

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.
1967-04-23
1
6.8An emotionally desperate investment banker finds hope through a woman he meets.
6.5Philipp, a closeted teacher, is dating a female colleague to keep up appearances. One night he stumbles into a gay bar and falls for a man. Transformed by this love, he is no longer afraid to face up to who he is.
4.3Tony is a homosexual law student who quits his studies. With a van and a handful of cash, he hits the road hoping to become a salesman. This, however, turns out to be harder than he expected.
6.2Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.
5.2Ron, at 22, still lives with his parents. He barely knows the daylight hours and his nights are divided between his job as editor of wedding videos, chats on the Internet and futuristic fantasies. One night all the elements he toys with converge and, for the first time in his life, Ron is willing to risk an in-person human interaction.
5.6North Argentina, 1961. Only a few priests and interns remain in a secluded run-down boys' religious boarding school. Suddenly and unannounced, Father Martin arrives, whose intentions are not as clear as he claims.
6.3Paris, 1984. A group of friends contend with the first outbreak of the AIDS epidemic.
6.4In 1917, two young music students attending the Boston Conservatory bond over a mutual love of folk music. They reconnect a few years later, embarking on a song-collecting trip in the backwaters of Maine.
6.5It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
6.7Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
3.9Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.
7.0A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.
0.0To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)
5.0The Hamiltons seem to be the picture-perfect American family. They are hardworking community members; giving to their local charities, attending town hall meetings and always respectful of their neighbors...except for the fact that they usually end up killing them.
4.6While searching for a condo in Berlin for his father, Nick meets Philipp, a young talented photographer and a gorgeous actress named Lilli. There is instant chemistry and both are easily seduced by Nick's charms. Lilli and Philipp begin to explore their relationship with the sexy visitor, succumbing to their passionate affections for him which intensifies their volatile emotional and physical bonds. But what Philipp and Lilli don't realize is that they are being lured into Nick's manipulative..and deadly, love game.
6.8Christian, a hunky, 20-something, West Hollywood party boy gets more than he bargains for when he tries to seduce Aaron, a sexually confused Mormon missionary who moves into his apartment complex.
5.0Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
5.3Félix finds a young man lying unconscious on the beach and realizes he has scales on his back. Félix takes him home and takes care of him.
6.9After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
5.3Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .