Vidya lives a middle-class lifestyle in a virtually lawless town called Amarpur, India, along with her widower and disabled dad, Shambhu; married brother, Shiva and his wife, Lata; and her paternal grandma. She studies in the Arts Commerce and Science college in Bombay, and is summoned home to get married to a man of her family's choice, to which she reluctantly agrees. On the day of the marriage, a dancer performs an item which angers Mahadev, who is the Mukhiya of Mandaur, another lawless...
Diwakar
Lata K. Thakur
Vidya lives a middle-class lifestyle in a virtually lawless town called Amarpur, India, along with her widower and disabled dad, Shambhu; married brother, Shiva and his wife, Lata; and her paternal grandma. She studies in the Arts Commerce and Science college in Bombay, and is summoned home to get married to a man of her family's choice, to which she reluctantly agrees. On the day of the marriage, a dancer performs an item which angers Mahadev, who is the Mukhiya of Mandaur, another lawless...
2003-09-26
8
Sudip and Atreyee are college lovebirds. Both are highly successful in their career. Sudip became a CID officer and Atreyee accomplished herself as a notable actress. They have settled down, got married and was having a sweet and spicy life just like other happy-go-lucky couples. It was their honeymoon to a deep jungle where Atreyee gets kidnapped and leaves no traces behind. Sudip started to search for Atreyee and was highly active since the kidnappers were terrorists. While on the other side, Atreyee is listening from the kidnappers about their life story. Who are these kidnappers? What made them tagged as terrorists? Will Sudip be able to rescue Atreyi from the clutches of the goons?
Calino goes politely around to three or four people from the bourgeois class, trying to sell them a lightning rod: but due to a factory defect, the apparatus attracts lightning instead of driving it away.
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Shimmy, a monkey newly discover superhero powers and learns how to control his extraordinary transformative abilities and prevent powerful demonic forces from sending the universe into chaos.
Made for "Cinéma, de notre temps" series. Interview with Georges Franju (1912-1987), a figure of immense importance in the history of French cinema, not primarily for his films (exceptional though many of these are) but for being the co-founder, with Henri Langlois, of the Cinémathèque Française in 1936, France's most famous and important film archive.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
Charley goes out for an evening on the town without his wife.
The evil Queen Tenefi demands that a steady supply of young women be sacrificed to the God of Fire. Maciste intervenes and saves from this sacrifice a village's women including the beautiful Antea. Maciste then becomes involved in an effort to restore to the throne of Memphis its rightful ruler, Prince Iram.
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.
A poetic, but chilling story of seven puppets in train car prior to its journey to a concentration camp.
While fighting in Britain, Roman forces commanded by Caligula capture the noble warrior, Glaucus. Seeing in him gladiator material, Caligula takes Glaucus back to Rome along with other hostages including Glaucus's girlfriend, Ena. A man seeking to restore the Roman Republic then assassinates Caligula after which Claudius is proclaimed emperor. Messalina -- Claudius's beautiful but evil wife -- then maneuvers to replace Claudius with her lover, Silio. She forces Glaucus to help her in this quest by threatening to harm the enslaved Ena. Written by dinky-4 of Minneapolis
Live at Turbinenhalle, Oberhausen, Germany, December 3, 2016 1. Imaginations from the Other Side 8:26 2. I’m Alive 5:40 3. A Past and Future Secret 4:13 4. The Script for My Requiem 6:32 5. Mordred’s Song 5:20 6. Born in a Mourning Hall 5:37 7. Bright Eyes 5:41 8. Another Holy War 5:02 9. And the Story Ends 7:18
Determined to gain favor in his family's eyes and match his sister's status, a boy must prove his worth and show his potential in an upcoming martial arts competition.
Local comic duo from the Ukraine reach for the "big time" by entering a talent contest for the Moscow vaudeville circuit, must overcome the interference of an established, competition-shy duo who are helping judge the contest.
Alexandra Cuesta cites eternal wanderer Henri Michaux as one of the inspirations for her first feature. It’s curious, then, that the opening sequence of Territorio (the first film Cuesta shot in her native Ecuador) shows us a boat heading for the shore. It is very likely that, to Cuesta, the image of water hides the same connotation than it does to the author of “The Sea of Breasts”: returning home, being sheltered in the mother’s womb. Without detouring from the formal approaches of her previous work, Cuesta traces a journey that crosses the country from north to south, drawing a human cartography in which the aim is to achieve an impossible balance between the foreign traveler’s gaze and the earnest familiarity of those who return home temporarily.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.
Reshma and Shera love each other in spite of the feud that exists between their families. Chhotu, Shera's brother, kills Reshma's family. When Shera gets the news, he plans to kill Chhotu.
The story of how Salim's cow, Ruksar, goes missing and he starts searching for it at night.
A traumatized beautiful woman loses her memory in a train accident.
A mother gives birth to twins. Unfortunately, they are separated. One of the children ends up in neighbouring Pakistan and grows up a devout Muslim named Tauheed, while the other grows up as a Hindu named Ajay. With the on-going rivalry and hatred between the two countries, both find themselves on the opposite side, and must battle each other. The only way they can unite is by saving the life of the Pakistani Prime Minister, who himself has become the target of terrorists.
Based on Bengali story “Ghar Bari” by Dibyendu Palit, a former revolutionary who has deserted the movement lives in fear of running into old colleagues. Meanwhile he pushes his wife into modelling, and later seamier projects, with tragic consequences.
Two women live in a decaying ancestral house that mirrors their emotional stagnation. Grappling with trauma, both find different ways to cope and escape from the pain, until they stumble upon something that might change their lives forever.
A hedonistic teenager in Mumbai is busted for dealing drugs and goes to his estranged sister for help, but complications land her in jail.
A once loyal soldier faces many challenges after turning into a rebel.
Boothnath vows to redeem himself when spirits tease him, and searches for a child to terrify. He befriends Akhrot, a slum kid, and helps him take on the country's most powerful politician.
A brass band member's hate comment in a public toilet triggers a chain reaction of diverse social expressions.
Titu's aspirations and dreams are far from his actions, he dreams with open eyes, and finds the shortest way to achieve his dreams. Despite despite his debt-ridden life, if you ask him, he is no less a dreamer than Ambani. Mosmi is the girl of today, living life on her own terms. She cannot compromise with her principles. Mosmi feels that Titu and she are made for each other but troubles arise when Titu's decisions endanger their love affair. This is a slice of life film, this simple love story of middle-class family conveys the big message of life in a very entertaining way.
A literary film based on a play in three acts, Ashad Ka Ek Din portrays the love of Mallika and Kalidasa, the renowned Sanskrit poet and dramatist. Vilom, a friend to both and interested in Mallika, is a passive onlooker for the first two acts. Kalidasa leaves his verdant mountain valley home for the splendour of far off Ujjain, where he wins fame. The action of the film is rooted in the village to which Kalidasa returns years later and finds Mallika married to Vilom and the mother of his child. Mallika sacrificed her love so that the poet could pursue his muse.
Najma is in platonic love with Salim Akhtar but cannot marry him until he is financially stable. An elderly Shakir promises to help Akhtar set up his business in exchange for Najma finding a suitable bride for him.
A love triangle forms after a male finds his best friend has married his sweetheart.
Preeti, a wealthy woman, is in an intimate relationship with Prem, but her father disapproves and devises a plan that leads to their breakup. Years later, Preeti is reunited with Prem in a completely different situation.
Circumstances force a mill worker with a sick child to take the law into his own hands. It is only when he arms himself with a gun and storms into the hospital that people begin to notice his plight.