Taaqat(1995)

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo(fr)

Maine Gandhi Ko Nahin Mara(hi)

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

Mai(mr)

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

Liberation: Direction of the Main Blow(ru)

This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.

SSS(en)

SSS is composed from footage of movement improvised on the streets of pre-gentrified East Village by Sally Silvers, Pooh Kaye, Harry Shepperd, Lee Katz, Kumiko Kimoto, David Zambrano, Ginger Gillespie, Mark Dendy, and others, painstaking synched to music previously improvised for the project at Noise New York by Tom Cora (cello), Christian Marclay (turntables), and Zeena Parkins (harp). Beauty emerging from rubble. (Henry Hills)

Do-Re-Me(en)

Hong Kong movie

Return(en)

A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.

Bird Thongchai Concert #1/1988 Kaolao ThongChai (Mai-Ngok)(th)

Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988

FILM(en)

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Return(en)

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Maine Pyaar Kyun Kiya?(hi)

Dr Samir is an absolute charmer when it comes to women, but he poses as a married man to keep them at bay. Love becomes a three-ring-circus for him after he ends up tangled in his web of lies with his girlfriend Sonia and pretend wife Naina.

Midnight Movies: From the Margin to the Mainstream(en)

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

Soup or Sonic(en)

The coyote chases the road runner, but in this one he actually succeeds, to his bemusement.

Shrek's Yule Log(en)

“Shrek’s Yule Log,” featuring over 25 uproarious character appearances in front of a crackling virtual fireplace. This was bundled with "Donkey's Christmas Shrektacular"

Den Brother(en)

Alex Pearson has a lot to learn about teamwork. As the star of the Lemon Oaks hockey team, Alex almost always has his way on and off the ice. That is until he pulls a stunt so outrageous not even his own coach can give him a pass. His punishment? Suspension from the team, a never-ending list of chores and a job watching his little sister Emily after school.

Return(en)

A horror short with no dialogue (Advised to watch with headphones)

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Dushman Zamana(hi)

When a successful business man's daughter falls for a poor orphan at college, he hires a criminal to frame the orphan for murder in an attempt to separate the two.

The Murderer: Hamilton Palace(hi)

Saaz(hi)

Mansi, played by Aruna Irani the elder sister has to take up professional singing after her father's death and to support the family. The film focuses mainly on the female characters and traces how the younger sibling Bansi played by Shabana Azmi regains her identity.

Anupama(hi)

Mohan Sharma (Tarun Bose) is a workaholic, whose life changes dramatically after his wife dies upon giving birth to their daughter Uma (Sharmila Tagore).

Ranbanka(hi)

Rahul, a young man, tries to protect his wife from a goon who wants to forcibly marry her. When all things go against Rahul, he becomes an angry man, and sets out to fight against the goon.

Gul Makai(hi)

Fear is like an elastic band. You stretch the band inside of your mind and it keeps expanding, till one moment it snaps or you cut it for it to break. 'Gul Makai' is such a story, a story of courage that overcame fear and oppression. 'Gul Makai' accounts the courageous journey and struggle of Nobel laureate Malala Yousufzai, from her humble upbringing in the Swat Valley to her becoming the champion for free education to all. 'Gul Makai' is a small tribute to this lion hearted girl who is in every essence a global citizen championing a cause that transcends boundaries, caste, religion and geography.

India is Ours(hi)

Though times have changed, Ram still uses old ways of farming due to a drought in the village. His brother, Bala, goes to Bombay to earn his living. Mahadev, a Zamindar in the village, eyes Usha, the lover of Bala. Due to the drought, the crops fail in the village, and Shikh Sahib, a social worker, comes to help the farmers, and shows them new ways of farming. Ramu goes to Bombay to take a loan for cooperative farming and asks Bala to turn back to the village, but he refuses. [The film is a socio-economic study of post-independence India, blending documentary elements with narrative storytelling. The film is often described as a "simple story woven into the documentary design" and features actors like Prithviraj Kapoor and Dev Anand.]

Aadat Se Majboor(hi)

Dinanath Shastri (Madanpuri) is a devout Hindu firefighter. One day his son, Shankar (Mithun Chakraborty) brings home a young girl, Salma (Rameshwari) as he felt sorry for her. Dinanath thinks she is Hindu and calls her Shanti, and thinks of making her his daughter-in-law, as she nurses him and looks after the entire household after he has an accident. One day Dinanath meets with a blind man who he recognizes as Dr. Varma (Om Shivpuri), who he has known for many years. Dr. Varma's daughter, Neetu (Ranjeeta Kaur) and Shankar were childhood sweethearts. This news breaks Salma's heart but she does not let anyone know. Dr. Varma's arch enemy the wealthy, powerful, and seemingly generous Agnihotri (Amrishpuri) finds out he is alive and sets his goons out to kill him. Why would a rich and generous man want to kill a harmless blind man? What will be the reaction of the devout Dinanath when he finds out that Shanti is Muslim?

Pyar Ke Do Pal(hi)

In order to assist her close friend, Rajni Thakur, Geeta Choudhary, has an abortion in her name, so that Rajni can get married. When her secret gets leaked out, Geeta's husband, Ashok, blames her, accuses her of being unfaithful, and drives her out of his house. They have twins, Sunil and Anil, and each parent is allowed custody of one child. The children meet each other at Scout camp, and decide to re-unite their parents, without realizing that they are exposing not only them, but also each other, to danger and death.

Monsoon Wedding(hi)

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

Thai Massage(hi)

A typical middle-class 70-year-old widower, Atmaram Dubey, who has been celibate for decades, realises he will probably never have sex. This awakening catapults him into an outrageous journey of self-discovery defying societal norms.

Khaan Dost(hi)

Tumko Meri Kasam(hi)

"Tumko Meri Kasam" is an emotional rollercoaster of love, betrayal, courtroom drama, and the unbreakable power of a promise made to the one you can't live without.

Doosara Aadmi(hi)

Nisha, an accomplished architect is a reclusive after the tragic death of her boyfriend, Shashi Saigal. This is when Karan Saxena offers her employment with his advertising agency, she accepts. Though only she knows that Karan, newly married with Timsi resembles Shashi a lot, and she will do anything in her power to get him.

Bhuvan Shome(hi)

Bhuvan Shome is a lonely widower, a proud old man and a strict disciplinarian. Looking back on the trodden path, strewn with staunch determination and drab attitudes, Bhuvan Shome, a thoroughly unenchanted man, seeks escape in a holiday.

Kaam Chalu Hai(hi)

Manoj Patil's happy life takes a tragic turn when he loses his daughter in an accident caused by a pothole. When the authorities refuse to hear his complaints, he takes matters into his own hands.

Paisa Vasool(hi)

After a chance encounter at a club a struggling actress Baby decides to move in with Maria, a withdrawn divorcee who is having financial troubles and run-ins with the maffia. By accident the two women overhear a conversation in which a man confesses committing a robbery to his girlfriend. The two women decide to blackmail him for a piece of the action. Unfortunately the robbers have no intention of just rolling over.

Dhoon(hi)

Dhoon (Tune or Passion) is a 1953 Bollywood film directed by M. Kumar. The film was produced by Silver Kings, a production company formed by Kumar and his then wife, actress Pramila.[1] The film stars Raj Kapoor, Nargis, Motilal, Kumar, Pramila,[2] E. Bilmoria, Leela Mishra and Kamal Mehra. Mehra was a lesser known comedian who started his career in 1951 with Naujawan. He went on to act in several films before starting his own production company Pride Of India under which he made films like Kismat (1968), Mahal (1969) and Naami Chor (1977).[3] The music was by Madan Mohan.

Gudgudee(hi)

In Mumbai for a wedding, a married man contemplates an affair with a sexy starlet who has an ulterior motive for flirting with him.

Mastram(hi)

Rajaram is a small town bank clerk who dreams of travelling to Delhi and becoming a reputed writer. His litterateur aspirations are supported by none except his wife Renu.