In this strange little film, Marie Menken photographs billowy flames superimposed over microscopic medical footage of writhing spermatozoa.
In this strange little film, Marie Menken photographs billowy flames superimposed over microscopic medical footage of writhing spermatozoa.
1957-12-05
6.4
In this comedy, the marital conflicts between a meek banker and his nagging wife are chronicled.
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
In a Copenhagen suburb the 19-year-old Per is found unconscious after having been badly beaten up. He is taken to hospital in a coma. The police have no clues, but the air is thick with suspicion. His mother struggles to maintain her faith in his survival. His younger sister, Mie, begins to pick up rumors. Her boyfriend, Shadi, suspects that his elder brother is behind the assault but he cannot tell anyone. Many well-meaning people find themselves at sea in a fable about emotions leading us astray.
While carrying a mysterious package, Mikel notices he is being followed by a black car. In an attempt to get away, he ends up at a roadside bar where he meets Sara, a girl who doesn't trust easily.
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
A coming of age drama set in Texas, about a suburban teen boy, estranged from his family, who enlists the help of his dysfunctional friends to become a professional motorcycle racer.
Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.
Kevin and James deal with the aftermath of their brush with death on Halloween night. As Hazel Falls P.D. arrive on the scene, they quickly realize the nightmare isn't over just yet.
Dylan, a young man with a beautiful and carefree life, runs, along with his best friend Mike, the "Break-Up Club", a private club that offers assistance to help cope with the breakup. Things are going well until Zoë, a journalist and former employee of the club, starts writing a compromising article about the "Break-Up Club".
A young girl suffers a terrifying nightmare of a vampire with blazing golden eyes. Eighteen years later, it is revealed to be a hellish prophecy when a strange package containing an empty coffin mysteriously turns up at a nearby lake.
Life Is Good is Ashish Shakya's first-ever comedy special that has been honed over the last two years of his career, or the last 34 years of his existence - whichever backstory you prefer. Watch Ashish oscillate between goofy and sharp as he unleashes a volley of jokes on everything from the futility of nostalgia, to the ridiculousness of youth to stepmoms, terrorists, Bollywood, satire, romance and the pointlessness of existence. When asked why people should watch this special, Ashish said, "It's funny, it's chill, it's relatable AF - it won't change your life but you'll laugh, get some sweet dopamine hits and then go to bed with your someone special."* *Someone special not provided by comedian. Audiences are requested to make their own arrangements.
Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.
Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.
Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
A recent college graduate sets out to win back the girl of his dreams.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
A prominent lesbian couple adopts a child who gets diagnosed with a genetic predisposition for violence, and they must contend with their hard-lined stance on acceptance while attempting to raise the perfect family in the spotlight.
A missionary’s wife questions her needs to "save souls" after finding solace in her new friendship with a Ngarrindjeri woman.
Isolated on a remote property, 16-year-old Claudia finds her world transformed when a spirited girl named Grace wanders into her garden.
Ruby, an 83 year old trying to dodge a retirement home, rents a room to Rata, a solo mum with sidelines in music and benefit fraud. Rata's son is into arson and shoplifting, while Ruby's nephew is a hapless yuppie wannabe. Marginalised by the deregulated economy of the '80s and living on their wits, they may just find common cause despite themselves.
The young trapeze artist Alma is part of the show of a miserable traveling circus. In an act of desperation, Alma commits incest with her father, a sick clown obsessed with the woman who abandoned them. Determined to have his child, Alma leaves the circus and joins a group of preachers led by Refugio, a woman who performs puppet shows with biblical passages in poor neighborhoods.
FAR FROM POLAND is probably the first American non-fiction film (Godmilow calls it a "drama-tary") to explode cinema verite's mythic claim to be the only trustworthy mode of representation for discussing the real world, and in particular, social and political issues, on film. Refused a visa to travel to Poland, "Jillski" (her Polish nickname in the film) has to literally re-invent the documentary to deal with the Polish situation and she does so with a particular eye to deconstructing not only documentary's specific claims to objectivity, but also the bourgeois audience's desire to sit comfortably in their seats, feel compassion, feel themselves part of the solution (not part of the problem) by having felt compassion for the poor oppressed Poles, who, Godmilow would argue, are far more acutely aware of their situation and what forces oppress them than the liberal American folk in the movie house.
What are the social climate and cultural traditions in Costa Rica which nurture "machismo" and allow the domination of women to continue in Latin America?
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.