VistaVision Visits Mexico(1955)

The Desert Wagon(es)

A couple of artists travels through the Mexico desert to present their puppet show.

The Endless Summer(en)

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

When the Road Ends(en)

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

Corazón Oaxaqueño(es)

Realm of Darkness - The Elusive Depths of Mexico(fr)

Glimpses of Peru(en)

This Traveltalk series short brings us to Lima, Peru where we see a modern city.

Rocky Mountain Grandeur(en)

This Traveltalk short visits Rocky Mountain National Park and a nearby dude ranch in Colorado.

Copenhagen(en)

This Traveltalk series short visits Copenhagen.

Cavalcade of San Francisco(en)

This Traveltalk series short celebrates San Francisco, past and present.

To the Four Corners(en)

Haunting colour travelogue taking in Ulster, Lewis, Lincoln and Cardiff's Tiger Bay.

Cheddar(xx)

Pure tranquillity in rural Somerset, a world away from the war raging on the continent.

The Coast of Commerce(en)

Take a revealing tour along a coast of contrasts, from the folksy freshness of Whitby to the coaly Tyne, queen of all rivers.

Dartmouth, River Dart and Dartmoor(xx)

Whistlestop tour of Dartmouth in Devon, taking in the 17th century Butterwalk arcade and medieval castle.

Oaxaca - Zwischen Rebellion und Utopie(en)

Migrant Mother(en)

Migranta tells the stories of Vicky, Betty and Lety, (three mothers who have come to Canada from Mexico as part of the federal government’s Seasonal Agricultural Worker Program) as they face calculated risks, difficult choices and harsh realities while navigating, work and life in Canada while being separated from families and communities they support.

Borderland Blues(en)

„The Frontier“ or „La Frontera“ is the undulating landscape of the Sonora Desert in Arizona, which once was a symbol of freedom on the horizon of the American West – and also a region plagued by recurrent territorial struggles. Currently, a high steel fence stretches over several miles strictly separating the USA and Mexico into two territories. Every year, the remains of hundreds of migrants are retrieved from the area. The tense situation in Arizona’s borderland has split the locals into two groups: one demanding a more technically advanced border control system, the other requesting more humanitarian help. Accompanying various locals, NGO workers and self-proclaimed border guards from the region, filmmaker Gudrun Gruber raises the question of whether the latest border control technology will finally bring peace to the area, or rather merely increase the number of deaths.

Czechoslovakia on Parade(en)

This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.

Cairo 'City of Contrast'(en)

This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.

Nomads(es)

This nature documentary follows some of the world’s most charismatic animals as they travel to Mexico across the span of a year. Using access to some of the country’s most protected sights, the film explores the relationship between family members as they battle to survive. Mixing moments of intimacy with fast-paced action, the film captures the epic scope of Mexico’s wildlife while it seeks to explain one of the most important themes of our era: migration.

Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution(en)

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.