A tryst between the young warrior Hagiwara Shinzaburo and beautiful Otsuyu is discovered, and the shamed Otsuyu commits suicide with her maid. Their ghosts subsequently appear to Shinzaburo. He obtains a door-protecting charm and a statue of the goddess Kannon from a priest to keep the spirits from his home. A conniving servant removes the protective devices so that Otsuyu can reach her lover and cart him away to the land of the dead.
A tryst between the young warrior Hagiwara Shinzaburo and beautiful Otsuyu is discovered, and the shamed Otsuyu commits suicide with her maid. Their ghosts subsequently appear to Shinzaburo. He obtains a door-protecting charm and a statue of the goddess Kannon from a priest to keep the spirits from his home. A conniving servant removes the protective devices so that Otsuyu can reach her lover and cart him away to the land of the dead.
1955-07-12
5
Accompanied by an extraordinary improvisational score by Montreal-based musician Jason Sharp, Daïchi Saïto’s Engram of Returning is an epic 35mm CinemaScope metaphysical travelogue that reveals a supernal world which pulses and flickers with formal patterns and deep hues.
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.
This piece was designed as an installation piece for projection as a 60-minute loop in gallery spaces. Deanimated is literally displaced from the theater environment typical of film spectatorship, slightly blurring the boundaries between the spaces of projection and reception. "Deanimated: The Invisible Ghost," is based on the 1941 horror film "The Invisible Ghost" with the lead actors Bela Lugosi, Polly Ann Young, and John McGuire. In "Deanimated" the actors are gradually eliminated and thus the narrative loses its coherence. What remains are backgrounds, erratic camera movements that seem to move without focus throughout the room, capturing ghostly changes in light and shadows. In this project, Arnold asks fundamental philosophical questions about human existence and presence in absence. Although the actors are missing, they leave behind traces (such as smashing bullets together, dust stirring up …) and are experienced precisely in their absence as a ghostly, unreal present.
The untold and ultimately inspiring story of legendary singer, Teddy Pendergrass, the man poised to be the biggest R&B artist of all time until the tragic accident that changed his life forever at the age of only 31.
Thanasis, a rising movie star is excited about the new movie he is starring in. This movie is called FILM. The excessive ambitions and artistic vision of the director that will lead Thanasis to madness. He himself is determined to discover the secret of filming and ultimately the secret of life. In a film shooting nothing is as it seems.
Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.
The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.
A samurai kills a blind man who tells him to repay his debts. Because of the samurai's actions his entire family is to bear a terrible curse.
A quintessential example of the period "ghost cat" (bakeneko or kaibyo) movie, this was one of at least six such titles released by the studio Shinko Kinema between 1937-40 featuring Japan's first scream queen, Sumiko Suzuki. Here she plays Mitsue, the possessive onna-kabuki actress betrothed to apprentice shamisen player Seijiro. When one day Okiyo, a beautiful young girl of samurai class, is led to Seijiro's house by his lost cat Kuro, she becomes besotted with him. Dark jealous passions are invoked in Mitsue, which are intensified when Seijiro gifts Okiyo his precious shamisen. The cat is the first to suffer at the end of Mitsue's hairpin, but returns from the grave to assist Okiyo's younger sister Onui avenge her sister's murder.
Tanuma Kandayuu is a high class samurai of the house of Nabeshima. He finds a lavish board of Go (a Chinese Board game) at Kinbei's store. He recommend Kinbei to offer it to his lord. Kinbei hesitates at first, since he knows the board has a mysterious legend surrounding it; it's believed that for every game played on the board, one death is required.
A woman loses her son through an evil conspiracy and commits suicide. Shortly afterwards a ghost cat begins haunting the conspirators. This is Takako Irie's first bakeneko (ghost cat) movie; it started a Daiei cycle which was very popular at the time in Japan.
A kabuki actress is murdered. Her pet cat laps its mistress's blood and becomes a demon possessed by the vengeful murder victim.
A master sculptor and his apprentice are trapped in a bad snow storm after finding a special tree for carving a statue for the local temple. Finding refuge in an abandoned hut they celebrate their luck in finding the tree but soon they are visited by the Snow Witch who freezes the sculptor to death but takes pity on the apprentice. He must promise to never speak of this or she'll return and kill him.
Follows the murder of a money-lending masseur by an impoverished samurai. The slain masseur's daughter will also fall victim to his curse, so that she can become empowered as an agent of her father's vengeance.
Princess Kiyo accidentally injures a local priest, Anchin, while on a hunt. She apologizes, but feels irritated by Anchin’s indifference to her in spite of her beauty. One night, while Anchin is recuperating in a hot spring, he is approached by Kiyo. She tells him that she is in love with him.
One day, a funeral was held at one of the tenements in Asakusa. It was the only son of a wealthy merchant named Matasaburo, who had run away from home with a woman he was in love with and had been living here. But this funeral was actually a kyogen (a farce) orchestrated by a gardener named Yunosuke, who had planted it without telling his wife, Okinu, in order to bilk his parents out of their money. Matasaburo believed Yunosuke, who said he would dig him up right away, and was buried in the ground. ......
Nishina Saburouta is powerful but corrupted priest. One night, an old samurai who couldn't bear him any more, attempts to kill him, but without success. Saburouta is rescued by his niece, Keisuke at the last moment. Keisuke is a a good-for-nothing. Since that event, he always turns to his uncle when he needs money. Recently Keisuke feels his uncle isn't as generous as he used to be, he suspects that Saburouta has found out the illicit relation between Keisuke and his uncle's young mistress, Ohasu.
About 1786 the doings of a demented lord results in many masterless samurai, including Iyemon (Kei Sato) who is used to luxury and cannot adjust to the hand-to-mouth conditions & piecework of umbrella making. Having hired ruffians to make him look like a superior swordsman, he arranges for himself the opportunity of a profitable marriage. He hires the half-blind masseur Takuetsu (Sawamura Sounosuke) to seduce or rape his wife (Kyoko Mikage), so that she can be divorced or killed for adultery. But the masseur takes pity & informs Oiwa of her husband's horrid plot. Assisted by the merchant's daughter he intends to marry, Iyemon disfigures his wife attempting to poison her so he can marry higher. There's a lovingly gruesome sequence as she combs blad patches into her hair, kneeling deformed at her mirror, weeping with bitterness. She eventually cuts her own throat, swearing revenge.
One murky night, Soetsu, a blind acupuncturist and money lender, calls on Shinzaemon Fukami, a Hatamoto samurai, to collect some money. But Fukami is too busy having an affair with a maid and curtly tells Soetsu to ask Sawano, his wife, for the money. As they have no money, Sawano interprets her husband's words as telling her to give herself to Soetsu in lieu of payment. However, Fukami catches them in the act and kills them both. Snatching up Soetsu's money bag with 30 ryo in it, he then asks two ruffians, to sink the bodies in a marsh. From what follows, it seems as if the spirits of Soetsu and Sawano are still hovering on earth in anguish and anger. For soon afterwards, Fukami is found dead by his own hand and Osono, Soetsu's younger daughter, suddenly disappears from home.
Horror filmed directed by Kinya Ogawa.
A former retainer to a noble family kills his wife's father when he tries to expose his past crimes. When he begins an affair with the daughter of another clan's retainer, her father tries to poison him but the substance instead claims an innocent victim...
A work with the motif of a legend that remains in the mountain villages of Shinshu and Hida. A white snake helped by a young man transfers to a girl's body, longing for him and burning in an endless passion.