'This Wall is not a Party Wall' was directed by the Peruvian modernist painter Fernando de Szyszlo in 1952—its somewhat formulaic Freudianism locates it squarely in the historical avant-garde.
'This Wall is not a Party Wall' was directed by the Peruvian modernist painter Fernando de Szyszlo in 1952—its somewhat formulaic Freudianism locates it squarely in the historical avant-garde.
1952-04-06
8
Ida, the grandniece of Simona Kossak, travels to the Bialowieza Forest at the Polish-Belarussian border. Sorting through the photos left by Lech Wilczek, Ida uncovers the life he had with Simona, captured in the photographs, footage and memories. A moving and powerful documentary about the life of Simona Kossak, a biologist, ecologist and activist known for her efforts to preserve the remnants of natural ecosystems in Poland and for living among the animals in the Białowieża Forest for over 30 years.
As a child, Lenore was tormented by nightmares and obsessed with the dark poems and stories of Edgar Allan Poe. As the lead singer in a Los Angeles band, the adult Lenore (Jillian Swanson) finds herself, friends and colleagues haunted by a murderer from beyond the grave. Only in her dreams -- in which she's visited by Poe's ghost -- will Lenore find the key to defeat her supernatural stalker and finally escape the spirits battling for her soul.
A young couple reminisces about their relationship on the night of their break up.
A dead man's curse on a London party house seems to echo from 1780 to 1936.
Taryln is a powerful and career-driven woman with a high tolerance for her husband's foolishness. When she discovers that her man has been unfaithful, she hatches a devious plot to teach her "better half" a lesson he will never forget.
Jun Hau Timi is a romantic tale of unexpected love in the heart of London. Samir, a dashing and fitness-conscious man from Nepal, is searching for the perfect partner. Shristi, a young and beautiful woman from India, is exploring life in the United Kingdom. One day, Samir decides to visit Tower Bridge in London. As he stands admiring the iconic landmark, he notices Shristi walking nearby. Captivated by her beauty, he approaches her and introduces himself. Shristi warmly responds, and the two strike up an instant connection. Eager to share the city's charm, Shristi takes Samir on a tour of London's landmarks, including London Bridge and other picturesque spots. Their friendship deepens as they spend more time together, and a spark of love begins to grow. The story conveys a simple yet profound message: love can happen anytime, anywhere, with someone who feels like destiny
A high-energy romantic comedy that follows three bachelors, speeding through life and scheming on women. When it comes to the opposite sex, it’s about the “chase” and “finish line.” Dog (Chico Benymon, Life Is Not a Fairytale: The Fantasia Barrino Story) and Beaver (Leonard Robinson, TV’s Nick Cannon Presents: Wild ‘N Out) spend their last dime on a nightclub, while Too Cool (Wesley Jonathan, Roll Bounce) devises the ultimate scheme to get women and money – SPEED-DATING!
Eddie returns to his home town on the south coast of New South Wales. Having left for the city without explanation a few years previously, he tries to pick up the pieces of his life and fit back in to the lives of those he left, including his ex-girlfriend Tully and brother Pete.
Forty years ago, a documentary film about Soviet cardiac surgeons was released. Perhaps, for the first time on our screen, doctors reflected on the value of human life, talked about their experiences caused by the death of a patient, about the imperfection of Soviet medicine, the lack of knowledge and responsibility of doctors. For forty years, medicine has made an incredible breakthrough, but the moral problems that plague doctors have remained the same. “You can’t get used to death” is the leitmotif of the paintings, old and new. The film was awarded as the Best Non-Fiction Film at the Russian Film Festival "Window to Europe" - 2016.
The story of various, diverse relationships among different generations near Santander. The film uses flashbacks taken from Viota's earlier film Fin de un invierno, and follows elements of his first feature Contactos.
A young woman's night of sleep is terrorized by a folkloric creature known as The Mare.
Two estranged brothers born on the same day, five years apart, run into each other at their family vacation home with wildly different expectations for how their birthday weekend is going to play out.
From a basketball academy in Senegal, to the high-pressure world of American prep schools, the film documents the extraordinary personal journeys of four particularly tall West African Muslim teenage boys with NBA dreams.
In northeast Italy is the Tagliamento River, tucked away almost like a secret spot on the border between Veneto and Friuli-Venezia Giulia. This documentary is a poem to that river and the people of the region, spirited, storied, and naturally beautiful.