In Hamburg, a suspicious crash and mafia-style killings hinge on witness Maja Stein, who demands protection. Detectives Lanart and Marquardt hide her in a safehouse, but corrupt cops ambush them. Lanart saves Maja as Marquardt is killed. Discovering Maja is a decoy, Lanart becomes a lone target.
Daniel Knauss
In Hamburg, a suspicious crash and mafia-style killings hinge on witness Maja Stein, who demands protection. Detectives Lanart and Marquardt hide her in a safehouse, but corrupt cops ambush them. Lanart saves Maja as Marquardt is killed. Discovering Maja is a decoy, Lanart becomes a lone target.
1999-10-30
3.5
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany
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