underpins the lives of today's thirty-year-olds. Their childhood took place during the Soviet era, when kids dreamed of becoming heroes, believed in spy stories and a bright future. Yet nobody expected that the dream of becoming a hero would be replaced by the dream of stable and predictable existence. People have stopped dreaming of truly grand things. They just play their roles.
A young artist in Manhattan falls in love with a Mexican.
A hearing impaired woman suffers a mental breakdown when a drunk-driving accident kills her husband and she finds herself in a struggle with her mother over the fate of her young daughter.
Sebastian (Mark Waschke) is a physics professor at the University of Jena and dealing for years with parallel universes. Meticulously, he tries to prove its existence scientifically. His college friend Oskar (Stipe Erceg), professor of theoretical physics at CERN in Geneva, smiles at Sebastian's firm belief in parallel universes and the many-worlds theory. In order to devote himself to the evidence in peace, Sebastian brings his son Nick to a summer camp, while his wife Maike (Bernadette Heerwagen) is on vacation in the mountains. At a rest stop Nick disappears out of the car and so for Sebastian a nightmare begins. Increasingly he is loosing more and more control. What really happened? It is fatal to his own theory? And who is this mysterious Schilf, which occurs abruptly in Sebastian's life?
In rural Afghanistan, people are storytellers who make up and tell each other tales of mystery and imagination to explain the world in which they live. The shepherd children own the mountains and, although no adults are around, they know the rules; they know that boys and girls are not allowed to be together. The boys practice with their slings to fight wolves. The girls smoke secretly and play at getting married, dreaming of finding a husband soon. They gossip about Sediqa; she’s eleven years old and an outsider. The girls think she is cursed. Qodrat, also eleven years old, becomes the subject of gossip when his mother remarries an old man with two wives. Qodrat roams alone in the most isolated parts of the mountains, where he meets Sediqa and they become friends.
One night Nancy Lyon awakes in pain and dies shortly after - poisoned with arsenic. Her family immediately suspects her husband Richard, who left her temporarily the year before because of an affair. Especially Nancy's brother is keen on getting the children away from the suspected murderer. All evidence points against Richard, but in court Richard surprisingly presents proof that his wife had depressions and maybe killed herself - or are these proofs just fake? -- Depicts an authentic case.