After 1945, land reform forces Old Kraske to become an agricultural worker, but he continues to work on his own, flatly refusing to join any collective farming activities. He desperately wants a large-scale farm like Kimpel's in order to pass it on to his adored grandson, Tinko. When Kraske's son Ernst returns from a POW camp and gives his support to the new communal project, tensions arise within the family and little Tinko is caught in the middle.
After 1945, land reform forces Old Kraske to become an agricultural worker, but he continues to work on his own, flatly refusing to join any collective farming activities. He desperately wants a large-scale farm like Kimpel's in order to pass it on to his adored grandson, Tinko. When Kraske's son Ernst returns from a POW camp and gives his support to the new communal project, tensions arise within the family and little Tinko is caught in the middle.
1957-03-29
7.5
Foreign correspondent Parz returns to the family after years. His children have long since grown up, but the authoritarian patriarch interferes in everything. When the conflict with Mirko, the eldest, escalates, son Christopher tries to mediate...
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
A young bride in the midst of her wedding finds herself mysteriously transported to the TARDIS. The Doctor must discover what her connection is with the Empress of the Racnoss's plan to destroy the world.
A thrilling journey through legends, belief and folklore, this film goes behind the scenes with the British Library as they search to tell that story through objects in their collection, in an ambitious new exhibition: Harry Potter: A History Of Magic. J.K. Rowling, who is lending unseen manuscripts, drawings and drafts from her private archives (which will sit alongside treasures from the British Library, as well as original drafts and drawings from Jim Kay) talks about some of the personal items she has lent to the exhibition and gives new insight into her writing, looking at some of the objects from the exhibition that have fired her imagination.
The Doctor has retired to 1892 London. Despite the protests of his allies, he is determined to keep out of mankind's affairs. However, a governess named Clara has stumbled upon a plot which only the Doctor can unravel, involving the death of her predecessor in ice and the sinister Dr. Simeon, who controls monsters made of sentient snow. And there is another mystery afoot: Clara is the spitting image of Oswin Oswald, whom the Doctor saw die in the Dalek asylum...
In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.
A recap of Death Note episodes 27–37, with new footage. L's successor must ponder L's defeat if he hopes to succeed where his famed predecessor failed. At the headquarters of the SPK, he calls upon the Japanese task force to declare war on Light.
It's Christmas Eve, 1938, when Madge Arwell comes to the aid of an injured Spaceman Angel as she cycles home. He promises to repay her kindness - all she has to do is make a wish.
The Doctor arrives in Victorian London. It's Christmas, but snow isn't the only thing descending on the tranquil and jubilant civilization, as familiar silver giants from an alternate reality are amassing in numbers. The Cybermen are on the move again, and the only beings who can stop them are the Doctor and... another Doctor?
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
A meeting in a London bus with jewel thief Lady Christina takes a turn for the worse for the Doctor when the bus takes a detour to a desert-like planet, where the deadly Swarm awaits.
A video recently posted by two teens shows something popping out of a closed toilet at an abandoned school.
From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.
When disaster hits the Titanic, the Doctor uncovers a threat to the whole human race. Battling alongside aliens, saboteurs, robot Angels and a new friend called Astrid, can he stop the Christmas inferno?
Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.