Touted as a symbol of modernity and democracy, Benazir Bhutto became synonymous with corruption and bad governance. In this unique film, Bhutto speaks frankly about the paradoxes of her life. Mixing private archive with insights from friends and family, this is the definitive documentary on the Bhutto dynasty.
Self
Self
Self
Self
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
This documentary from Brave New Foundation and director Robert Greenwald, investigates the impact of U.S. drone strikes at home and abroad through more than 70 separate interviews, including a former American drone operator who shares what he has witnessed in his own words, Pakistani families mourning loved ones and seeking legal redress, investigative journalists pursuing the truth, and top military officials warning against blowback from the loss of innocent life.
Beyond being a historical record, this film explores the implied duality of Rafael Correa's public figure. The behind-the-scenes 2013 presidential re-election race, in campaign-distant black and white invites us to reflect on Ecuador's way of doing politics.
Ten notebooks depict an immersion in French neo-fascist circles during the 2010s.
China’s President Xi Jinping is a force to be reckoned with. As leader of the Communist colossus, he commands the world’s attention, but who is China’s strongman and what is his agenda?
An examination of the effect of McCarthyism on two ordinary Americans. Interviews with Paul McCarty and his family describe the loss of his job in a Paducah, Kentucky power plant in 1953 when his loyalty was questioned; he lost job after job for over twenty years. Interview with Luella Mundel, the object of false accusations based on her unconventional views and actions. Interviews with colleagues, friends, and a historian recreate the dramatic trial which devastated Mundel personally.
In this collection of interviews with some of America's most conservative black pundits, white director Justin Malone presents his vision of being black in America. Featuring politicians, lobbyists, ministers, some unqualified random people (even an alleged sex pest), the film explores their choice to navigate the world as one of America's most self-resenting identities: the American Black Conservative. In this propaganda film from Director Justin Malone and Executive Producer Larry Elder, Uncle Tom evangelizes victim-blaming, selfishness, and their lack of empathy. Uncle Tom shows us a biased perspective of American History from this political ”movement.”
Documentary about the author Jan Myrdal and his strange friendship with Lasse Diding, founder of the Jan Myrdal Society.
A documentary about US-led covert actions under the Reagan administration intended to bolster the perception of Soviet aggression, undermine the peace initiatives of Sweden's PM Olof Palme, and to tie the non-aligned Sweden to NATO.
In 2005, Michaëlle Jean became the Governor General of Canada. A social activist, global citizen, and black woman, she would redefine the possibilities of that office. While her national priorities were at-risk youth, women, and Indigenous peoples, her international success came from her cultural diplomacy. 2010: the earthquake in Haiti tragically brings her back to her homeland. Michaëlle Jean: A Woman of Purpose is an intimate and sensitive portrait of the stateswoman she came to be.
A crowd of spectators listen to President William McKinley's speech during his inauguration ceremony outside the U.S. Capitol in Washington, D.C.
On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?
Present day: a small village somewhere in rural Serbia. Reports on the upcoming parliamentary elections drone from the radio while a local traffic policeman tries to teach his old grandmother how to use a mobile phone. Glimpses of this old lady, who lives a lonely life on a remote farm, become the red thread running through the film with its snapshot-like portraits of everyday life in the tiny community. There’s the grocer’s shop the men visit to talk about money and politics. Or the postman who delivers on his moped the ballot papers for the forthcoming elections. The policeman who stops cars as he fancies. The school with a handful of children in the overlarge classroom. The pub in which something approaching merriment occasionally arises. And the recurrent visits to the old peasant woman: Her matter-of-fact inventory of aches and pains delivered to the local doctor, her worries about increasing thievery confided in the village priest.
At twenty-six, Noel Starblanket was one of the youngest Indigenous chiefs in North America--twice elected chief of the Starblanket Reserve, and also elected vice-president of all-Saskatchewan Indigenous organization. His great-grandfather's advice was to "learn the wit and cunning of the White man." That he did. Here he is seen in action, a chief with a briefcase, working with government officials for grants, running for public office, talking down his opposition, and solving the domestic problems of his reserve.
The Network is an exclusive group of the most professional and fearless corruption hunters in the world. It is twenty public prosecutors and investigators from Europe, US, Africa, Asia and Latin America that meet in order to support each other and find new tools in the struggle against corruption. They investigate some of the wealthiest, greediest and most influential leaders and enterprises in the world. The members have faith in a just world even if many corruption hunters have been killed.
With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.
Filmed on the 60th anniversary of the republic, this dark-humor documentary delves on the highs and lows of living in North Korea.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.