Clandestinas(2014)

Sofía(es)

A taboo in the family: the death of my great-grandmother Sofía. The surface of this history is known but not the background and much less the beginning, only its end. The tragic end The answers are in the family, in my grandparents and my uncles. This project is a tribute to her and the woman she was.

I'm Not Speak English(es)

With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.

A Woman's Place(en)

A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.

Women's Bodies(it)

The representation of women in contemporary Italian media

Exteriores - Mulheres Brasileiras na Diplomacia(pt)

In 1918, Maria José Rebello from the state of Bahia applied for the national admission exam for the diplomatic career, a fact that left much of society astonished. Setting a precedent as the first woman to join the Ministry of Foreign Affairs, Maria began a 100-year journey for Brazilian women in diplomacy.

Female Misbehavior(en)

From feminist director and provocateur Monika Treut comes this eclectic collection of four short documentaries profiling unconventional women. One has Camille Paglia explaining her ways of thinking. One has Annie Sprinkle explaining her approach to performance art, which includes inviting audience members to view her cervix with a speculum. One interview investigates a professional woman's preoccupation with sadomasochism. The fourth documents the life adjustments of an F2M (female-to-male) sex change who looks like a dangerous biker, with slick black hair, a matching motorcycle jacket, and tattoos.

Hail Satan?(en)

The story of The Satanic Temple, a controversial movement that combines religion and activism with the apparent purpose of questioning the basic foundations of US society.

Moi, agricultrice(fr)

Faça Você Mesma(pt)

The documentary presents relics of the Riot Girrrl scene in Brazil that landed in São Paulo through cassette tape coming from the US state of Washington, where the movement was born.

Abortion: Stories Women Tell(en)

A thought-provoking look at the subject of abortion today, told through the stories of women struggling with unplanned pregnancies, abortion providers and clinic staff and activists on both sides of this contentious debate.

Teaches of Peaches(en)

Peaches - artist, feminist, rock star. She has been challenging gender stereotypes for over 20 years and is on par with the icons of the pop and rock world. With exclusive private archive material and current footage of preparations and concerts of her 2022 jubilee tour “20 Years of Teaches of Peaches”, we learn how the Canadian Merrill Nisker became the internationally celebrated musician and electro-clash icon Peaches.

Libres de choisir(fr)

The film delves into the reality of frontline workers who protect the right to abortion, an unprecedented access. Their stories are accompanied by powerful testimonies from women who have experienced a termination of pregnancy, breaking the silence and isolation.

Miss Davison's Funeral(en)

The funeral procession of suffragette Emily Davison - fatally injured at the Epsom Derby - passes through London to her final resting place in Morpeth.

This Is Our Scene Too!(id)

A documentary about women in the Indonesian DIY hardcore/punk scene, including interviews with musicians, photographers, and zine-makers.

bell hooks: Cultural Criticism & Transformation(en)

bell hooks is one of America's most accessible public intellectuals. In this two-part video, extensively illustrated with many of the images under analysis, she makes a compelling argument for the transformative power of cultural criticism.

El Genocidio Silencioso(es)

Maya Deren, Take Zero(en)

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

Girl in a Band: Tales from the Rock 'n' Roll Front Line(en)

All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.

Delphine and Carole(fr)

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

The A-Word(en)

In the fall of 2009, Lindsay Ellis, a 26-year old graduate student, went through the painful process of having an abortion. “The A-Word” follows Ellis as she opens up to her family and organizations from both sides of the debate, in search of healing. This is not a film about the protests and debates wrapped up in religious views and political agenda, but rather a personal journey about one woman’s struggle to shed the stigma attached to the A-word in hopes of starting a dialogue.