John Bentley hates New York City, because of an unhappy romance as a young man, but his son, Ronald, tired of living in Iowa, is determined to take up residence in Manhattan. The elder Bentley therefore conspires with his New York manager, William Workman, to involve Ronald in so much trouble that he will gladly return to the sedate life of an Iowa burgher. Arriving in Manhattan, Ronald strikes up an acquaintance with Meg, a telephone operator, whose brother, Jimmy, has come under the evil influence of Jerry. Jerry and Jimmy rob a wealthy woman, and Ronald is charged with the crime on circumstantial evidence, keeping quiet in order to protect Jimmy.
John Bentley hates New York City, because of an unhappy romance as a young man, but his son, Ronald, tired of living in Iowa, is determined to take up residence in Manhattan. The elder Bentley therefore conspires with his New York manager, William Workman, to involve Ronald in so much trouble that he will gladly return to the sedate life of an Iowa burgher. Arriving in Manhattan, Ronald strikes up an acquaintance with Meg, a telephone operator, whose brother, Jimmy, has come under the evil influence of Jerry. Jerry and Jimmy rob a wealthy woman, and Ronald is charged with the crime on circumstantial evidence, keeping quiet in order to protect Jimmy.
1925-08-02
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A midnight peep behind the scenes of Old Broadway, when a millionaire's son tries to paint the old town red.
Claire Gregory, an upper class New York personality, witnesses a murder in a luxurious nightclub. Detective Mike Keegan, recently promoted, is assigned to protect her.
Tina Balser is a bored New York housewife-mother married to Jonathan, a pompous, social-climbing lawyer who ridicules her in front of their children, criticizing everything she does or wears. She begins an affair with George Prager, a dashing, successful, and blatantly sadistic writer.
Henrietta Robbins borrows money from a loan shark to finance her husband's investment in the stock market. However, when their stock plummets, she scrambles to find a way to pay the money back.
An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.
Enthusiastic emcee Taylor James (Tim Peper) leaves behind his home state of New Jersey when party planner Vanessa Dupree (Judy Reyes) hires him to work the busier New York City bar mitzvah scene. Tutored by slick Manhattan emcee Sebastian (George Valencia), Taylor spices up his wardrobe and becomes a more clever showman. Soon, he's a bar mitzvah celebrity. But when he has a disastrous problem with his glow-in-the-dark props, his career heads in another direction.
A fortuneteller informs Monte that he will marry the first girl he meets. After several false starts, he meets what he is sure is "the" girl. She takes him to jail, hits him with a book, and affects her brother's escape, leaving Monte inside. He finally gets out, a chase occurs and he swears off girls forever, only to be snared again.
Mary Davis, alone and destitute in New York City, pilfers a meal from a restaurant and eludes the police by ducking into the Cafe Royale, where she is shuffled along a line of aspiring chorines awaiting job interviews. In desperation, Mary agrees to impersonate Mademoiselle Fanchon, formerly of the Folies-Bergère, who has walked out on her contract. Reporter Kenneth Ward interviews Mary, believing her to be the notorious Frenchwoman, and due to a misunderstanding, she rushes wildly into his arms. When Robert Ryan, a bachelor friend of the real Fanchon, investigates Mary’s deception, she violently repels his advances and believes she has killed him. Later, the real Fanchon threatens to kill Robert. Following a series of amusing complications, Mary finds love with Kenneth.
A naive country girl is tricked into a sham marriage by a wealthy womanizer, then must rebuild her life despite the taint of having borne a child out of wedlock.
Erstwhile childhood friends, Judah Ben-Hur and Messala meet again as adults, this time with Roman officer Messala as conqueror and Judah as a wealthy, though conquered, Israelite. A slip of a brick during a Roman parade causes Judah to be sent off as a galley slave, his property confiscated and his mother and sister imprisoned. Years later, as a result of his determination to stay alive and his willingness to aid his Roman master, Judah returns to his homeland an exalted and wealthy Roman athlete. Unable to find his mother and sister, and believing them dead, he can think of nothing else than revenge against Messala.
Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.
Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do the same thing.
Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.
After Flash Fulton and Weejie McCoy take pictures of a bank robbery, they're lured to the mountain resort hideout of the robbers, where they meet an old friend and his band.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
A celebrated author takes a journey with some old friends to have some fun and heal old wounds. Her nephew comes along to wrangle the ladies and finds himself involved with a young literary agent.