Playboy: No Boys Allowed 3 - Sweet Sensations(2005)

Hold on Tight(en)

A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.

One Wedding and a Revolution(en)

This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.

Rebel Dykes(en)

A heady, energised mash-up of animation, unseen archive footage and interviews, Rebel Dykes provides an intimate insight into the politically charged, artistically radical subculture in 1980s London, and the individuals who helped shape and change their world. Bringing together BDSM nightclubs, inclusive, sex-positive feminism, DIY zine culture, post-punk musicians and artists, squatters, activists and sex workers, these rebel dykes went out onto the streets to make their voices heard. [Feature length version of 2016 short of the same name.]

Sense of Tumour(en)

With an experimental treatment looming to cure her aggressive cancer, Jamie ventures to the lake where her and her girlfriend, Grace, fell in love, fearful it will be the last time she ever sees it.

Lesbian Mothers(en)

Mosaic: Love & Marriage(en)

Four older gay couples discuss their relationships, civil partnerships and their views on multiple topics such as spirituality, religion, love, gay rights, etc.

Barbara & Tibby: A Love Story in the Face of Hate(en)

Documentary chronicles the lives of Barbara & Tibby, two women who have shared nearly 40 years of love together. This couple has felt forced to leave the state of Virginia because of a new law that prohibits contracts between people of the same sex.

Where Have All the Lesbians Gone?(en)

Lesbian director Brigid McFall and lesbian photographer Vic Lentaigne create a series of intimate, revealing portraits of what it means to be lesbian in 2022, exploring why it is that so many young women who are sexually attracted to other women now prefer to identify as queer.

Chained Girls(en)

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

Six Angry Women(en)

Revisit the events of 1984, when six female vigilantes kidnapped an Auckland University lecturer and assaulted him in a violent political action, triggering debates about gender politics that divided New Zealand and led to social change.

Novena(en)

In 2012, Stephen Vaughan and Kay Ferreter are invited to address the congregation at St. Joseph's Redemptorists Church in Dundalk, Ireland for the Solemn Novena Festival. In a powerful speech, the pair describe their experiences being gay and lesbian in Ireland, feeling excluded by Catholic doctrine, and the importance of a more inclusive church.

Prognosis: Notes on Living(en)

When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.

Sœur Sourire: Who Killed the Voice of God?(fr)

1962. A crystalline voice becomes a planetary tube. A Belgian nun jostles Elvis and the Beatles on the world charts. Her name: Sister Smile. A popstar with the trajectory of a comet who understands her success no more than the double meaning of her words… The harder the fall will be. Even God does not protect sharks' appetites or pretenses of success! Who killed the little voice of God? Here is the tragic story of an innocent voice, of an extraordinary fate, almost of a curse ...

A Lez in Wonderland(en)

A fun, fresh reality-comedy on the largest lesbian event in the world: the Dinah Shore Weekend in Palm Springs.

Sundays at Café Tabac(en)

Tells the story of lesbian bar Café Tabac's No Day Like Sunday parties in the 1990's

No Secret Anymore: The Times of Del Martin & Phyllis Lyon(en)

Del Martin and Phyllis Lyon have been partners in love and political struggle for fifty years. With incisive interviews, rare archival images and warmhearted humor, Joan Biren's 2003 film reveals their inspiring public work, as well as their charming private relationship. When they courageously launched the Daughters of Bilitis in 1955, it became the first public organization for lesbians in America. Today, these tireless activists are educating both the LGBT and aging movements on the needs of older lesbians.

Lesvia(el)

Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.

Ahead of the Curve(en)

With a fist full of credit cards, a lucky run at the horse track, and a title that called to mind a certain French film star, Franco Stevens launched the best-selling lesbian lifestyle magazine ever published, connecting her community in an unprecedented way. AHEAD OF THE CURVE is a new feature documentary about the extraordinary woman who started Curve magazine, and by doing so helped accelerate the political and social evolution of the nation.

Old Lesbians(en)

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

Paris Was a Woman(en)

Women (many of them lesbian) artists, writers, photographers, designers, and adventurers settled in Paris between the wars. They embraced France, some developed an ex-pat culture, and most cherished a way of life quite different than the one left behind.