Poetic sci-fi film as an homage to Cinema, Cocteau, Goodis and to American B-series of the 1940s. Constructed exclusively on photograms in black and white and freely inspired on Jean-Luc Godard's Alphaville.
Eddie Turley
Mariola
Lucia
Dr. Jander
Poetic sci-fi film as an homage to Cinema, Cocteau, Goodis and to American B-series of the 1940s. Constructed exclusively on photograms in black and white and freely inspired on Jean-Luc Godard's Alphaville.
1987-05-13
0
Ravaged by a debilitating illness, the Toxic Man sets out to stop the cabal of scientists and bureaucrats responsible for his metamorphosis in a surreal stab at vengeance.
On stormy night in an ugly urban landscape, Ciro Norte, a scientist with wild hair and thick glasses, straps himself to a chair he's has fashioned with wires: lightening strikes, convulsing him. It seems his experiment has not worked. The next day, he drives his jalopy to a bar, sits alone, and weeps. But suddenly, a vortex sucks him into a dream state where he wanders, escapes man-eating fish, confronts his doppelganger, walks through a field of giant flowers, and comes upon Venus herself, buried up to her shoulders in sand. She is a giant, and she takes him to her breast. He wakes from the vortex, back in the bar, his mood transformed.
After the plague, the famines have come, and a man expelled from the last habitable zone wanders the desert wondering if he'll ever see his son again.
A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.
Three men are stranded on a planet, work in a bunker-like area, fiddling with equipment, and are dominated by a tyrannical overlord whose logo is Boston Terrier with a pipe. Into our hero's drab gas masked existence a woman appears, luring him away from his duties and the social order.
France, June 1944. On the eve of D-Day, some American paratroopers fall behind enemy lines after their aircraft crashes while on a mission to destroy a radio tower in a small village near the beaches of Normandy. After reaching their target, the surviving paratroopers realise that, in addition to fighting the Nazi troops that patrol the village, they also must fight against something else.
After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it hits it will cause an incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough firepower. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
A young office worker is afflicted with a strange mutation that causes her blood to come to life when she bleeds.
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
Two buddy farmers are visited by aliens who like their domestic cabbage soup.
It follows the filmmaking journey of two filmmakers as they navigate through the urban sprawl of inner KL during the pandemic. It showcases the city in a raw, exposed and gritty fashion but still with a certain charm. Throughout their filmmaking process, they capture the peculiar events in the life of three strangers: the son (Fakhrul Aiman), the outsider (Eli Orkid) and the hustler (Nidusmas). They happen to express themselves in extreme ways at the sight of their own reflection in “the vantablack” -- they snap into a state of mind where they lose all their inhibitions and show their true self in a very physical way: through visceral, almost primal dance movements.
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
A computer program named A.D.O.M tries to create a living being that will help to release both of them from their void. This film was created exclusively with stock video and royalty free music. Stock Elements from pixapay.com Music from filmmusic.io "The Descent" by Kevin MacLeod (incompetech.com) License: CC BY (creativecommons.org/licenses/by/4.0/)