The Valley(2014)

In the Battlefields(ar)

Lina, a young girl in war-torn Beirut, finds an ally and friend in Sihan, her domineering aunt's maid. Sihan shows Lina what her life could be like, but tests the girl's limits when she asks her to help plot her escape from the city.

Station Six-Sahara(en)

A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

War(fr)

Marilyn is English and lives in a relationship with a French woman, until the day she makes a mistake and gets kicked out of her girlfriend's apartment. She then finds herself on the street, wandering aimlessly, at the risk of meeting bad people.

Six Reasons Why(en)

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Happy Birthday!(en)

An unlucky Birthday boy must fight for his life against a masked psychopath.

The Way Back(fr)

Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.

La Brune que voilà(fr)

Germain, a great seducer, collects the mistresses. There are four, all brown, and all married. When the husband of one of them disembarks to threaten him with death, he must break up. But with which? The gouailleur Robert Lamoureux interprets this man who does not like to leave women.

Shaq's All Star Comedy Roast 2: Emmitt Smith(en)

A dream team of sports celebrities and comedians join megastars Shaquille O’Neal and Jamie Foxx to roast NFL superstar, Emmitt Smith, at the world famous MGM Grand Hotel in Las Vegas, Nevada. Shaq and Jamie are joined by an all star-studded line up including: Mo’nique, Guy Torry, Joe Torry, Jeff Ross, Michael Coylar, Jimmy Johnson, Michael Irvin, Dick Gregory, Stuart Scott, Daryl Johnston and more! No one was safe when this outrageous group took the stage. They showed no mercy for Emmitt, Shaq, or each other. Hilariously funny, unconventional and irreverent, Shaq’s All-Star Comedy Roast II is 90 minutes of non-stop laughter!

Life of a Mutt(sr)

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Do-Re-Me(en)

Hong Kong movie

All the World's a Stooge(en)

The stooges are window washers who lose their jobs after Moe impersonates the dentist in whose office they were cleaning. On the run, they are hired by a millionaire to pose as children. It seems the man's wife wants to adopt some refugees to impress her society friends. Moe is Johnny, Curly is Frankie and Larry is Mabel. Everything goes fairly well as the lady shows off the stooges to her friends, but they finally irritate her husband so much that he goes after them with an ax.

Re-Cut(en)

When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.

Azaïs(fr)

Deanimated: The Invisible Ghost(en)

This piece was designed as an installation piece for projection as a 60-minute loop in gallery spaces. Deanimated is literally displaced from the theater environment typical of film spectatorship, slightly blurring the boundaries between the spaces of projection and reception. "Deanimated: The Invisible Ghost," is based on the 1941 horror film "The Invisible Ghost" with the lead actors Bela Lugosi, Polly Ann Young, and John McGuire. In "Deanimated" the actors are gradually eliminated and thus the narrative loses its coherence. What remains are backgrounds, erratic camera movements that seem to move without focus throughout the room, capturing ghostly changes in light and shadows. In this project, Arnold asks fundamental philosophical questions about human existence and presence in absence. Although the actors are missing, they leave behind traces (such as smashing bullets together, dust stirring up …) and are experienced precisely in their absence as a ghostly, unreal present.

1940: Taking over French Cinema(fr)

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

The Dark Mist(en)

With the future of the world hanging in the balance, one fearless hero's quest to solve "The Riddle of the Chosen". As the Lord Protector makes his way through a land of magic and mystery, his allies grow stronger and his enemies more fierce. Will the Lord Protector make it to the center of evil and banish the dark forces that plot destruction, or will the power of evil overwhelm this mortal man and envelope the entire planet in a shroud of darkness and despair?

Pequena África(pt)

A documentary short on Rio de Janeiro's district known as "Little Africa", shot on location, in which children and elders talk about the place's history.

Blood on the Arrow(en)

In this western, the sole survivor of an Apache ambush rides out to save a young boy who has been captured. The hero was a captured outlaw en route to his trial.

لحن الأمل (Lahn El-Almel)(ar)

Abderrahim is a mechanic and singer in his spare time. One day, he receives a car to repair, driven by a very beautiful girl. It's love at first sight. They want to get married and start a family, but the girl's parents do not view this love favorably. They decide to marry their daughter to another man. Subsequently, Abderrahim became a famous singer. The loss of her love leaves the young girl in a state of silence from which only Abderrahim can break her.

Lumières(ar)

Long quest for a director specializing in commissioned films, who after a depression rediscovers his loved ones, his Casbah district, himself. Taken in hand, for a while, by his Islamist neighbor, it is above all the meeting with an old projectionist giving him a censored history of cinema and Algeria, which helps him to change, and to accept his own fantasies, embodied by Marilyn Monroe and the Andalusian.

Pegasus(ar)

Zineb is a psychiatrist assigned to Rihana, a traumatized and pregnant young woman, who was raised as a son by her dictatorial father. Rihana's story awakens repressed thoughts in Zineb's own mind.

The Citadel(ar)

El Kalaa, a village in southern Oran. Although already married, old Sidi planned to marry another. He sets his sights on the beautiful Aïssa, with whom Kaddour, his adopted son, is in love. The old man decides to play a trick on Kaddour to teach him never to covet a woman that an elder wants to marry...

امرأتان(ar)

One Roof, One Family(ar)

Selim Mechoubine, a young man of 28, is the eldest of a large family. In the cramped accommodation he shares with his parents, brothers and sisters... he occupies the kitchen, the refuge of his dreams and his many fantasies. Selim, the court clerk where divorcing couples parade..., wants to get married. His mother finds him “the rare pearl”. But now, the bride's family demands that the couple have their own home... Selim's misadventure begins; he finds himself confronted with the problems of the housing crisis which forces him to begin a long quest, procedures, requests to find the sine qua non condition for his marriage.

عائلة كي الناس(ar)

The Perfumed Garden(ar)

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

143 Sahara Street(fr)

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

Khawla's Goal(de)

El Jaïda(ar)

Four women meet at Dar Joued on the eve of Independence. With different ages and social conditions, they are condemned to live together under the authority and injustice of their jailer: "El Jaida". They will share memories of the outside world, joy, emotions and distress of their daily lives.

Possessed by Djinn(ar)

Sparked by the true story of Aya, a four-year-old Jordanian girl killed by her father because he believed her to be possessed, filmmaker Dalia Al Kury launches a fascinating investigation into a controversial and little-known aspect of Islamic culture: belief in djinn. The djinn are believed to be supernatural creatures that occupy a parallel world to ours and their emergence is associated with sexuality, political unrest, poverty and mental illness. The taboo subject of demonic possession remains broadly unresolved in the hearts and minds of some Muslims due to its complex and uncomfortable nature. Using a subjective, “undercover” style, Al Kury journeys into the obscure world of exorcists and the possessed, confronting their traditions and rituals. It makes for a telling ghost story that bares the filmmaker’s and her society’s subconscious underbelly.

The Ornament of the World(en)

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Tahia Ya Didou !(ar)

Originally commissioned by the city of Algiers to promote tourism, Mohamed Zinet’s Tahia ya Didou blends documentary with fiction to create a poetic, acerbic and rapturous portrait of the director’s native city. The camera travels freely, through the port, market, streets and cafés, capturing everyday people, some of whom recur frequently enough to seem like protagonists. The nominal plotline follows a French tourist couple’s leisurely visit to the city, the man having previously served in the army during the Algerian war. As they walk around, his comments betray his mindset’s racist colonial prejudices, while his wife reiterates asinine clichés. Their unhurried wandering is interrupted when he comes across a blind man and realises that he tortured him during his army service. The film is punctuated with punchy sequences that show a poet named Momo delivering verse as an elegy for Algiers.

Arab Movie(en)

So many Israelis still wax nostalgic about that old Friday afternoon ritual, back in the times when television had just one channel. Everyone would watch the Arab movie of the week, but did anybody ever wonder how Israel’s official TV station was able to transcend hostile boundaries to obtain these films, and why it insisted on showing movies made by “the enemy”? The Arabic-language movie from Egypt let some of us escape back to our original homeland, and let others peek out from our “villa in the jungle” and catch a glimpse of our neighbors across the border. But most of us didn’t really want to see the people whose culture, anguish, and aspirations were reflected on our screens. “Arab Movie” brings us the stars and the songs, the convoluted plots, and that fleeting moment when we shared the same cultural heroes as everyone else in the Middle East. But this film about the richness and intensity of Egyptian cinema also raises some disturbing questions.

Yallah! Underground(en)

Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.

Les Enfants de l’ovale... Un essai qui transforme !(ar)

Linda & Ali: Two Worlds Within Four Walls(en)

Irritated by Catholicism, Linda, an American-based, Blonde Caucasian, falls in love with Qater-based Ali Al-Saigel, adopts the Islamic faith, and gets married. She follows her new faith to the letter, and subsequently gives birth to seven children (four daughters and three sons), brings them up according to true Islamic dictum's, and reflects on her 20-year married life, her children, as well as her reaction when her husband indicates that he wants to re-marry.

L'Algérie de Gustave Guillaumet (1840-1887)(fr)

Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.

L'Obstacle(fr)

Algerian youth of the 1960s, straddling traditional South Mediterranean and Western culture and the desire for emancipation of younger generations to find true love.