In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.
In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.
1968-01-01
5.5
A pioneer in the genre of autobiographical documentaries, this film made by the renowned Cuban director Sara Gómez explores her family roots to offer a family portrait through photos, popular music, and women’s tales. It is also a powerful document of an age and a way of living: that of middle- or upper-class black families in Cuba, meeting in exclusive bars just before the Cuban Revolution.
In Memphis, Tennessee, over the course of a single night, the Arcade Hotel, run by an eccentric night clerk and a clueless bellboy, is visited by a young Japanese couple traveling in search of the roots of rock; an Italian woman in mourning who stumbles upon a fleeing charlatan girl; and a comical trio of accidental thieves looking for a place to hide.
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