Movie: Wozzeck
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The Marriage of Figaro(en)
Charming, light-hearted and fizzing with subversive wit, Neil Armfield's sparkling production of the marriage of Figaro captures Mozart's most popular Opera. In this classic performance, recorded live at the Sydney Opera House, Patrick Summers conducts a energetic fresh-voiced cast, headed up by baritone Teddy Tahu Rhodes and Taryn Fiebig who make a vivacious, appealing pairing as Figaro and Susanna, while Peter Coleman-Wright triumps as the lascivious Count Almaviva.
Lisa Limone and Maroc Orange: A Rapid Love Story(et)
Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.
Verdi: Attila(it)
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.
Elektra(en)
Recorded at the Vienna State Opera house in 1989, this staging of Richard Strauss and Hugo von Hofmannsthal’s Elektra is one of the glories of live opera on film, deserving of eternal availability. The DVD picture has great clarity, despite the darkness of Hans Schavernoch’s set design. Other than the cliché of a huge statue head, toppled on its side, the set manages to be suitably representative of a decaying palace as well as an imposing, theatrical space, dominated by the mammoth body of the statue from which the head apparently dropped, draped with the ropes that seem to have enabled the decapitation. Sooner or later most of the characters cling to and twist around those ropes, an apt stage metaphor for the remorseless repercussions from the murder of Agammenon by his unfaithful wife Klytämnestra and her paramour, Aegisthus. Reinhard Heinrich’s costumes capture a distant era while sustaining a creepily modern look — part Goth, part homeless, part Spa-wear.
The Girl of the Golden West(en)
A celebrated new production of Puccini’s La fanciulla del West from the Vienna State opera featuring Jonas Kaufmann and Nina Stemme. Staged by Marco Arturo Marelli, who sets it in a modern-day mining village, with the feel of a gritty modern drama, during the American gold rush of 1849. An unlikely setting for an Italian opera, but one that has a happy ending. It tells the tale of Minnie, the bartender in the saloon whom all the local men adore, and Dick Johnson alias Ramerrez, a notorious bandit. Dick and Minnie fall in love on first meeting, so much so that he vows to change his life as a bandit, sung by two contemporary great singers: Nina Stemme and Jonas Kaufmann. A new production from Marco Arturo Marelli brought one of Puccini’s rarely performed works to the Vienna State Opera stage in September 2013. Jonas Kaufmann in his role debut as the wanted and notorious bandit Ramerrez proves ideally cast, full of power, with his breathtakingly beautiful baritone timbre.
Parsifal(en)
A mythical performance from la Monnaie - Bruxelles. Parsifal is a strange and enigmatic work. At the end of his life, did Wagner wish to celebrate asceticism, which he himself had never practised? Did he fall upon his knees before the Cross, as claimed by Nietzsche? And what does the secret society of knights based on pure blood signify, desperately waiting for the saviour to regenerate it? What is the true nature of the opposition between the worlds of Klingsor and the Grail? What can Parsifal tell us today? In his artistic will and testament, Wagner condenses his moral idea of the world and returns to the roots of love and religion - to the very heart of art according to him. With the participation of conductor Hartmut Haenchen who is passionated by the score, Italian stage director Romeo Castellucci proposes an original reading of this brilliant work and explores the essence of Wagnerian ‘Kunstreligion’ in a different light.
Tannhauser(en)
Wagner's tale of the struggle between spiritual and profane love, and of redemption through love, is given a radical visual update in Sebastian Baumgarten's controversial yet thought-provoking Bayreuth production. Joep van Lieshout's giant installation 'The Technocrat'; dominates the stage, its industrial interior giving credence to the idea that Tannhäuser is one big experiment and playing host to some magnificent performances, among them Torsten Kerl's robust interpretation of the title role and Camilla Nylund's wonderfully empathetic Elisabeth. Recorded live at the Bayreuth Festspiele, August 2014.
The Damnation of Faust(en)
The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999.
Pelléas et Mélisande(fr)
Claude Debussy's fairy tale-based opera Pelléas et Mélisande is by now well known; at once a tale of doomed love and a meditation on the cycle of creation and destruction (adapted from Maurice Maeterlinck's 1893 symbolist play), it originally premiered in 1902 to mixed critical reception, but has since become a staple of the operatic repertory and one of the most popular works from Debussy's canon. This particular production emerged from the Opernhaus Zürich in 2004. It stars Rodney Gilfry as Pelléas, Isabel Rey as Mélisande and Michael Volle as Golaud. Franz Welser-Möst conducts the Zurich Opera Orchestra; Sven-Eric Bectholf directs for the stage.
Parsifal: The Search for the Grail(en)
Richard Wagner's operatic retelling of the story of the search for the Holy Grail receives a lavish production in this video, which records performances held in Bayreuth, St. Petersburg, and Ravello, Italy. Internationally renowned tenor Placido Domingo leads the distinguished cast; Tony Palmer directs.
Norma(en)
Oroveso, a Druid High Priest, gathers his people in a sacred forest and prays to their gods for help in vanquishing the Romans who have taken over Gaul. Unbeknownst to Oroveso, his daughter, Norma, a High Priestess, has for some time been the lover of Pollione, the leader of the Romans; she has, in fact, not only broken her sacred vow of chastity but has borne two children to the warrior. Norma uses her position to dissuade the Gauls from attacking the Romans, claiming that the gods have told her that the time is not favourable. Recorded at Théâtre Antique d'Orange, 1974
Le Grand Macabre(en)
Premiered in Stockholm in 1978, the work is based on a play by Michel de Ghelderode (1898-1962) and unfolds in an imaginary land inspired by the famous Dutch painter Pieter Brueghel the Elder: Nekrotzar, the Grand Macabre, announces the end of the world; but in a land ruled by eros, alcohol and corruption, his plan to unleash the Apocalypse bursts like a soap bubble. LIVE RECORDING FROM THE GRAN TEATRE DEL LICEU, BARCELONA, 2011
Die Meistersinger Von Nürnberg(de)
James Morris leads an all-star cast including Karita Mattila, Ben Heppner, Thomas Allen and René Pape, in this production of Wagner's comic opera, recorded live at New York's Metropolitan Opera in 2001. James Levine conducts.
Der Rosenkavalier(de)
This performance of Richard Strauss' opera Der Rosenkavalier (1979) features the vocal talents of Gwyneth Jones in the lead role; recorded at the National Theatre Munich.
Der Rosenkavalier(de)
Felicity Lott, Anne-Sofie Von Otter, and Kurt Moll star in this production of Richard Strauss' opera, staged in Vienna in 1994. A romantic comedy of errors. Princess von Werdenberg must hide her affair with Octavian from her family; when he disguises himself as a chambermaid to avoid scandalizing the Princess, he is pressed into presenting a gift to Baron Ochs von Lerchenau, who has arrived to propose marriage to Sophie von Faninal. However, Ochs soon finds himself infatuated with the chambermaid, much to Octavian's chagrin, which proves to be only the first of a long series of romantic misunderstandings. This production of Der Rosenkavalier is performed by the Vienna State Orchestra and Chorus, under the direction of Carlos Kleiber.
