Even though Madame Blueberry lives in a nice treehouse, and has lots of friends, she is still upset because she always thinks she needs more "stuff". When a new Stuff-Mart superstore opens up near her home, she loads up with everything she can, but is still sad. Eventually, Madame Blueberry learns that it's important to be thankful for what you already have.
Even though Madame Blueberry lives in a nice treehouse, and has lots of friends, she is still upset because she always thinks she needs more "stuff". When a new Stuff-Mart superstore opens up near her home, she loads up with everything she can, but is still sad. Eventually, Madame Blueberry learns that it's important to be thankful for what you already have.
1998-06-01
5.5
Appearing in his own TV commercials, unscrupulous toy maker, Wally P. Nezzer has convinced all of Dinkletown that "Christmas is when you get stuff!" With the town's children begging for more toys, it's sure to be the worst Christmas ever -- until one brave little Buzz-Saw Louie doll decides to take matters into his own hands! The Toy That Saved Christmas reminds children of all ages that "Christmas isn't about getting; it's about giving.
Larry the Cucumber stars as Minnesota Cuke, adventurer extraordinary. Follow Cuke around the world as he searches for the legendary Hairbrush of Samson on a race to keep it from his arch nemeses, Professor Rattan!
It's 1880's London, and Cavis Appythart and Millward Phelps (Bob and Larry) are putting the finishing touches on their first Christmas musical, "The Princess and the Plumber." Filled with spectacle and more electric lights than London has ever seen, Cavis is convinced his impressive show will "teach London to love!" Unfortunately, a church Christmas pageant staged by Little Edmund Gilbert (Junior Asparagus) is opening the same night, right down the street, and features the "Star of Christmas"– A priceless artifact that hasn't been seen in 80 years. Just how far will Cavis go to make sure his show opens on top? Find out in this hilarious, action-packed adventure which teaches that it's the true story of God's love that shows us how to love one another– at Christmas time and throughout the year!
Bruce Nolan toils as a "human interest" television reporter in Buffalo, NY, but despite his high ratings and the love of his beautiful girlfriend, Bruce remains unfulfilled. At the end of the worst day in his life, he angrily ridicules God — and the Almighty responds, endowing Bruce with all of His divine powers.
After Kati, Hanna and Mila first experiences with guys, it is now necessary to cultivate those relations. The jealous Mila thinks that her friend Markus, would cheat on her with Vanessa. Kati, who is actually together with Tobi, finds that Robert, whom she met during a shooting, more than just cool. Only with Hanna everything seems to work perfectly. Branko is a real gentleman and does everything for her musical career - but not entirely unselfishly, as soon turns out. Problems therefore pre-programmed with the girlfriends and their new conquests!
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
The mysterious death of a man who is about to leave a small town in Kansas with his girlfriend triggers a chain of unfortunate events that will only end when another man completes a relentless and bloody revenge.
"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.
Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Inspired by the true story of Siseko Ntondini and Piers Cruickshanks, who together won gold in the 2014 Dusi, Beyond the River delivers a nail-biting adventure story about the triumph of the human spirit.
Ben is worried. Overwhelmed by the world's encroaching crises, he travels from Brandenburg to London to Kansas to the Yucatan peninsula and many places in between, to find out how to cope with social and ecological collapse.
In 1978 the police attacked demonstrators at the Sydney (Australia) Mardi Gras celebrations. This film details the communities' responses.