"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.
"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.
1986-01-01
3
Scientists demonstrate the wonders of magnified objects.
Michael Gondry's examination of childhood love is replete with his trademark surreality. One evening at the turn of the century, Stephane discusses with his brother the end of the millenium, but also girls, particularly Aurelie, a classmate with whom he is secretly in love. The following day, Aurelie has a letter to give to him....
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
An overview of the art collection of Richard Winther.
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.
Film exploring the life of legendary designer Virgil Abloh. It tracks his spectacular ascent from Kanye West’s right-hand man to his role as artistic director of menswear at Louis Vuitton.
Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.
Proper doesn't have to mean prim: Alice Hawkins gives the bourgeoisie mood of the Autumn/Winter 2010 collections a terribly British spin in a tongue-in-chic ode to Margot Leadbetter, Beverly Moss and quintessentially English class consciousness.
A series of trick film hallucinations and scary doubling effects result when Patachon smokes an opium cigarette.
"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration of generative humors and principles, in homage to the green of England, the light of my dooryard… and consecutive matters." - HF
An analysis of film’s persistent relationship to sexuality, mediated by allusions to early cinema’s flicker, and other aggressive qualities of the cinematic apparatus.
A silent succession of black-and-white photographs of the city of Montreal.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
The ultimate manual when it comes to the proper handling of the living dead. Recommended behavioural patterns in case of imminent Zombie epidemics are explained in comprehensible steps and vividly executed.
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
All the cool kids were wearing it. This documentary explores A&F's pop culture reign in the late '90s and early 2000s and how it thrived on exclusion.