Mandaue Landfill, The Philippines: the 50 families who call this home are the bottom of their society; the lowest of the low. But material wealth is not the only kind of riches, and where there is hope and resourcefulness there is always the chance of a better life.
Mandaue Landfill, The Philippines: the 50 families who call this home are the bottom of their society; the lowest of the low. But material wealth is not the only kind of riches, and where there is hope and resourcefulness there is always the chance of a better life.
2013-01-01
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This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly
Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.
The day his computer turns into sand, Crassus, brilliant trader, goes insane. Counting the grains of sand like gold, it is lost in the Syrian desert where, as its namesake, the avid triumvir, he finds a tragic death.
As a young couple discuss the idea of giving up smoking, the sounds of a neighboring argument spill into their flat. The argument makes them question their own marriage, while doing nothing about the neighboring situation. Meanwhile, a young teenager argues with his mother as he tries to sneak out to a party with friends. His mother blackmails him into staying home, using his guilt against him.
Pop Warner shows 1890s football equipment and explains to his modern 1931 team how the game was played.
A glimpse into the lives of thousands of street cleaners who sweep the streets of Kuwait
The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.
Black & White, Short Film, United States, Silent.
What started out as a simple holiday trip on the Swiss mountain lake, is beneath the surface an intense drama between a mother and her daughter.
17-year-old Arend lives with his parents and hasn't come out of the closet yet. His first step into the gay world of love is on a date with handsome Michael, a guy he met on a gay dating site. They arrange to meet and Arend ventures to the other side of the country only to discover that Michael is not quite what he imagined.
A man hunts divine beings in a city that is falling into decrepitude. The society may have turned its back on him, but that doesn't stop him from moving forward in his endless search.
Year 2009 Northwest of the Peruvian jungle, near the border with Ecuador, a mining company enters the depths of the virgin forest in search for mineral resources, regardless of the damage it can cause. The entry is made with the approval of the government without the consent of the indigenous people living there Awajún. Known for their courage and bravery, the Awajún hold back the invaders; but in the struggle for their land, they are brutally beaten by the ultra-liberal government. Violence begets violence. Through a video workshop aimed at awajún, the director follows the trail of an irreparable injury.
Nowadays, in Tristan da Cunha. 270 people live on this small island in the middle of the Atlantic Ocean. Nick and Anne, two teenagers, have known each other since their birth, and are lovers since childhood. But Anne's just made up her mind: she's going to study in England, 6152 miles away from Tristan.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
The story of Shinya Kimura, a creator of custom motorcycles which he designs with a unique philosophy of love, life and simplicity.
Masses moving across the sweltering concrete, to the glass towers and into the subway mouths, eyes glued to the little screens, inhaling the images from halfway around the globe, oblivious to the life at their own feet.
Commemorates the centennial of American movies with a montage of clips and music scores from the most important movies of the century.
Fifteen-year old Cihan accompanies his grandmother on a journey to Turkey, to attend a wedding. They have not much in common and have to spend a whole day together in Istanbul.