A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?
A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?
2006-02-12
5.7
Documents the history of gays and lesbians in Hollywood films.
Lifelong friends Danny and Mark, both seventeen, struggle with the awkwardness of saying goodbye the night before Danny leaves for university in the city. Mark will stay behind to work on his father's farm, hoping someday to buy some land of his own.
Two teenagers decide to attend attend São Paulo's annual Gay Pride Parade, encouraged by one of their uncles, a successful - although closeted - business executive. After witnessing an incident of shocking violence at the parade, the group makes a pact - they all have one year to come out of the closet.
This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.
The idea for hosting the concert was envisaged by Ronnie Lane, ex-bassist for The Small Faces and The Faces, himself a casualty of multiple sclerosis. The concert was billed as The Ronnie Lane Appeal for ARMS and featured a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood, Andy Fairweather Low, Bill Wyman, Kenney Jones and Charlie Watts. The concert was particularly notable in the fact that it was the first occasion on which Clapton, Beck and Page, each a former lead guitarist for The Yardbirds, had performed together on stage.
The story continues with the young couple walking down the same desolate road. They flag down a sheriff's car for help. As the sheriff gets out of the car, they notice another sheriff's officer tied up in the back seat. Which one is dangerous?
The Martins and the Coys are two feuding clans. One day, Grandpa Coy gets caught in the Martin henhouse, and a massive battle erupts, leaving only a Martin girl and a Coy boy. Love conquers all for a while, anyhow. Originally released as a segment in Make Mine Music.
Sex and Cinema is a steamy trip through the looking glass of the camera lens, depicting how sexually charged films reflect our own sexual liberation. It will unzip America's obsession with sex, both from a cinematic and social perspective, exposing the hypocrisy inherent in our culture's war against eroticism (be it film, art, literature or song lyrics). The special will look at many films that push the boundary, from mainstream studio films to product that in its time has been considered pornographic.
Lefty-a hard working, light hearted man is looking to make a decent buck. But when a simple bet goes horribly wrong, Lefty is stuck between a rock and gangster who's dead set on collecting his money.
Charley Chase' insurance company has a million dollar policy on Andrea Leeds' wedding coming off. When Andrea runs away and cons Charley into thinking she's a detective in pursuit of herself, there's no shortage of great laughs.
You won’t find the name Patrick Q.F. Barr on any leaderboard. But he is a golfer worth knowing nonetheless. His course is lower Manhattan, his clubs are borrowed and his balls are… well, they’re milk cartons stuffed with newspapers. In this 30 for 30 Short directed by Christopher Andre’ Marks, you’ll hear the story of “Tiger Hood” in his own words—about how golf saved him from despair and helped people recognize his other talent, photography. Truer words were never spoken than when Patrick says, “Don’t cry over spilled milk.”
The film is based on real events and tells about a major accident that occurred during the construction of another Leningrad metro station in the spring of 1974.
Santo takes on Magnus, who has taken control of television stations to broadcast kidnappings and other such criminal activity.
Lenny Upton combines euthanasia with his used furniture business to provide suicide assistance to melancholy customers with a death wish. Armed with a briefcase full of weapons and an eye for antiques, he custom designs a personalized death experience for his one-time clients. All sales are final in this short film that takes a darkly comedic evaluation of the value of life and used furniture.
A young Montreal woman has an affair with a famous French author, and the experience helps to teach her a number of things about life and love.
After his wife dies, Enrique tries to kill himself. His brother Agustín tries to help him by introducing him to a friend who looks like the woman who died.
Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, presents the bond of life through her own childbirth experience. "First, I was planning to film from the day I conceived a child and to the moment I gave birth. But I realized, while filming, that this is not the story of "one life." In the end, the film sublimed to a higher stage on which we can witness the knot tying one life with another."
Two bodies and one mind, this is the extraordinary story of one pair of conjoined twins in today's world.
In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.
Nearly 30 years-old, Hélène still looks like a teenager. She is the author of powerful texts with corrosive humor. It is part, as she says herself, of a "badly calibrated lot, not entering anywhere". Her telepathic poetry speaks of her world and of ours. She accompanies a director who adapts her work to the theater, she talks with a mathematician ... Yet Helene can not talk or hold a pen, she has never learned to read or write. It when she turns 20 that her mother discovers that she can communicate by arranging letters on a sheet of paper. One of the many mysteries of the one that calls herself Babouillec ...
This short film reveals the inspiration, motivation and political challenges at San Francisco City Hall during the frantic days leading up to the first government-sanctioned same-sex marriage.
For decades, a nice Jewish couple ran Circus of Books, a porn shop and epicenter for gay LA. Their director daughter documents their life and times.
"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)
It wasn’t long until Ethan knew that he wasn’t Irene, meanwhile, Sarah wondered why it wasn’t the colour of her skin that made her feel so different from the others but, in fact, the stigma of living with HIV. Those are some of the stories from "DIVERSXS".
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
In the summer of 1953, the Canadian government relocated seven Inuit families from Northern Québec to the High Arctic. They were promised an abundance of game and fish - in short, a better life. The government assured the Inuit that if things didn't work out, they could return home after two years. Two years later, another 35 people joined them. It would be thirty years before any of them saw their ancestral lands again. Abandoned in flimsy tents, the Inuit were left to fend for themselves in the desolate settlements of Resolute Bay and Grise Fiord, where the sea was nearly always frozen and darkness reigned for months on end. Suffering from hunger, extreme cold, sickness, alcoholism and poverty, Québec's Inuit had become the victims of a government policy supposedly designed to return them to their "native state". Evidence points to the government's wish to strengthen Canada's sovereignty in the Arctic as playing a part in the decision to relocate.
Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.
An intimate portrait of the nuns of Kala Rongo, a rare and exceptional Buddhist Monastery exclusively for women situated in Nangchen, in remote and rural northeastern Tibet. These nuns are receiving religious and educational training previously unavailable to women, and playing an unprecedented role in preserving their rich cultural heritage even as they slowly reshape it. They graciously allow the camera a never-before-seen glimpse into their vibrant spiritual community and insight into their extraordinary lives. Some shy, some outspoken, all are committed to the often difficult life they have chosen, away from the yak farms and herding families of their birth. It is the story of their spiritual community, one that couldn't have existed 20 years ago but is thriving today.
A behind-the-scenes look inside the case to overturn California's ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.
E-Team is driven by the high-stakes investigative work of four intrepid human rights workers, offering a rare look at their lives at home and their dramatic work in the field.
Fed Up blows the lid off everything we thought we knew about food and weight loss, revealing a 30-year campaign by the food industry, aided by the U.S. government, to mislead and confuse the American public, resulting in one of the largest health epidemics in history.
If you ever find yourself traveling down Interstate 49 through Missouri, try not to blink—you may miss Rich Hill, population 1,396. Rich Hill is easy to overlook, but its inhabitants are as woven into the fabric of America as those living in any small town in the country. This movie intimately chronicles the turbulent lives of three boys living in said Midwestern town and the fragile family bonds that sustain them.