THE ELECTION CAMPAIGNERS tries to analyse the phenomenon of the Austrian Freedom Party (FPÖ). The party’s great success is generally regarded as a result of its leader’s demonic charisma. But this film doesn’t focus on Jörg Haider. Instead it gives a face to the people who make Haider’s election victories possible, taking a clear stance, yet refraining from commentary or judgement. It is up to the viewers to draw their own conclusions.
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Self (uncredited)
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THE ELECTION CAMPAIGNERS tries to analyse the phenomenon of the Austrian Freedom Party (FPÖ). The party’s great success is generally regarded as a result of its leader’s demonic charisma. But this film doesn’t focus on Jörg Haider. Instead it gives a face to the people who make Haider’s election victories possible, taking a clear stance, yet refraining from commentary or judgement. It is up to the viewers to draw their own conclusions.
1993-10-29
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The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.
In the small town of Rechnitz a terrible crime against humanity was performed during the holocaust. Until now, no-one dares to talk about it.
After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)
This film analyzes the economic interests underpinning the conflict between Palestinians and Israelis, with a particular focus on the influence of international oil interests in the region. The analysis found here is inspired by the writings of the Palestinian writer and journalist Ghassan Kanafani.
Summer 2019, Zak wanders the streets of Algiers and dives into the Hirak, a series of protests taking place in Algeria since February of that year. His chronicles are nourished by encounters with men and women who take an enlightened look at their country and its struggles: through their words, the strength and complexity of such a movement emerge.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Portrait of the spokesman of the student movement and extra-parliamentary opposition Rudi Dutschke, who died on December 24, 1979 from the late effects of an assassination attempt. The film is not limited to the mere biography of the extra-parliamentary politician, but also depicts the political environment as well as the late effects of the student movement. In retrospect, it condenses into a picture of a highly politicized society that had not yet begun its retreat into the private sphere.
A RECORD OF THE STRIKE AT GRUNWICK IN 1977. The story of the continuing struggle at Grunwick’s by mainly Indian workers, from July 11th, 1977 until the struggle was lost. It shows the Special Patrol Group attack on the November 7th day of action, how the leadership of the struggle was taken out of the hands of the strike committee, how some of the strike leaders were disciplined by their own union for going on hunger strike outside the TUC in protest at the TUC’s inactivity, and how the post office workers were forced by their union to end their blacking of Grunwick mail. It also shows the beginnings of the similar struggle by immigrant workers at Garner’s Steak Houses in London.
At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.
Presenter Holly Hamilton tells the feelgood story of the Glentoran team who left Belfast on a European football adventure just before the First World War to win the Vienna Cup, the first ever European Cup.
In the second film, the author tells about the struggle of blacks for the right to feel equal with all US citizens. Commentary of the mayor of Cairo, one of the cities in the American South, about the suppression of the rebels, about the most brutal methods of fighting African American protesters. Jesse Jackson's speech. Jesse Jackson's commentary on the Black Rights Organization. Comments by female residents of Jackson, the capital of Mississippi, on the degree of mental development of whites and blacks. A story about the Ku Klux Klan, about Robert Shelton - the head of the Ku Klux Klan. Speech by American singer and dramatic actor Paul Robson, his commentary. Shots of the Olympics, victories in the competition of black athletes. About reprisals against Negro organizations. The widow of the American writer Ernest Hemingway Mary and the American scientist Henry Winston speak out about support for African Americans and the fight against racism.
Choosing hope over despair, Berliners are banding together to get their houses back from big investors. [...] This documentary film follows five Berlin citizens of different backgrounds, countries, and diverse stories. They find themselves among almost two thousand similarly dedicated people to fight together for one cause. While their personal motivations differ, they all believe they can convince Berlin that the only way to make housing affordable again is to drive real estate companies out of their city. The stakes are high, the movement is strong. But with almost nothing in their hands, they have to prevail against an overwhelming opposition of the real estate lobby and politicians willing to sell out the city they call home.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
A timely film exploring the confrontation between a feisty 92-year-old Scottish widow and her family and a billionaire trying to become the most powerful man in the world.
Margherita Sarfatti, Mussolini's lover and advisor, was a woman who exerted a great influence on the Duce and on Italian cultural life. Through archival documents, autobiographical texts and love letters, the documentary paints a portrait of the woman who helped create the myth of the Duce.