The millionaire Diego Verastegui has been murdered at his house, and somebody has taken a valuable briefcase from the safe-deposit box. Dimas -Verastegui's bodyguard- comes back to the house and finds three suspects: Carlos, the millionaire's son, Anna Karina, a sweet girl, and Andres, a bohemian magician. They retell the scenes of the murder from contradictory points of view, each claiming a different version of who committed the crime.
The millionaire Diego Verastegui has been murdered at his house, and somebody has taken a valuable briefcase from the safe-deposit box. Dimas -Verastegui's bodyguard- comes back to the house and finds three suspects: Carlos, the millionaire's son, Anna Karina, a sweet girl, and Andres, a bohemian magician. They retell the scenes of the murder from contradictory points of view, each claiming a different version of who committed the crime.
2015-03-06
5.5
A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.
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