Elevator (Persian: آسانسور) is a 1995 social drama Iranian film, written and directed by Hossein Shahabi (Persian: حسین شهابی)
Nasim
Rasool
Hossein
Karim
Koorosh
Azar
Elevator (Persian: آسانسور) is a 1995 social drama Iranian film, written and directed by Hossein Shahabi (Persian: حسین شهابی)
1995-06-23
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One man's fight to free his brother from a rough estate leads to a tournament to secure the new leader of the estate.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
Official film of the festival, a gathering that laid crucial groundwork for pan-Africanist thinking. Directed by William Greaves, the prolific African American actor and filmmaker who left the US in the 1950s to train at the more liberal, welcoming National Film Board of Canada.
A young woman is relaxing late at night when her power suddenly goes out. After attempting to turn it back on, she comes to the realization that someone — or something — is inside her home... and it's toying with her.
A man (Phillips) who wakes up with amnesia also finds his supposed friend has accused him of murder.
A documentary film about singing and a young man in search of himself and his voice.
January, 1947. The public receives the news of Al Capone's death with indifference, although twenty years earlier he had ruled Chicago's crime underworld with brute force and corrupting many touchable individuals. Until the day the head of the Untouchables Brigade, Eliot Ness, entered the scene. Since then, a cruel battle between the two of them began, a battle that ended in trial, conviction, disease, insanity and death.
Nam June Paik's first single-channel videotape since 1989 is a heartfelt tribute to his long-time collaborator Charlotte Moorman. This portrait traces Moorman's career as an avant-garde performer, from her classical training to her notorious arrest as the "Topless Cellist" and subsequent talk-show celebrity. Rare documentations of Moorman's performances include Otto Piene's Sky Kiss and Jim McWilliams' Chocolate Cello. Interviews with Moorman's friends, family and collaborators, such as Yoko Ono, Christo and Jeanne Claude, Otto Piene, and Barbara Moore, among others, provide intimate recollections of the inimitable Moorman.
Cole Freeman maintains an uneasy equilibrium in his rural Appalachian town, looking after the old and infirm while selling their excess painkillers to local addicts. But when an old friend returns with plans that upend the fragile balance and identity he's so painstakingly crafted, Cole is forced to take action.
Huey, Dewey and Louie are building a snowman for the big snowman contest, but Donald's skating mishaps destroy their first attempt. Can their revenge be far away?
Tony Morris (Christopher Hunt) is a local newspaper reporter who is demoted to writing for his paper’s community section after his credibility is falsely called into question. Little does Tony know that his first assignment in his new role presents the biggest challenge of his young career. With his job on the line, Tony is assigned to cover the town’s first Gay Pride Day and interview parade organizer Markus Fry (Timothy Paul Taylor).
British melodrama about a cabbie befriending a girl caught up in the white slave trade.
Walen plays Dan Sparling, a convicted embezzler who becomes editor of his prison newspaper. After serving out his sentence, he sets up an independent newspaper devoted to attacking corruption in public life, encountering various difficulties due to his being an ex-con and opposition from the incumbent administration.
Deep inside the jungle, a group of teenage girls are being kept under supervision. Despite abandonment and hostility, Damiana hopes she can get in touch with her father.
Bill O'Brien is promoted to lieutenant in the police department for his arrest of Mike Patello, gang leader and racketeer, for murder. Ruth Dale, who loves Bill, is concerned when her brother, Johnny, who witnessed the murder, proposes to testify against the racketeer. Meanwhile, Captain Antrim informs Bill that his father has just been released from prison and does not know his son is a policeman. On the way from prison, O'Brien (J. P.) meets Limo, a former cockney pal who recognizes Bill and keeps J. P. from seeing his son; later, J. P. arrives intoxicated and is enraged, forcing Bill to knock him unconscious. J. P. is arrested for robbery but returns the loot to save his son from disgrace; Johnny is killed before testifying against Patello, who is released but confronted by J. P., who proves his guilt and, when he struggles with the police, kills him. Bill plans to resign, but confident of Ruth's love, he decides to remain on the force.
It's been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily-defended causeway. When one of the group leaves the island on a mission into the dark heart of the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors as well.
Sahar, an Iranian girl who has recently broken up with her fiancé, has decided to spend some time by herself in Antalya, Turkey. Leaving a club late at night, assuming that she is rich, she gets kidnapped and held in a remote basement. The kidnappers go greedy on the ransom, but little they know is that the whole setup has been a misunderstanding from both parties in the first place.
A sharp-edged look at people who live outside the constraints of Islamic law.
Jafar Panahi's short film, shot with one uninterrupted long take, about siblings trying to sell a carpet in need of money.
London, England, April 1980. Six terrorists assault the Embassy of Iran and take hostages. For six days, tense negotiations are held while the authorities decide whether a military squad should intervene.
Forced out of their apartment due to dangerous works on a neighboring building, Emad and Rana move into a new flat in the center of Tehran. An incident linked to the previous tenant will dramatically change the young couple’s life.
On Jan. 22, 1965, the day before the Iranian prime minister is assassinated, a car drives up to a shipwreck. Inside the wreck, a banished political prisoner has hung himself and the walls are covered in diary entries, literary quotes, and strange symbols. Fifty years later, the evidence, including intelligence tape recordings, is found in a box. The contents attest to the fact that the inspector and his colleagues were arrested, but why?
Broth Soup (Persian: آش نذری) is a 2000 Iranian film written and directed by Hossein Shahabi .
Ghost (Persian: شبح) is a 1998 Iranian drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)
Bright Shadow (Persian: سايه روشن) is a 1997 Iranian drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)
Tunnel 18 (Persian: تونل 18) is a 1997 Iranian Historical drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)
The Traces of Light (Persian: رد پاي نور) is a 1996 Iranian drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)
Hundred to one hundred (Persian: صدبرابرصد) is a 1995 Iranian film written and directed by Hossein Shahabi (Persian: حسین شهابی)
A woman attempts to obtain the consent of the victim's family to release her husband from the death penalty, meanwhile, the husband is suffering from brain death.
After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.
The Last Word (Persian: حرف آخر) is a 2009 social drama Iranian film Written And Directed By Hossein Shahabi. This is a film about Iranian champion athletes.
The Photo (Persian: عکس) is a 2001 Iranian drama film Written and directed by Hossein Shahabi