2005-09-17
10
Jerry uses a robot mouse to snatch a sample from a lunar cheese mine being mined by robots; Tom gives chase with a robot cat.
Tracklisting: 1. Pound for a Brown 2. Baby Snakes 3. Deathless Horsie 4. Dancin' Fool 5. Easy Meat 6. Honey Don't You Want A Man Like Me 7. Keep It Greasey 8. Why Does It Hurt When I Pee? 9. Sofa #2 10. Vinnie's Seal Call Fusion Music 11. Bobby Brown 12. Conehead 13. Dead Air/I'm On Duty 14. St. Alphonzo's Pancake Breakfast 15. Father Oblivion 16. Rollo 17. Bamboozled Outro
A killer goes on a killing spree at a heavy metal club.
A collection of horror stories taking the viewer into the dark world of Stephen King, featuring vampires, strange objects and sinister humor. The five 20-minutes tales were all taken from the Tales from the Darkside TV series and strung together as a video feature.
Of the Sic: Your Nightmares, Our Dreams (documentary film) Live at Dynamo Open Air 2000 (full concert): 1. 742617000027 2. (sic) 3. Eyeless 4. Wait and Bleed 5. No Life 6. Liberate 7. Purity 8. Prosthetics 9. Spit It Out 10. Get This 11. Surfacing Music videos: "Spit It Out" "Wait and Bleed" "Surfacing" "Wait and Bleed (Animated Version)"
Thota Ramudu faces opposition when he falls in love with a princess. He then seeks the help of a sorcerer, who secretly plans to sacrifice Thota Ramudu to Goddess Pathala Bhairavi.
A dancer personifying Winter, dances in the snow.
A saloon owner falls in love with the abused wife of a heavy gambler. He is snared into a web of intrigue when an ex-girlfriend is found murdered in his apartment.
The Kung Fu Kid is a Hong Kong Martial Arts movie starring Chan Wai Man and Eric Tsang
The Laughter Life follows a week in the life of the young comedians who write and star in Studio C, a popular sketch comedy television show that has garnered over 1 billion views on YouTube.
The rise and downfall of a family over the course of 20 years, in one living room, in a single shot.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
A boy (Billy Mauch) and his gang catch bank robbers using their clubhouse as a hide-out.
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory
Young Sung Neng Yee, who is brought as part of a wealthy Chinese family. She is eager to become part of Mao Tze Tung's "new society", but soon becomes disenchanted by the economic misery the changes bring to her family. Before long, the authorities become aware of Neng Yee's feelings and she is taken to a labour camp, overseen by the sadistic Colonel Cheng.
Four young friends play hooky from class, and get locked in the school basement by the class snitch.
The Kolobok tries to devour starving animals to fulfill its insatiable appetite
Hans suffers from insomnia. But there is help available! A self-appointed specialist guides us through this absurd study of sleep.
When her mother gets sick, 13-year-old Fen moves back to Taiwan, where she struggles to fit in amid the 2003 SARS epidemic.
An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual dynamics.
This film is strongly rooted in its underlying mathematical structure which forms the basis for the images. The music by Jean Claude Risset is integral to the creation of this concert of space and time.
A single bird in flight is transformed, enhanced and interpreted so as to present a unique visual experience. From its original inception in a 128 frame black-and-white sequence it evolves by programmed reflection, inversion, magnification, color transformation and time distortion into the final restructured film as art.
Abstract images of frame-by-frame animation with subtle growing effects of crystals are enhanced by polarized colors.
Trusts and Estates is a hand-drawn animated documentary satire adapted from a conversation overheard in a Santa Monica restaurant in 2011. Four lawyers engage in a bantering dinner conversation that quickly devolves into a grotesque and brutal comedy of cruelty and hypocrisy.
Three siblings Danny, Art and Grace are now well settled with their respective families, in widely contrasting lifestyles. The one common thing that binds them loosely together is the love that their mother Dolores "Loleng" Rosales holds for all of them and her grandchildren, albeit expressed in varying ways and degrees, but always equally nurturing and self-giving. Much as they are held together by her, they are in turn separated by physical distance and the sad legacy left behind by their deceased, erstwhile strong-willed, patriarchal father.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
A 4 minute film based on flowing changing images from liquid-like faces to flashing abstract imagery.
Working, as in other films, with relatively simple materials and a contemplative stance, Ratté begins by exploring the flickering movement of light and its distortion as it is translated into the digital realm, using chromatic excess as a means to corrupt her sources' integrity. These somewhat inform images of natural events slowly morph into geometric grids with which moving human silhouettes are later juxtaposed before we are finally sent back to the abstract shapes that opened the film, now harmonised with these colour-looms and figurative forms.
A clear-eyed look at the inevitability of our demise, based on Philip Larkin’s poem of the same name.
An adolescent Death is enamored by Life's innocence and vivacity, but his attempts to befriend her backfire.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
When the galaxy comes under the threat of a nefarious space captain, a mechanic and his newfound robot ally join an elite squad of combatants to save the universe.