In the footsteps of Babur Musical encounters from the Lands of the Mughals(2010)

Rainbow Kronos Quartet with Alim & Fargana Qasimov and Homayun Sakhi(it)

Panda(fr)

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Red(en)

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Stilema(it)

A former intellectual senator and his beautiful young wife have an obsessive relationship.

We All Play(en)

"WE ALL PLAY" addresses the reality of the LGBTQIA+ community in sport. In a trip around the world, we will meet outstanding world elite athletes, who will talk, many of them for the first time, about their personal and professional experiences in first person.

Smoking Aliens(ja)

Then one day, her daily life suddenly changes. Unknown creatures fly out from a large number of spheres sent from outer space and begin to parasitize and manipulate human beings. The parasites not only move in strange ways, but some of them also exhibit extraordinary physical abilities. Trapped in a building at work, Shang and his colleagues discover that the space creatures are vulnerable to cigarette smoke. But that was only the beginning of the fight to the death. Smokers vs. space creatures, who will survive? Shang's cry echoes through the air. "Breathe in the smoke and go to hell!"

Film(it)

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

Histoire de Melody Nelson(fr)

Jadoo(en)

This comedy revolves around two brothers, both wonderful chefs, who fall out catastrophically. At the climax of their dispute they rip the family recipe book in half - one brother gets the starters and the other gets the main courses. They set up rival restaurants, across the road from each other, and spend the next twenty years trying to out-do each other. Neither brother will admit it but they both know they are not entirely successful in the 'other half' of the menu. It takes a daughter - a successful corporate lawyer marrying a man from a very different background - to reunite them. She is planning her marriage and is determined that they will both cook the wedding banquet.

Secret Society(en)

Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.

Bette Midler: Ol' Red Hair Is Back(en)

In 1977, Bette Midler's first television special premiered, featuring guest stars Dustin Hoffman and Emmett Kelly. It went on to win Bette her first Emmy Award for Outstanding Special — Comedy-Variety or Music. To make the show palatable to home viewers, the special featured heavily cleaned up versions of the material Midler was performing at that time on stage. The title of the show, Ol' Red Hair is Back, was a takeoff on the title of Frank Sinatra's recent album Ol' Blue Eyes Is Back.

Hijabers in Love(id)

Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.

Tare(es)

Mysore Magic(en)

A 1982 disco competition hosts the true and unlikely romance between Premi and Vasu — one an outsider from a tiny island in Africa and the other a show-off from a high caste family. With one in the audience and one dancing on stage, Premi and Vasu spark a romance that embodies the humanity and hope of those monikered as “immigrants” years before their eventual journey to the West.

Home(en)

Young Irish immigrant, Alan Cooke contemplates the great metropolis New York City, and the very meaning of home itself. A vivid moving and poetic portrayal of life in contemporary New York featuring a host of celebrities, native New Yorkers and immigrants via candid interviews.

За синими ночами(ru)

Honeymoon(cs)

A wedding is supposed to be a joyous occasion, but things can go awry. When an uninvited guest turns up at the church and later at the reception as well, the newly-weds’ day turns sour. Shadows of the past can blight the most sumptuous of banquets and rend the most affectionate of embraces.

Wagah(ta)

A BSF jawan is held captive in an illegal camp run by Pakistani soldiers. Will he be able to rescue his girlfriend and return to his homeland?

Annihilator: Bloodstock Open Air 2017(en)

Thrash veterans Annihilator grace Saturday’s Ronnie James Dio stage line-up to bridge the two-year gap since 2015’s ‘Suicide Society’ with a set crammed with timeless hits. Frontman Jeff Waters instantly commands with an energetic rendition of ‘King of the Kill’ leading relentlessly into ‘No Way Out’. There’s no room for filler on the Bloodstock stage, although this does appear to limit the draw for a crowd searching for a calmer afternoon before the evening’s hectic festivities – fans would expect a much more diverse set than this especially with fifteen albums under their bullet belts. That said, ’Set the World on Fire’ feels as authoritative as ever in the afternoon sun and ‘W.T.Y.D.’ charges its way toward the sea of banging heads in the arena. Of course as is now traditional for Annihilator, ‘Alison Hell’ introduces herself in the only grim way she knows how, but this set isn’t quite the unforgettable venture into the archives that it should have been.