Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.
Taking the form of a conversation between a young teacher at a French school in Moncton and her students, the film shows how hard it is for francophones to preserve their language in a society where English is everywhere and has been for centuries.
1969-01-01
6
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Set in 1889 France, Dodin Bouffant is a chef living with his personal cook and lover Eugénie. They share a long history of gastronomy and love but Eugénie refuses to marry Dodin, so the food lover decides to do something he has never done before: cook for her.
After 25 years together, married life has taken its toll on Xavier and Sophie, so when Sophie decides to invite their neighbours over for dinner, Xavier is less than enthusiastic to say the least! He can’t stand how obviously still in love they are and their lack of discretion… especially at night! On coming face-to-face with the uninhibited couple, Xavier and Sophie will be forced to confront their own, sad reality, before finding themselves pushed into a corner by a somewhat… indecent proposal.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
When the world is gripped by a plague unleashed by the evil lord Chaos, and humans are turned into rabid creatures, mankind can only be saved by three young women, descendants of a Goddess, with the power to stop Chaos' evil.
He Fei's wife, Li Muzi, disappears during their anniversary trip. When she reappears, he insists that she is not his wife. As Chen Mai, a top lawyer gets involved in this bizarre case, more mysteries start to emerge.
Tired of life on the run, a pro thief decides to retire — but not before one easy last job with her partner in crime and a feisty new getaway driver.
A woman taking a cab ride from JFK engages in a conversation with the driver about the important relationships in their lives.
My name's Arthur, a huge Internet star who's just hit 3 million subs. While in the midst of throwing an epic party to celebrate, the universe had the balls to bring on the effing apocalypse and cut my night short. What was supposed to be a perfect hangover, has turned into an epic fight for survival.
When Karate champion Michael Rivers wins the last tournament of his career, shady businessman Ron Hall offers him the opportunity to fight in an illegal Kumite in Bulgaria against the world’s best martial artists. When Michael declines, Hall has his daughter kidnapped and, in order to rescue her, Rivers is left with no choice but to compete in the deadly tournament. Arriving in Bulgaria, he finds out that he is not the only fighter whose loved one was taken. Rivers enlists the help of trainers Master Loren, and Julie Jackson but will it be enough for him to win the tournament and save his daughter’s life?
The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army’s rescue at Noryang Strait.
Hannah and Matt, a young couple on their first holiday together, quickly discover that they may not see eye-to-eye. Feeling as though she let her boyfriend down, Hannah enlists the help of a mysterious gypsy woman, in the hope that the couple's troubles can be overcome. However, when Matt wakes to find his girlfriend has disappeared, the gypsy woman's sinister intentions become all too clear.
A recap of Kimetsu no Yaiba episodes 55–56, with new footage and special end credits. Tanjiro undergoes rigorous training with the Stone Hashira, Himejima, in his quest to become a Hashira. Meanwhile, Muzan continues to search for Nezuko and Ubuyashiki.
When mysterious Russian gunslinger Ivan Turchin rides into a small Texas town, he runs afoul of a bloodthirsty outlaw gang known as The Hellhounds. Outmanned and outgunned, the town must put their trust in Turchin to protect them from annihilation at the hands of the bandits. The gunslinger finds allies in the form of Marshal Austin Carter and Sheriff Vernon Kelly, and together the three must make a desperate stand against impossible and violent odds.
As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.
The story of a boy who suddenly lost his sight as a result of cancer. He has a hard time getting along with new people and spends all his time with horses. One day, the chairman of the local society of the blind calls him and offers him the main role in a play based on Maeterlinck’s play “The Blind,” where all the roles are played by blind people, and the play takes place in the forest.
In the capital of Ingushetia, at the memorial, there is a carriage. This is a carriage from the 40s, a carriage of memory. One of those in which the Ingush were transported back in 1944 to Kazakhstan and Central Asia. February 23 is the day when the whole country celebrates Defender of the Fatherland Day; mourning takes place in Ingushetia. And on this day, the old people gathered in this carriage to remember and tell each other how it was.
As a young girl Victoria Arlen truly had the world ahead of her. But at the age of 11, she began to suffer from an illness that baffled her doctors and kept Victoria locked in her own body.
When 18 children – nine from Palestine and nine from Israel – come together to form a kids soccer team, they come face-to-face with the other side for the first time in their lives. United by the common goals of teamwork and dedication to a shared purpose, they confront generations of fear head on. Is peace through sports really possible, or is it hopelessly naive to think that a handful of 12-year-old soccer players can begin to change their world?
Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.
"LIMITLESS", is an original documentary about 7'5 French basketball star Victor Wembanyama and his journey to becoming the projected #1 overall pick in the 2023 NBA Draft.
Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
At the time this film was made, motion picture theaters were required to pay a 20% tax on gross ticket sales, and Congress was debating lowering this tax (as well as others) in a bill being considered by a Congressional committee. This film, which was made especially to be shown to members of the committee, sets forth the motion picture industry's case for reducing, if not eliminating, the tax.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
Documentary/training film depicting the duties of a pilot in the Pacific Theatre of the Second World War as he flies reconnaissance missions over enemy-held islands.
By setting a bad example, pilot Dilbert shows the necessary safety rules for fighter pilots, and the ones training them.
A documentary that follows the story of Dario Pasquarella, deaf director and actor, and his company. Through his work, Dario seeks to bring together the deaf and hearing community, who are usually separated by a lack of communication. In his shows he uses both languages, LIS, sign language and spoken language, to tell stories in which the deaf and hearing can live in symbiosis.
A brisk visual summary of the changing faces of the English town throughout the ages, from the ancients and their hill-forts to the Second World War -- enlivened by the appearance of ghostly denizens to defend their eras against the narrator's various strictures!
30 years ago, the Gagauzian minority living in the northern regions of the Black Sea was left abandoned in the middle of colliding political powers of European Union, Russia, Moldova, Ukraine, and Turkey. Today, Gagauzians have nothing other than their bonds to each other. The Fountain is about the ceasing culture and language of the Gagauz people. It portrays the effects of the rise and fall of the Soviet Union on different generations while displaying the consequences of the vast social assimilation by following the daily lives of local families. The tradition of the Gagauz community is unique and preserved almost intact for centuries. However, it is rapidly fading now, as the elderly pass away. Unfortunately, the fountain flows weaker and weaker through the new generations.
The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.
Short documentary about the Georgian Military Road. Captures Ingush and Ossetian settlements of the early 20th century
The camera wanders through streets standing witness to a war that has destroyed a city and an entire nation. Bagdadi goes to war against the Lebanese civil war, exploring different locations and situations in a country faced with its own demise. The poetic text raises questions of life and death through contrasting images of violent death and the will to live.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A playful and original vision of the indelible mark left by Emiliano Zapata.