Hilmar Hodiak comes home conspicuously after eight years abroad, apparently to attend his mother's funeral. He initiates an affair with Simone, the maid aboard the ship which brings him home. A series of events take place to explain the deeper reasons for his homecoming as he tries to reestablish contact with his estranged wife Carole and Stian, the son he has never seen.
Hilmar Hodiak
Simone
Carole
Sigmund
Ivan Hodiak
Stian Hodiak
Hilmar Hodiak comes home conspicuously after eight years abroad, apparently to attend his mother's funeral. He initiates an affair with Simone, the maid aboard the ship which brings him home. A series of events take place to explain the deeper reasons for his homecoming as he tries to reestablish contact with his estranged wife Carole and Stian, the son he has never seen.
1994-11-26
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The story told in Hisser was inspired by a true occurrence. In 2013, a young man in Florida was literally "swallowed up by the earth" when a cesspool suddenly opened up under his bedroom. The film's main setting is a bedroom by night. From the way it was shot, the viewer has the feeling of peering into an abandoned life-size dollhouse. Other sequences show close-up views of a young man lying on a bed with a tormented look on his face or cowering in a corner. The scene is accompanied by an exaggeratedly romantic song whose refrain – "It took me so long to get my feet back off the ground" – alludes to the loss of a loved one and a sense of abysmal loneliness. The song's emotionality contrasts starkly with the artificiality of the scene. The boundary between reproduction and reality grows fluid, and the virtuality – which the artist has carried to a near- perfect extreme – begins to crumble in view of the protagonist's physical and emotional frailty.
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