In a crowded train compartment, Misa felt somebody is touching her body, in a sexually harassing way. A man stood out pointing to Yoshi, “Hey, stop it! You sex maniac!”. Misa let Yoshi arrested but she could not confirm he did it. However, she could not forget Yoshi until she met him again one day and began to change her feeling towards the suspect.
Misa
Yoshi
In a crowded train compartment, Misa felt somebody is touching her body, in a sexually harassing way. A man stood out pointing to Yoshi, “Hey, stop it! You sex maniac!”. Misa let Yoshi arrested but she could not confirm he did it. However, she could not forget Yoshi until she met him again one day and began to change her feeling towards the suspect.
2008-02-06
6.7
A sullen horny student stalks female students in the endless hallways of a desolate high school with a video camera. But are his violent and abusive recordings fantasies or reality?
Fed up with the bullying from their classmates, Jorge and Emilio plan a shooting at their school.
Experts set out to prove that female great white sharks rule the ocean.
When the mayor of a crime-ridden city and his opponent are both assassinated while seeking election, two FBI agents, John Archer and Mila Driver, reluctantly join forces to investigate the murder only to discover that City Hall holds more secrets than the identity of the killer.
Probably part of the "Alaska and Yellowstone National Park Series" in the "Northern Pacific Railway Series"
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
Drex Greene (Jon Heder), a confused zombie who can’t be any deader, tries to solve the case of the mystery pill that left him drowned in a bathtub. With the help of his wannabe filmmaker roommate Matt (Josh Gad) and the sexy med student Cassie (Krysten Ritter), who first discovers Drex as he unzips himself from his own body bag, the three begin to uncover leads about why his death didn’t stick, why a mystery online chat buddy is after him and why he’s starting to show signs of superpowers. Will they figure out why Drex is only sort of dead? Will Cassie discover ancient Zombie secrets? Will Matt get a film career out of it? Or is falling in love actually what Drex needs to do to stay alive?
A young man named Sebastian Murphy has spent a decade moving around the country with his mother after her company went bankrupt. Now that she has found a stable job the are living in Wexford Town for six months. Sebastian has become close with Sean Gerrad who has brought him into a new group of friends but nobody knows that Sebastian has a secret. He is a fantastic musician and he is hopelessly in love with Lara but too afraid to do anything about it.
A voyeuristic journey through the homoerotic work of Alair Gomes.
Tennessee, 1838. Polly Crockett, the daughter of the legendary hero Davy Crockett of Alamo, and makes a living from hunting in the forests. These forests are still inhabited by the Indians. Most of them live in peace but some of them are negatively affected by white traders. One day Polly, who is accompanied by her faithful Indian friend Neshoba, goes to the town to sell her hides. Polly meets Catawampus Jones. Jones and his father fought in the Alamo too. Indians influenced by Prewitt, an employee of a hide company, and Redbud, are killing settlers and burning down their homes. Polly's house is destroyed too and her maid Birdie, Neshoba's mother, is killed.
Following the death of his wife, a father is trying to take care of his daughter, amidst a murder mystery which concerns both of them.
A resentful entity continues to come back to the Saha World in search of his lost love while battling against the secret guardians of the world. He fails his plan of trying to stay in this world but finds the true solution to his vengeance.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.