Darkmoor Manor is England's most haunted house, its doors closed to the public. It is now just part of a tour which helps attracts visitors to a struggling town. That is until the tour guide, trying to impress two attractive American visitors promises to get them inside. But none of them could be prepared for what was waiting within the shadows of the house.
6.5A pimple-faced 13-year-old tomboy starts morphing in bizarre ways after catching stomach flu.
3.3Jonathan MacKinlay is a man trapped inside his home by his own mind. Suffering from agoraphobia, caused by a car accident that took his wife's life; his existence has been reduced to a monotonous repetition of identical days. As his dread and self-loathing escalate, an onslaught of gruesome visions and twisted, waking nightmares begins to gnaw away at his last shred of sanity. Are these ghastly visions imaginary, private demons...or is he being victimized by a very real entity of infinite terror and unspeakable evil?
6.7In a secluded forest house, a woman tormented by anxiety and paranoia lives with her helpless husband. Their fragile peace shatters when she suddenly falls ill and appears to die, setting the stage for a tense and haunting drama of isolation and dread.
0.0Briggs Sheridan is not that bad a guy, but he's going to have to fake it if he wants to survive the next four days. He owes Mr. Reggie fifty grand and it's time to pay up. Mr. Reggie has a solution, though . . . a job. All Sheridan has to do is complete one simple task and he will make it through the week with all of his body parts intact, as long as the job doesn't kill him first. Based on the story by Stephen King.
4.5Every October, Mr. Tricker has the best Halloween decorations in town. While setting up his annual display, a quirky neighbor gets too close to figuring out why his decor is so lifelike.
1.0A lonely gay man makes a choice to change his repetitive routine, with deadly consequences.
5.2Official short film supporting the release of 28 Weeks Later, produced by Lawrence Glover and directed by Damien Wasylkiw and Phil Stoole.
A little boy's desire to meet Santa Claus takes a dark turn.
0.0A woman calls a man and asks him to keep her company. Manifestations of their worst fears come through the walls to attack them.
0.0Who dares to venture into the forests of Silschede, is in deadly danger! It seems that some of the stories that inspired our earlier works are true. In the forests of Silschede not only a bloodthirsty creature is up to no good, it seems that perhaps the last cannibal in Germany is living here...
0.0Lost Todd Sheets short about a killer using a blender.
5.5A team of con artists posing as paranormal investigators steal from the home of an affluent elderly woman, only to find themselves unleashing a dormant malevolent spirit.
0.0At her best friend’s burial, a young woman bumps into an old classmate she used to bully, unaware that she’s changed radically over the last ten years.
After losing touch and not seeing each other for a year, sisters Isa and Celeste meet again. Isa has built herself a far better life, and urges her sister to do the same. Isa gives Celeste an old vinyl self-help record from the 1970s. You play it while you sleep, and it's supposed to get rid of all the negative energy in your life.
6.6A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past.
0.0Bootless are looking for their missing boot when they encounter a pair of sinister horses.
0.0In a dark subterranean landscape, the Amphibian has lost its way.
1.0Two screenwriters, working on a deadline on Halloween night, creatively disagrees with deadly outcome.
6.7Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.
