Chauffør
Kødhandler
Journalisten
Servitricen
Bedstemor
2012-04-04
0
A date takes an unexpected turn in this meditation on race, politics, and history in Germany.
As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.
Daniel got lucky tonight: this time he is not going home alone again. But is that enough to pull him out of his reality?
The Male Gaze is a new series of releases from New Queer Visions that showcases short LGBTQ films from across the world. The first instalment, First Kiss, brings together five shorts that are based around men experiencing romantic and/or sexual interaction with other men for the first time. It takes in films from Sweden, Indonesia, USA, Australia and France giving a rounded look at how similar experiences are depicted across the world. The films are: Naked [Naken] (2013); Pria (2017); Walk With Me (2018), One Night Only (2018); Michel's Mouse [Tapette] (2016).
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
“Never Me” is a student film about Serafina, a 16-year-old girl who endures the tribulations of attempting to receive an abortion in her home state of Texas after the overturn of Roe v. Wade. The story explores the importance of friendship and family as they journey through love and loss. Serafina treks a narrow path, but in the end became closer to those who matter most and gained a newfound respect for adulthood.
An up-and-coming filmmaker sets out to write a romcom. The only problem is, he has never been in a relationship before. All of that is about to change when he falls in love with Meg, an aspiring musician.
This is the story of Gato, an Italian immigrant, who lives with his wife, Marie, and his younger brother, Giuseppe, on a small truck farm in the west. Gato becomes so intent on his work that he neglects to show his wife the little attentions she demands. A foppish wandering Italian, Sandro, sees in this an opportunity to work his ends, but is prevented by the timely interference of Giuseppe.
Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.
What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.
During the semester break, Gentle and Motor start a relationship, but when school starts again, Motor does not allow himself to be as close to Gentle as they were during the break. Gentle notices the distance and becomes hurt, causing damage to their newfound relationship.
The film follows three Vietnam war veterans in the post-war period, who happen to be well known Disney characters. This choice that combines with the aforementioned atmosphere creates a delectable piece of work.
An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.
Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in sight. It is said that Mr. Monteiro, the alter ego of João de Deus, occasionally goes out with Nicholas Ray. At least, they've been seen together.
When Conrad returns to his hometown to identify his mother's body, he is forced to confront the painful memories of his childhood.