Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)
Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)
1998-02-20
7.5
A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.
Hadi stares at the camera and begins to get dressed. As he prepares himself, he expresses his thoughts on the current situation, how much discrimination and amalgams weigh on him, he who wears the double stigmatizing hat of gay & Arab. What to do with this weight?
Reformed boy band icons Take That return with songs from the album BEAUTIFUL WORLD and a plethora of their classic tracks. Includes the songs 'Back For Good', 'Pray', 'Shine', and many more. Filmed live at 'The O2' London England
Caterina's father died before her eyes in the Heysel Stadium disaster. Years later, she's summoned by British police to look at some possible suspects. She recognizes her father's murderer, a Scouser cab driver, but doesn't say anything, choosing to track him down and exact revenge on her own.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Dani and Antía are two university students who, after making love, smoke a joint and talk about live, relationships, fear, love and their dreams. Especially Dani's dreams.
Tale of vengeance -- outlaw style -- as Red Pierre hunts down legendary gunman Bob McGurk to avenge the murder of his Mother and Father
Being a flower is to be picked, and being a woman is to be cheated by men. Part nine of the short dance film anthology co-created by filmmaker Beau Han Bridge and Choreographer Jullianna Oke.
Sachiko is an university student. Her nickname is Buko, because she has been negative about everything since she was young. Sachiko believes someday she will meet a man like in a romance manga. Her university life is boring and she spends her time reading romance manga in her room. One day, on Twitter, she meets a man who uses the user ID of Sparrow. He likes reading manga and looks like Johnny Depp. Sachiko makes a date to meet the man. She tries to change herself, but it's not so easy due to various unexpected incidents.
An unknown Menichelli, a young and lively beauty, is desired by two stars of the Italian scene: Ruggero Ruggeri and Amleto Novelli. This breezy story based on an comedy unreleased in Italy at that time is built around Ruggeri, who plays the role of a playboy father who wants to turn into the family delights rejoining his son until then neglected. Novelli, a little uncomfortable in a role that would have required ten years less, is the good-hearted rustic son. Pina Menichelli, adorned with flowers, wanders about on her bicycle, between not only two men, but also two lifestyles. In this role, she shows off a naturalness that will surprise people who know her only for her decadent performances. Sometimes, though, a dark glimpse reveals the character of the actress, that will stand out in the imagination of the public.
Two different, fashionable women are having lunch in a London restaurant. They seem to be doing this on a regular. They start talking about trainees and why women are more adept at doing their "profession" than men. This women versus men dialogue becomes our key dialogue for the short. The two women turn out to be part of a "spy" organization. While the two talk, a dashing male agent comes in the restaurant. He takes a seat by the bar. The two women explain who he is, a smug member of their opposition all-male program. Young trainees start the process of building a bomb that is being put in a birthday cake. Later, the waitress brings the birthday cake to the man with a candle on it. What happens next? Something sinister or is it just a training lesson?
Four dancers from Israel, Spain and Italy decide to take part in a cultural project and investigate the stories of some refugees from Pakistan living in camps outside Berlin. A reflection about the possibility of the body to tell stories, deleting social and ethnic distinctions, and connecting people from different groups.
Chasing Asylum tells the story of Australia's cruel, inhumane treatment of asylum seekers and refugees, examining the human, political, financial and moral impact of current and previous policy.
Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.
A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.
When a documentary filmmaker returns to his native Kurdistan to document the refugees fleeing ISIS, he happens upon an abandoned 11-year-old girl lying in pain in the scorching heat and makes a fateful decision, which ends up shaping both their lives.
Lauren Southern investigates what is really happening at Europe’s borders. From interviews with human traffickers in Morocco to secret recordings of illegal NGO activity in Greece, Borderless will blow the European Border Crisis wide open.
In the run-up to parliamentary elections in mid-October, Polish filmmaker Marcin Wierzchowski travelled across his country to gauge the atmosphere in a society that is more divided than ever.
In the aftermath of war, an extraordinary professor brings hope to children haunted by trauma-induced nightmares.
Over 6,000 men served and 19 fell in the Congo Battalion (1960-64), Sweden's most dramatic and contentious UN operation. Many of the participants have borne the experience as a lifelong, well-hidden trauma. A visit to the Congo after fifty years causes some of them to finally open up and tell the things that they haven't even been able to say to their closest family.
Aminata Belli travels to Namibia to talk about a genocide. How does a country heal when horrific things have happened there?
When Ader Ismail fled from Somalia to Sweden, she thought it would not take long for her five children to join her. But the years go by and the children get rejection after rejection from the Swedish Migration Board. Ader unable to reveal this to her children. She just tells them: "See you soon!". Video journalist Clary Kroon follows Aders' struggle and tries to understand her decision. She also meets Aders' children who live as refugees in Nairobi, thousands of miles from their mother.
Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.
With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.
Rotem Genossar, a teacher at the Bialik-Rogozin campus in south Tel Aviv, founds a running group for his students, young African refugees whose families fled their homeland and now live in Israel without any legal status. At first running is just a social activity for the students, but it quickly becomes a means to fight for their civil rights, part of a struggle to secure them a place of their own, out of the margins of Israeli society.
An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.
“In the beginning, women lived apart, unaware of the existence of men. Until one day, when the first woman, Toli, who was brave and adventurous traveled deep into the forest. Toli discovered solitary creatures with big muscles who knew how to climb trees and harvest wild honey. When Toli tasted their honey, she thought they should all live together….” That is how one of the creation stories of the Aka people from the tropical rainforest of the Congo Basin goes. Akaya, Kengole, Dibota and their friends and family are hunters-gatherers (and also great story-tellers) who guide us through their world. They explain their origins, myths, and the very spiritual meaning of life.
Germans colonized the land of Namibia, in southern Africa, during a brief period of time, from 1840 to the end of the World War I. The story of the so-called German South West Africa (1884-1915) is hideous; a hidden and silenced account of looting and genocide.
Within a few months, the Kutupalong refugee camp has become the biggest in the world. Out of sight, 700,000 people of the Rohingya Muslim minority fled Myanmar in 2017 to escape genocide and seek asylum in Bangladesh. Prisoners of a major yet little publicized humanitarian crisis, Kalam, Mohammad, Montas and other exiles want to make their voice heard. Between poetry and nightmares, food distribution and soccer games, they testify to their daily realities and the ghosts of their past memories. Around them, the spectre of wandering, waiting, disappearing. In this place almost out of space and time, is it still possible to exist?