This is the travel of Karim who was not gone back home for 10 years. A come-back that looks like a one-way ticket. Algeria. Before he forgets, find again the reasons why he left one day, the big exodus, the burning home. But the words have been sucked up in an uncertain time, in a movement that allows to be anchored. Some where.
This is the travel of Karim who was not gone back home for 10 years. A come-back that looks like a one-way ticket. Algeria. Before he forgets, find again the reasons why he left one day, the big exodus, the burning home. But the words have been sucked up in an uncertain time, in a movement that allows to be anchored. Some where.
2013-12-03
8
A year has gone by since the events of The Wizard's Christmas, and the people have slowly begun to rebuild under the new Christmas Wizard. The city is buzzing with excitement and preparations are in full swing for the first new Christmas of the age is rapidly approaching. Alerik is worried about Perin; she's unsure of herself and struggles with the weight of all the expectations placed upon her to restore Christmas to its former glory. Alerik uncovers a secret that leads him to a great discovery deep in the old woods beyond Christmas Town that will rock the city to it's foundations, filling them with doubt as they confront the possibility that the Christmas Wizard may not be the rightful owner of the staff after all. - Written by Colin Curwen, Producer
The first Czech cartoon based on a fairy-tale about grandpa, grandma, their granddaughter, dog and cat who all wanted to pull a big beet out from the ground. The picture shows children that a big task can only be fulfilled by joint effort.
Misty is sexually awakened by her sultry roommate leading to a sensual and naughty bathing encounter. Meanwhile, neighbor Ruby teases those who gaze at her window by doing an erotic strip-tease!
In the Summer of 2020, at the height of the Black Lives Matter protests in her country, Helga Davis wrote a text that voices her pain, her despair and also her hopes for the future. ‘OK’ scrutinises the relations between Black and White while searching for the essence of collaboration and caring about the other.
EYE ON THE SIXTIES is an intimate portrait of photographer Rowland Scherman, and the process of photojournalism. It is a valuable 'insider' piece of American History, documenting one man's recording of one of America's most transformational eras. In this unusual documentary, Scherman's candid recollections of the time combine with his famous photographs, offering rare glimpses of celebrities, politicians, and monumental events of the day. His memories and experiences offer a fresh viewpoint on the current state of photojournalism, and of technological change. The film also touched on the inevitable fate of the aging baby boomer, who captures with ease the immortality of others, while remaining mortal himself.
A mother and daughter spend their evenings together in the living room. Mum works whilst her daughter is drawing. But when the kid finishes and starts to colour her drawing, she starts to think about what colour pencil she should use.
Young residents of Seoul meet, separate, wait and dream by the Inner Circle Line of the Seoul subway system.
Dance from the opera from 1762 by Christoph Willibad Gluck (1714-1787), choreography by Hans Beck 1896. Performed by Valborg Borchsenius (née Guldbrandsen), Ellen Price, Elisabeth Beck (1865-1946) and Anna Marie Agerholm (1875-1929).
Always passionate about hockey, young Jean-Philippe Tanguay dreams of only one thing: becoming a player agent. He idolizes his cousin Yves Tanguay, a former NHL player, now playing with the Barbares de La Malbaie amateur hockey team. When the team advances to the Canadian championship, Yves convinces his young cousin to accompany him to Thunder Bay to attend the championship. The two cousins see this as a unique opportunity for their careers and will embark on a road trip that will lead them to discover the price to pay to make their dreams come true.
It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.
A famous movie star filming on location in Buenos Aires becomes involved with a Manson-like cult. Years after this flopped at the box office, it was purchased by Michael Findlay and became the backbone for the notorious film Snuff (1975).
Kin Seng (Leung Ka Fai) falls into big debts in the gambling house. He persuades his loving wife, May (Lin Ching Hsia), to embezzle a huge sum from working place to save him. They go to Thailand to seek help from Kin Seng's uncle but in vain. On their return Journey, May accidentally falls off the ferry and Kin Seng commits a deliberate murder. [...] What is going to happen next? -From the Fortune Star Legendary Collection DVD summary.