Fe returns home to the Philippines after several years of working overseas, her job a victim of global economic shifts. Fe is initially greeted with affection by her husband Dante, but he has a long history of domestic violence fueled by rage and long-term impotence, and Fe quickly discovers her time away has not changed him. Dante works in a factory making baskets, and Fe soon joins him there; she becomes the lover of Arturo, the man who manages the basket company, but while Arturo treats her well, he's still under the thumb of his father who owns the factory. Meanwhile, an unknown admirer sends her parcels of strange black fruit on a regular basis. Torn between two men who cannot give her what she needs and wants, Fe's frustration leads to take desperate steps to establish her independence.
Nestor
Mang Robert
Mang Lito
Priest
Albularyo
Fe returns home to the Philippines after several years of working overseas, her job a victim of global economic shifts. Fe is initially greeted with affection by her husband Dante, but he has a long history of domestic violence fueled by rage and long-term impotence, and Fe quickly discovers her time away has not changed him. Dante works in a factory making baskets, and Fe soon joins him there; she becomes the lover of Arturo, the man who manages the basket company, but while Arturo treats her well, he's still under the thumb of his father who owns the factory. Meanwhile, an unknown admirer sends her parcels of strange black fruit on a regular basis. Torn between two men who cannot give her what she needs and wants, Fe's frustration leads to take desperate steps to establish her independence.
2009-10-09
6.7
Auto Da Fé is a diptych that looks at migration through the lens of religious persecution. Presented as a poetic period drama, the film presents a series of eight historical migrations over the last 400 years, starting with the little known 1654 fleeing of Sephardic Jews from Catholic Brazil to Barbados. As the film develops, we are presented with tale after tale of populations being displaced along religious lines, right up to the present day migrations from Hombori, Mali and Mosul, Iraq. Religion, persecution and migration are, it seems, old and continuing bedfellows. The work was filmed on location in Barbados, but the landscape is deliberately anonymous, reflecting the universal nature of these stories.
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A young woman works as a secretary for a high class escort service, and is drawn into the intrigues of a client and the man who has fallen in love with her.
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