A video essay by critic and filmmaker David Cairns examining Roger Corman’s adaptation of 'The Fall of the House of Usher' in relation to Poe’s story.
Narrator
A video essay by critic and filmmaker David Cairns examining Roger Corman’s adaptation of 'The Fall of the House of Usher' in relation to Poe’s story.
2013-08-26
4.3
This is a mesmerising little short that employs a peculiar bird’s eye view of a mischievous devil who dances around, performing strange tricks and making sexy ladies appear out of nowhere. The colourful visual effects are very impressive for the time.
Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.
A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
A random act of malice sets in motion a domino run of coincidences and catastrophes turning one man's ordinary day into a living nightmare.
Bob Schneider concert, filmed and recorded live on location at the Paramount Theatre in Austin, Texas.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
FISFiC Vol. 1 is six shades of horror and thriller stories are trying to scare the audience with six different storytelling theme.
Puppets, like obedient actors, usually execute all the wishes of their puppeteer. But sometimes, they behave strangely. Showing how people are changed by the influence of circumstances, forces and events.
The best women's wrestling competition of all time...and if you think it's fake you're in for a big surprise See LEGENDARY Mixed Martial Arts fighters coach their teams to victory in the cage! aka Chuck Lidell's Girl's Fight Club
Austin and his friends are reunited in a sordid bachelor party kidnapping that involves a secret from everyone's past that will come to light on this deadly Party Bus ride.
After spending seven years in jail, Carlos tries to start a quiet new life. However, fate leads him to return to his old occupation: counterfeiting money.
The Music Industry has an infamous history as one of the shadiest. Within this new docuseries we will be take a look at it's dark side. Between the ties to organized crime to the rigging of the charts, the goal of this series is to be a walkthrough, and tour through the stories the industry would probably like to ignore.
In an era when Dick, Jane, and discipline ruled America's schools, Albert Cullum allowed Shakespeare, Sophocles, and Shaw to reign in his fifth grade public school classroom. Through the use of poetry, drama and imaginative play, Cullum championed an unorthodox educational philosophy that spoke directly to his students' needs. Many of Cullum's projects were recorded on film by then novice filmmaker Robert Downey, Sr. Weaving stunning black and white footage and rare archival television broadcasts together with interviews of Cullum and his former students, this is a portrait of a maverick teacher who transformed a generation of young people by enabling them to discover their own inner greatness.
A short film about a birthday party you weren't invited to.
Tommy sets out to document walking. He meets a colorful cast of characters, attaches microphones to his feet, and contends with what it means to capture movement on film.
Twenty-five films from twenty-five European countries by twenty-five European directors.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
A girl mixes fiction with reality while writing a letter to her grandmother.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
This video will teach you how to write your own autobiography, with examples from the narrator’s life.
It is a film essay that tries to tell the story of two people who communicate with some archival materials that they find in Santo Domingo at different times. One of the people belongs to that era of the archives, who now lives in a future where the city no longer exists. And the other, a person who has never heard of this city where his family is from.
Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.
A hole gapes in a house wall. A small flaw, something imperfect that we seldom consciously direct our attention to. Filmmaker Ondřej Vavrečka finds holes in every corner. His focus is on the imperfections of human existence. A hole can also mean an uncertain future, or an empty stomach. The gap that partners leave behind after a breakup. Ondřej Vavrečka does not only deal with visible holes. He looks at the incomplete from a philosophical perspective. He also lets a nuclear physicist, a theologian and an ethnologist have their say. He underscores their thoughts and theses with absurd everyday scenes: a woman with a chair on her head or an invisible skier. These scenes combine with interviews, sounds and stop-motion sequences to create a playful collage.
Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.
Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?
A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.
Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.
A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.
Why do we do incredibly difficult things that have no practical application? Is there a parallel between geographic and artistic exploration? Fram is a documentary and travel film about two friends journeying to the end of the earth, in order to make a dance film in the arctic wilderness of Svalbard. En route, they explore the history of our ideas of the Arctic, along with the grand questions of life, art and our place in the world. Sharing their love of discovering new geographic and artistic frontiers, choreographer-dancer-filmmakers and outdoor enthusiasts Thomas Freundlich and Valtteri Raekallio take the viewer on an engaging journey to a place where few have been and even fewer have danced.
Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.