In 1939 it was filmed this dramatization of the victory of fascism in the bloody Spanish Civil War...
In 1939 it was filmed this dramatization of the victory of fascism in the bloody Spanish Civil War...
1939-07-07
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Time Stood Still is a 1956 Warner Brothers Scope Gem travelogue, filmed the previous year in Dinkelsbühl, and presented in the wide-screen format of CinemaScope, directed by André de la Varre. It was nominated for an Academy Award for Best Live Action Short Film at the 29th Academy Awards.
The British Fascist movement holds a 10,000-strong rally in Trafalgar Square the day before Remembrance Sunday.
Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.
This short is one of Paramount's "Popular Science" series (number L6-5, or the fifth one of the 1946-47 production season) and begins by showing moon rockets, weighing 30 tons, a flight in the ionosphere, with mounted color cameras recording pictures hundreds of miles above the earth. Coming back to earth, it discourses on modern bathroom fixtures, and then demonstrates a one-man hay-bailer.
This bicycle-safety film shows children what can happen when bicycles are driven carelessly and recklessly.
A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
A film about the expansion of the Central Line beyond Stratford.
Having previously investigated the architecture of Hitler and Stalin's regimes, Jonathan Meades turns his attention to another notorious 20th-century European dictator, Mussolini. His travels take him to Rome, Milan, Genoa, the new town of Sabaudia and the vast military memorials of Redipuglia and Monte Grappa. When it comes to the buildings of the fascist era, Meades discovers a dictator who couldn't dictate, with Mussolini caught between the contending forces of modernism and a revivalism that harked back to ancient Rome. The result was a variety of styles that still influence architecture today. Along the way, Meades ponders on the nature of fascism, the influence of the Futurists, and Mussolini's love of a fancy uniform.
Marquesas in their sedan chairs.
A crowd of spectators listen to President William McKinley's speech during his inauguration ceremony outside the U.S. Capitol in Washington, D.C.
People gather at the exit of the St. Trophime cathedral in Arles.
Pedestrian and various vehicles traffic on Place Bellecour, in Lyon.
Horses and their riders make their way into the compact and agitated crowd of spectators.