
Steyerl’s film traces the impact of an influx of transnational companies on the city dwellers of Berlin in post-reunification Germany. The effect of the changing economy and politics on the city and its inhabitants is echoed through their physical relocation to its outer edges. In 1990, squatters proclaim a socialist republic on the death strip. Eight years later, the new headquarters of Mercedes Benz are built in the same location. The film makes use of slow super-impositions to uncover a journey across changing architectural and cultural boundaries. "The Empty Centre" tries to give a voice and a history to those who continue to be marginalised by the simultaneous dismantling and reconstruction of the borders which they are trying to cross.

Steyerl’s film traces the impact of an influx of transnational companies on the city dwellers of Berlin in post-reunification Germany. The effect of the changing economy and politics on the city and its inhabitants is echoed through their physical relocation to its outer edges. In 1990, squatters proclaim a socialist republic on the death strip. Eight years later, the new headquarters of Mercedes Benz are built in the same location. The film makes use of slow super-impositions to uncover a journey across changing architectural and cultural boundaries. "The Empty Centre" tries to give a voice and a history to those who continue to be marginalised by the simultaneous dismantling and reconstruction of the borders which they are trying to cross.
1998-01-01
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6.6Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.
5.0The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.
0.0Provocateur, artist, performer: Peter Vanessa "Troy" Davies was a chameleon. Using layers of identity at will, Davies charmed his way through a lifetime of secrets and lies, prostitution, art, HIV, abuse, incest and gender subversion, leaving a legacy of unanswered questions, influential performances and reams of enigmatic home video. Ecco Homo is a psychological detective story and a testament to a social history rarely documented on film
0.0A passionate photographer from an early age, Dolorès Marat spent much of her life in photo labs, developing shots for fashion magazines. In the early 1990s, at the dawn of her forties, she decided to devote herself to her personal work. Today, she is exhibited worldwide. With her Leica camera in hand, Dolorès Marat takes an intimate look at her surroudings. She shots on the spot, as the blue hour settles. In her photographs, a dream-like strangeness overlaps the triviality of everyday life. Director Armelle Sèvre, also a photographer, wanted to see the world through Dolorès’ eyes. Together, the two women will scour the shores of the Mediterranean Sea, in search of a wave… Carried along by a bewitching soundtrack, this film dives in the enigmatic, hazy and colorful universe of a singular artist.
Foreign labour, a phenomenon typical of the 1990s, is examined here in one village in the Jordan valley. Until the intifada, Palestinians from a nearby village worked the fields, but after one of the community’s members was murdered, the farmers decided to employ Thais. This documentary addresses the question of cheap labour, set against the Israeli–Palestinian conflict.
EMPIRE OF THE MOON wryly deconstructs the experience of being a tourist. Paris, gorgeously photographed in black-and-white, is the setting for cultural explorations ranging from the mundane to the sublime, as visitors trek from icon to icon, snapping the same photos, climbing the same steps and at times experiencing the transformative wonder they came to find.
4.0Following the journey of an Evangelical minister trying to find the courage to preach about the growing toll of gun violence in America. Reverend Rob Schenck, anti-abortion activist and fixture on the political far right, breaks with orthodoxy by questioning whether being pro-gun is consistent with being pro-life.
5.7The Empire Builder is America’s busiest long-distance train route, running from Chicago to Seattle. Throughout these corridors sit runaways, adventurers, and loners – a myriad of passengers waiting to see what their journey holds. A touching and honest observation, co-directed by the iconic Albert Maysles, In Transit breathes life into the long commute, and contemplates the unknowns that lie at our final destination.
7.3Taking bribes and making deals is as essential as being a good rider in the Palio, the world’s oldest horse race. Giovanni, a young jockey, is up to the challenge when he faces his former mentor on the track. What ensues is a thrilling battle with the intoxicating drama that is at the center of Italian tradition.
6.6Until the late 1970s, the Pakistani city of Lahore was world-renowned for its music. Following the Islamization of Pakistan, many artists struggled to continue their life's work. Song of Lahore turns the spotlight on a group of stalwart musicians that kept playing and ultimately attracted listeners from around the world.
7.3For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel's fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.
6.8MARTIN ARMSTRONG, once a US based trillion dollar financial adviser, used the number pi to predict economic turning points with precision. When some big New York bankers asked him to join the club to help them to take over Russia, he refused to join the manipulation. A few days later the FBI stormed his offices accusing him of a 3 billion dollar Ponzi Scheme - an attempt to stop him talking about the real Ponzi Scheme of debts that the US has build up over the years and which he thinks starts to collapse after October 1, 2015, a mayor pi turning point he is predicting.
7.0Three teenagers battle their way through the world of competitive ping pong with their hearts set on the Olympics.
2.5Model, film star, muse, socialite, icon. Edie Sedgwick was the very first "it" girl of the Andy Warhol Factory scene. The arc of her life traced the rise and fall of the 1960s recklessness. After being the toasted by the whole of New York City, Edie died alone of a drug overdose in California at the age of 28. She was both the harbinger of celebrity culture and someone who stood entirely outside of it, an artist who painted life, bravely and spontaneously, with her own hand.
Discharged from Bosnian war, Johnny carries the weight of this war on his shoulders. He left the war with a dark and frightening secret, the murder of a young boy that haunts him. But Johnny carries many demons. The death of his father, running from his destiny as Chief of the Band and abandoning the love of his life. Nevertheless, Johnny must return home, the wolf spirit has called. Upon his return, he finds a new war. His estranged brother is leading his people in a revolt to save their sacred land. Johnny faces a dilemma; does he fight to save his people, or does he save himself? His journey will guide him to realizing that they are the same. In a blink, his world changes and in death, his brother guides him on a spirit walk to meet his destiny as leader of his people.
0.0In Athens, Georgia, a college fraternity traditionally known to fly the confederate flag moves to a historically Black neighborhood and establishes their presence by staging an antebellum-style parade. What starts with a neighborhood struggle over cultural legacies in the South, the opening of a community garden becomes a grounds for understanding, as well as a physical and emotional space for healing, offering a sense of possibility and hope for the future.
Nearly 20 years since the end of the 1992-95 Bosnian war, there are people who still live in refugee Centers, usually located on the outskirts of cities and villages. In such centers what should have been temporary has become indefinite. Collecting medicinal herbs or scraps from nearby coal mines and raising children who were born as refugees in their own country are just some aspects of the monotonous daily life of the people in Ježevci.
Many women are confronted with a young, slim and tight beauty ideal and worry a great deal if they can't live up to that image. Sunny Bergman asks in whose interest it is for her and other women to have these concerns, what's at stake, what's to gain and what's to lose. In this film, Bergman looks for the cause, the effects, and possible solutions for the Western preoccupation with our image.
6.3A keen observation of a sun-dappled and still-watered swamp, Uncertain contemplates a frequently overlooked and enigmatic town whose lake, and only real source of income, comes under threat from an aquatic nuisance of the botanical variety. Perhaps unsurprisingly for a site so-named, there is a lack of consensus about the Texas town's origin: whether the result of a surveyor's confusion when marking an early map, or steamboat captains' belief that docking there was an unknowable, impossible task, an auspicious beginning is offered for the unsettled and yearning inhabitants.